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, the Work of Miner Artist| 
Unknown to Her, Charges 
Ms. Long, 


\ ‘Se Pe tine purchased by Mrs. Christine 
ae Brees as a genuine Corot, for 


ee to papers filed Be Mrs. teers 
|yesterday in the Supreme Court. She be- 


an action to recover $7,485 from the An- 
jderson Auction Company and the V. G. 
Fischer Art Company, who, ‘she alleges, 
|sold her the work, whicn Is known as| 
|“Crecy-en-Brie Clocher du Village.” She 
jhas discovered, according to her complaint, 
jthat the painting is worth only $500. 
‘When she purchased the painting Mrs. 
|Long says she was informed that it had 
|}been purchased in 1875 at a sale of Corot’s 
works by the Messrs. Durand-Ruel. It 
was listed and illustrated, she said she 
was told, in Robaut’s “Works of Corot,” 
published in Paris. It is understood that 
‘the | defendants will maintain that- the 
work is genuine and as represented at 
the time of sale. 


AS Washington, D. (ee 


(Incorporated) 


10109 “Qa [ Ag 
‘AMOAISVd LV WELLVD $89 ‘ON 


A 
w/e 
a Collection of 
ame Victor G. Fischer 
Art Company 


of Washington, D. C. 


(Incorporated) 


Oil and Water Color Paintings by Italian, Dutch, 
French, English, and’ American Artists, Ivory 
and Wood Carvings; Dresden, Delft, and 
French Porcelains; Fans, Muznzatures, 
Clocks, Bronzes, Snuff Boxes, 
Watches, Jewelry, Cabinet 
Objects, and Pottery 


Also 


a large number of Etchings, Gravures, Japanese 
and Sporting Prints by the best Artists 


To be sold at Unrestricted Public Sale fee 
Monday, February 19th, 1912 


On Exhibition from February 13th 


The Anderson Galleries 


Madison Avenue at Fortieth Street, New York 


~~ 


CONDITIONS OF SALE 


1. All bids to be PER Lot as numbered in the Catalogue. 

2. The highest bidder to be the buyer; in all cases of disputed bids the 
lot shall be resold, but the Auctioneer will use his judgment as to the good faith 
of all claims and his decision shall be final. He also reserves the right to reject 
any fractional or nominal bid which, in his judgment, may delay or injuriously 
affect the sale. 

3. Buyers to give their names and addresses and to make such cash pay- 
ments on account as may be required, in default of which, the lots purchased 
to be immediately resold. 

4. The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of the 
purchase money to be absolutely paid on or before delivery, in default of which, 
The Anderson Auction Company will not be responsible if the lot or lots be 
lost, stolen, damaged or destroyed, but they will be left at the sole risk of the 
purchaser, and subject to storage charges. 

5. To prevent inaccuracy in delivery and inconvenience in the settlement 
of purchases, no lot will be delivered during the sale. 

6. All lots will be exposed for public exhibition in our Galleries before 
the date of sale, for examination by intending purchasers, and The Anderson 
Auction Company will not be responsible for the correctness of the description, 
authenticity, genuineness, or for any defect or fault in or concerning any lot, 
and make no warranty whatever, but will sell each lot exactly as it is, WITH- 
OUT RECOURSE. But upon receiving before the date of sale, expert opinion in 
writing that any lot is not as represented, The Anderson Auction Company 
will use every effort to furnish proof to the contrary, and in default of such 
proof the lot will be sold subject to the declaration of the aforesaid expert, he 
being liable to the owner or owners thereof, for damage or injury occasioned 
by such declaration. 

7. Terms CasH. Upon failure to comply with the above conditions any 
sum deposited as part payment shall be forfeited, and all such lots as remain 
uncleared after twenty-four hours from the conclusion of the sale, will be 
resold by either private or public sale at such time as The Anderson Auction 
Company shall determine, without further notice, and if any deficiency arises 
from such resale, it shall be made good by the defaulter at this sale together 
with all the expenses incurred thereby. This condition shall be without preju- 
dice to the right of The Anderson Auction Company to enforce the contract with 
the buyer, without such resale. 

The Anderson Auction Company will afford every facility for the employ- 
ment of carriers and packers by the purchasers, but will not be responsible for 
any damage arising from the acts of such carriers and packers. 


THE ANDERSON GALLERIES 


Mapison AVENUE AT ForTIETH STREET, NEw YorkK 


TELEPHONE 7990 BRYANT 


ORDER OF SALES 


Monday Afternoon, February 19th . . . . Lots 1-116 


Ivory and Wood Carvings, Dresden, Delft and French Porcelains, 
Mediaeval Strong Boxes, Curios and Bronzes. 


Monday Evening, February 19th . . . . Lots 117-191 
Paintings. ; 

Tuesday Afternoon, February 20th . . . Lots 192-321 
Fans, Miniatures, Clocks, Snuffboxes and Cabinet Objects. 

Tuesday Evening, February 20th . . . . Lots 322-396 
Paintings. | 

Wednesday Afternoon, February 21st . . . Lots 397-629 


Sporting Prints, Colored Caricatures, Chinese and Japanese Water Color 
Paintings, Porcelains and Pottery, Carvings, Bronzes, Lacquers and 


Screens. 

Wednesday Evening, February 21st . . . Lots 630-701 
Paintings. 

Thursday Afternoon, February 22d . . . Lots 702-837 


Gold and Enameled Watches, Fobs, Chains, Necklaces, Chatelaines, 
Brooches and Rings of finest workmanship and great brilliancy. 


Thursday Evening, February 22d . . . . Lots 838-905-a 
Paintings. 
Friday Afternoon, February 23d . . . . Lots 906-1039 


Necklaces, Chains, Gold and Enameled Watches, Fobs, Rings, Brooches 
and Chatelaines. 


Friday Evening, February 23d . . . . . Lots 1040-1131 
Water Color Paintings by Dutch, French and English Artists. 


Saturday Afternoon, February 24th . . . Lots 1132-1239 


Bronzes, Rugs, Japanese and English Pottery, Arms and Furniture. 


INDEX TO ARTISTS 


Paintings 


Allori Angelo (Called I 

BronZin@) se ee eee 879 
Artz (David Adolph Con- 

SLANT L) Me Setar eas Cee 148, 157 
Bail (Joseph Claude)..... 373 
Barbudos(Sisos pe sense 342 
Bastert (Nicolaas)....... 683 
Bautter(Wicton)-- eee mene 149 
Berghem (Nicholas)...... 139 
Boggs (PrankeMs) 7.) oc: 380 
Bonington (Richard 

Parkes) Stinson aes bode 
Bonvin (Fran¢ois S.)..... . o49 
Boucher (Fran¢ois)....... 394 
Boudin (Eugene) .347, 667, 675, 693 
Bouyband. ne ere 147 
Braga (Cornelius)........ 877 
Brakenburg (Richard)... . 875 
Bridgeman (Frederick A.) 329 
Brooke (Richard N.)..... 117, 150, 

324, 361, 841, 847 
Callcott (Augustus W.)... 864 
oe Merge es oie 180 

Gazing (sare saa 300 
Chase (William M. Ans , 379 
Chelminsky (Jan V.) 152 


Clouet (School of Pini 872 
Collins (William R. A.).. 182, 873 


Constable (John)........ 650 
Corot (J. B. C.)..665, 671, 688, 692 
Cotes i(irancis\ 6 rae 328 
Cotman (John Sell)...... 396 
Coubert (Gustave)....... 368 
Courtois (Gustave)....... 179 
Coxc(Davic)) ear 643, 655 
Crpvellin(Carlo)eee= aoe eee 701 
Cropsey (J. F.).. it 3 840 
Cuyp (Aelvert) [attributed| 354 
Dawson(Henry)......... 377 


De Bock (Theophile) .... 370, 668, 
; 676, 687 
Décamps (Alexander Ga- 


briel). . ae . 659, 666 
De Herrera (F rancisco),. 901 
De Hoog (Bernard).. 159, 372, 695 
De Largilliere (Nicolas). , 368 
De La Tour (Maurice 

Quentin) [attributed]... 145 


Delpy (Hippolyte Camille) 158, 374 
De Neuville (Alphonse). . 345, 660 


De Paredes (Victor)...... 363, 891 
Deshays: (Charles) aaa 344 
De Ville (V2) eee eee 348 
De Wint (Peter)......... 646 
Dodge (William L.)...... 126 
Domingo ose): eae > 890 
Doré:(Gustave)i eee 838 
Eaton (Charles Warren). . 133 
Fielding, (Copley) =e 644 
Gainsborough (Thomas) 362, 395, 
880, 885 
Garcia; (Diane @aeneeeee 144 
Giordano (Luca)......... 898 
Girtin (Thomas)......... 641 
Gosselin (Albert)=- eee 686 
Greenwood. . = 129 
Greuze (Jean Baptiste). . _ B38; 888 
Groenewegen (A. J.)..... 682 
Hamilton (J. Whitelaw). 382 
Hamilton (William)...... _ 865 
Hardy (Heywood)....... 867 
Harpignies (Henry)... ... ae 673 
Heffner (Professor R.).. 156 
Hendrich (C.)) eee 161 
Henri (Robert) eee 635 
Hitchcock (George)... ... 189 
Holbein (Schoo! of)...... 170 
Holland (Joseph)........ 651 
Hovenden (Thomas)... .. 870 
Hudson (Thomas)....... 380 
Huet (Paul). eee 341 
Ingham (N. me [Charles 
ste * ee 846 
Israels (Josef). MRRP Sig 5c 369 
Jackson (John)=)2 >see $45 
Jacque (Charles)>.. (22225 663, 672 
Jamesone (George)....... 899 
Jettel (Eugene). ee 678 
Johnston;(R: 2a) eee 326 
Kauffmann (Angelica) ... 331, 849 
Kensett (jf) 335 


Kever (J. H. S:)..: . . -685,,690"694 


PAINTINGS—Continued 


Kneller (Sir Godfrey)..... 134, 160, 

167, 334, 376 
Kudjih Me Hayne....... 632 
Laneret (Nicolas)...:.... 897 
Lawrence (Sir Thomas)... 393, 882 
Meader (BS W.) 42 .. 138 
Lebrun (Madame Vigee).. 895 
Ledoux (Mlle. - coreite 885 
Leitch (W. L.).. ee 645 
Lejeune ( Eugene)... 856 


Lely (Sir Peter). 184, 367, 392, 900 
Le Rolle (Henri)......... 178 


L’Hermitte (Leon). . . 348, 670 
itynetats hh Fad 358 
Loewith (W.).. blk, 657 
Macy (W.S.). Sess, 633 
Manet (daa) ee 638 
Mann (Parker)... 353, 636 
1 TR LCS) eae ee 118 
Mauve (Anton).......... 674, 681 
Mengs (Anton Raphael) .. 131 
Mesdag (H. W.)......... 680 
MMessemCHee.\s 2. i... 630, 844 
Meyers (Jerome)......... 634 
Mignard (Pierre) [attri- 

uted |S aa, 128, 356, 886, 893 
Millett (Jean Frangois).. . 689 
Monchablon (Jan)....... 684 
Monticelli (Adolph)...... 699, 677 


Morland (George)... . 133, 360, 384 


MIGMOR VE.) oees..o..«. 119,323 
RUSIME (PANE. s cc. a ee 871 
Nattier (School of). . 181, 381, 889 
_ Neuhuys (Josef)......... 371 
Newman (RaL.). 0.5... 124 
Niemann (E. Vis 391 
Noble (R.).. Sea 699 
Nourse (Elizabeth). ese 336, 902 
903, 904 

Oakes (John eet Nee 339 
Opie (John). . neg. 141 
Pacher (Ferdinand)...... 174 
lene (CRT on ee 848 
Parton (N. A.) [Arthur]. . 151 
Peale (Rembrandt)....... 136 
Peppercorn (A. D.)...... 662 
icknellsCW. Li.) . 0. es... Sa 
Pocock \isdac)).%.05 a... 355 
Prout (Samuel)...... 640, 648, 653 


Pyne (R. A.) [James 
VCH ET or ti ates Hes 176 


Reataeli (|e \ierrecite sae 661 
Rembrandt tha Be 896 
Reyna. he 121 
Ribot (Theodule).. : 697 
Roberts (David)......... 186, 656 
Ronner (Henrietta)...... 188 


Roos (Philipp Peter) 

[Called Rosa Di Tivoli]. 135, 359 
Rowlandson (Thomas).... 649, 654 
Russell (John) [attributed] 146, 190, 

327, 365, 884 


Russwurm (Gleichen). . 158 
Saint Aubin (Gabriel 

Jaeques(de)mass ane: 385 
Dchineideriets seeker. rccmes 5 351 
Shackleton (William)..... 894 
Stuars (Gilbert)... = =. 854 
Stag itad( Ay) oan ec: 191 
Stanfield (W. Clarkson). . 364 
Teniers (David The 

WiGOune ene es ce 340, 378 
STG eran tin GAC) atic suegcr cen: 175 
Thaulow (Fritz)..... 164, 346, 892 
Tischbein (Karl Ludwig). ial 
Trevisani (Francesco Cav- 

SUVS = Oa Be ate eg a a 142 
Troubetskoi (Prince)..... 120 
Trouilleber. . 375 
Turner (J, 2 M. W. ) fattri- 

{OULEE MPs ees ie 652, 881, 698 


Unknown Painter, 123, 125, 127 
130, 166, 168, 169, 172, 183, 382 
390, 637, 639, 839, 842, 848, 852 
855, 857, 861, 863, 866, 868, 887 


Masi @ouvens (3's) is-aee ne 389 
Van De Velde (A.)....... 878 
Van Der Weele (H. J.)... 154 
Van Dyck (Anthony) 

uncle eto, eee hems eer nae 386, 700 
Van Goyen (Jan)........ 874 
Van Marcke (Emil)...... 387 
Van Mierevelt (Michael) 876 
Van Ravensteyn (Jan).. 187 
Van Ruysdael (Jacob) 

Bye sien aye eSCallleee ae, cee 860 
Verbeockhoven ( aes a3 

Joseph. . ee 177 
Veronese (Paolo). a ed 905 
Vibert hen Georges) . 155 
Vidal (A.). Wee. B25 
Vollon (A.) Ris ees: 679 


PAINTINGS—Continued 


Waartlg( Ne: he eee 850, 851 
Wardle (Arthur)........ 185, 905-a 
Weiland (Johannes)...... 162 
Weissi(Josei)e a soem 696 
Weissenbruch (J. H.)..... 691 
Wetherington (J. R.)..... 165 
Wey aia xeenee ae nee 122, 143, 


322, 366, 631, 853, 862 


Wilkie (Sir David)....... 867 
Willcock (Gs B.)y aa 352, 357 
Williams (C3)... 163 
Wilson (Richard).... 132, 141, 858 
Windmaier (A.).. eS 333 
Wouverman (Philips)... 859 
Ziem: (Félix)... see 383, 658 


Framed Water Colors 


Baler (Werle reer 1055 
Bonheur Auguste........ 1106 
Bonheur (Rosa). .1096, 1103, 1109 
Gascalloe- nee eee 1068, 1091 
De Bock (Theophile)..... 1118 
Deslongi(y siesta seks 


Domingo (R.), 1054, 1056, 1058, 
1060, 1062, 1065, 1067, 1070, 1073 
1075, 1078, 1081, 1084, 1086, 1089 


1099 
Foster (Birket).......... 1092 
Gilberte (Victor) sa. ese 1059 
Groenwegen (A. J.)...... 1095 
Gudin (Theodore)........ 1057 
Helleu ae re ee LOE irs 
Henkeli(Gs a. eee 1069 
Hulk (John rT ie Le 1110 
Israels nei eee ialotil 
Jacque (Charles) see =. 1097 
Keéverr (| AS arene 1120 


Lutz (G.)..1061, 1074, 1083, 1088 


Unframed 
Apuls(owis) ap ane 1041 
Baer (Weenies ace 1040 
Blas (V.).. he Se 1052 
Bunner (A. F.). Tea eee 1042 
dderson (Ee )nee Senta 1043 
Kasekawae pees 1044 
Mander (Ely i.) ss ee ee 1051 


Mariana... 22s 1077 
Nakagawa (H.).......... 1085 
Nash (After Sir David 

Wilkie). 35 eee 1082 
Nusbering (M.).......... 1093 
Offermans (Tony)........ bby 
Pelikan: (3)... 1064, 1079 
Ripp (William E.)....... 1113 
Ripp (Willhiam’C))) ee 1116 
Rosenboom (Henrietta)... 1122 
Roys (Bake 1072 
Smiths Hald Gh.) 1066 
Smith (Hopkinson F.).... 1104 
Steelink (W.)=. 52). ee 1108 
Tadama (Ee. eee 1121 
Tadema (Mrs. Alma).. 1119 
Titian (after) .s4 eae 1062 
Van Bosse (Bilders)...... 1100 


Van Mastenbroeck (H.J.). 1112 
Von Pettenkoffen (August) 1105 


Wardle Arthur, 1071, 1076, 1080, 
1087, 1990, 1094, 1098, 1102, 1107 


Water Colors 


Leteurtex I)... eee 1047 
Millspaugh®; =o-e eee 1049 
Qudart: Gelix) <5 -= ae 1048 
Rivoiresn.z. 1050 
SIMOnetti. 4... 4. eee 1045 


PREFATORY NOTE 


OR a quarter of a century Mr. Victor G. Fischer was an 
influential figure in the Art life of Washington where he 
drew to his Galleries the Art loving public, not only of Washing- 
ton but visitors to the Capital from the country at large. Last 
year the dissolution of the V. G. Fischer Art Company (Incorpo- 
rated) led him to give up his Washington Galleries and now 
the entire property of the Company is to be sold without 
reserve in The Anderson Galleries. 

In the preparation of the Catalogue the greatest care has 
been exercised by the cataloguers to present the works accu- 
rately and to secure correct attribution, in which they have 
been ably supported by Mr. Fischer. In some cases where 
works by the older painters had been bought with definite 
assurance of their genuineness, they have been entered as 
attributed to the Artists in order more fully to protect the 
buying public, it being Mr. Fischer’s desire that no doubts 
shall be raised as to the authenticity of any picture. 

In spirit and training Mr. Fischer is first the collector and 
amateur, with enthusiasm and deep love for Works of Art and 
only a dealer by vocation. With his wide acquaintance with 
. Artists and the collectors of Europe and America he has gathered 
a large and varied collection of Paintings covering all schools 
and periods; also a large collection of Curios, Bronzes, Watches, 


Clocks, Fans, Snuff boxes, and other articles of virtu. 


ee 


FIRST SESSION 


Ivory and Wood Carvings; Dresden, 
Delft, and French Porcelains; 


Curios, and Bronzes 


A PAIR OF BRONZE DOOR PULLS. 


Shaped as monkeys in costume. Height, 5 inches. 


FLARING CRYSTAL CUP. 


Etched with floral pattern. German. 
Height, 8 3-4 inches. 


A PAIR OF ITALIAN BRONZE ORNAMENTAL DOOR 


FIGURES. 
Shaped as cherubim. Height, 6 1-2 inches. 


TORTOISE SHELL CARD RECEIVER. 


Silver rim and base with four ball feet. Inside orna- 
mented with relief bust in silver. (Cracked). 
Length, 8 inches; width, 5 1-2 inches. 


meoPANISH ALTAR TABLET. 
A frame of gilt metal of rococo design encloses the 


words of the Roman Church service. Height, 21 inches. 


~ 


15 


6 ITALIAN THUMB RING. 


Steel with seal top bordered by rope edging ending in 
four female heads at the corners; elaborately orna- 
mented with bronze figures, animals and flowers in 
relief. The top opens showing a small velvet-lined box. 

Length, 2 1-2 inches; width, I 1-2 inches. 


7 A SPANISH ALTAR FRAME AND RELIQUARY. 


Silver gilt of rococo pattern; the upper part forms a 
frame for the text, the lower part a deep receptacle 
for relics. Height, 37 inches; width of base, 18 inches. 


8 SMALL FLOWER VASE. 


It is decorated with a mottled glaze of yellow and pale 
green. (Slightly cracked.) Height, 7 inches. 


9 LANTERN OF GERMAN ENAMEL. 
With panels of colored glass. Height, 9 1-2 tinches. 


10 PITCHER-JUG OF GRAY SALT-WARE. 


It is decorated with figures in relief wearing crowns, 
scrolls and bands in blue. 


11 PEWTER HOT WATER PLATE WITH HINGED 
HANDLES. 
Johnson, Maker. London Hall Mark. 


Diameter, 11 inches. 


12 PUZZLE PITCHER OF ITALIAN MAJOLICA. 


Decorated with a relief medallion and bands of fret 
pattern in black, yellow and green. 


16 


13 


14 


16 


7 


18 


19 


OLD ENGLISH PORCELAIN GROUP. 
“The Topers.”’ Height, 8 3-4 inches. 


OIL JUG OF ITALIAN MAJOLICA. 


Decorated with blue having a moulded handle. 


PUZZLE JUG OF ITALIAN MAJOLICA. 


Urn-shaped with two spouts as handles; the interior 
of the bowl is divided into two halves and the rim 
perforated with triangular openings; decorated in 
yellow, blue and black in a fret pattern. 

Height, 8 inches. 


FLOWER VASE OF ITALIAN MAJOLICA. 


Of cream ground splashed with green, brown and red. 
Height, 10 inches. 


SILVER MEDALLION. 


“The Mater Doloroso”’ in high relief in a silver frame 
surmounted by a cross. 


Height, 6 1-4 inches; width, 4 1-4 inches. 


SPANISH BRONZE MINIATURE FRAME. 


Decorated with shell and scroll ornament; the back 


stamped with religious symbols. 
Height, 4 inches; width, 2 3-4 inches. 


FOUR WOOD RELIEF CARVINGS. 
“The Martyr’s Crown,” “The Sorrowing Woman,” 
“Pastoral Life,’ and “ Pursuing Conscience.”” German 
Renaissance. Mounted on crimson velvet framed in 
wood. Each panel, 2 1-2 inches high; width, 4 1-2 inches. 


17 


20 


22 


23 


SMALL IVORY CARVING. 


Christ on the Cross with Mary at its foot. (A part of 
the cross missing.) Height, 4 1-2 inches. 


TANAGRA TERRA COTTA FIGURE. 


A water carrier with a jar at her side holds another on 
her head. Height, 8 inches. 


CRUCIFIX. 


Carved ivory Cristus on an ebony cross. 
Length, 12 1-2 inches. 


METAL STRONG BOX. 


Resting on four ball feet; brass handles; steel mount- 
ings; combination lock in working order. 


Length, 9 1-4 inches; height, 6 inches. 


BOX SHAPED AS A VIOLIN. 


Of silver, enameled in Watteau scenes; inside deco- 
rated with landscapes. In leather plush-lined case. 
Length, 11 1-4 inches. 


SILVER MEMORIAL PLAQUE. 


The bust portrait of Margaret of Valois, Queen of 
Navarre, in medallion on ornamental Renaissance 
panel; mounted on a panel of maroon velvet with a 
gold tablet bearing the inscription: ““MARGARITA- 
VALESIA-REG-NAV-D-BEARNI.” Printed impres- 
sion mounted on back of the panel. Modern German 
workmanship. Height, 12 inches; width, 9 1-4 inches. 


18 


26 


27 


28 


29 


30 


PaeGt TABLE COVER OF OLD ITALIAN SILK 
BROCADE. 

The pattern is of flowers, leaves and scroll work in 

colors on an old rose ground. Lined with yellow silk. 


76 x 80 inches. 


CHASUBLE OF IVORY SILK BROCADE. 


The pillar formed of gold braid in the form of a cross 
is embroidered in colors and gold with a flower, leaf and 
scroll pattern surrounding a cross and crown rayed 
with gold. Italian workmanship. (The front worn 
but neatly mended.) 


SMALL PICTURE ON SILVER. 


“Christ’s Entry Into Jerusalem.” Russian, XVIth 
century. Height, 3 inches; width, 2 inches. 


SMALL WOOD CRUCIFIX. 


Silver mounts and silver Cristus; the wood studded 
with pearl stars, many of them now missing. 


Length, 3 1-2 inches. 


GOTHIC WOOD CURVED DIPTYCH. 


The carving in relief represents Christ and Saints 
followed by the people; on the cover is the figure of 
- an angel. Formerly colored. 


Height, 4 3-4 inches; width, £ inches. 


SILVER MINIATURE FRAME ENCLOSING PRINT. 


“The Descent from the Cross.” 
Height, 5 inches; width, 3 1-2 inches. 


19 


34 


Df 


38 


A FIGURE OF THE VIRGIN STANDING. 


Oval pedestal of pink marble on a square base. Italian. 
Height, 6 3-4 inches. 


SPANISH FOLDING ALTAR MISSAL REST. 


The base resting on four silver feet shaped as acorns, 
is covered with red velvet overlaid with silver orna- 
ment in the form of garlands, ribbons and cherubim. 
The desk covered with silver in a latticed design is 
bordered with a mulberry vine pattern. 

Length, 16 1-2 inches; width, 12 1-2 inches. 


A PAIR OF ANTIQUE BRONZE DOOR KNOCKERS. 


Neptune with trident stands surrounded by sea 
horses, supported by shell work; below is a lion’s 
head. (6 pieces.) Height, 17 inches. 


A PAIR OF SPANISH ALTAR TABLETS. 


Gilt metal frames of rococo pattern enclosing scripture 
texts. Height, 14 inches. 


SPANISH DOUBLE CROSS. 


Bronze chased with figures, symbols and lettering; sus- 
pended from a brass chain. Length, 6 1-4 inches. 


GOTHIC IVORY TERIPT¥Ce: 


A relief carving tinted: ‘Soldiers acclaiming their 
Sovereign.” Height, 6 inches; width, 4 inches. 


LIMOGES ENAMEL PAINTING ON COPPER. 
““A Royal Feast.”’ In an ebony frame. 
Height, 3 3-4 inches; width, 5 3-4 inches. 
20 


a 


40 


4] 


42 


43 


44 


PAIR OF BRONZE PANEL PICTURES. 


“St. Sebastian” and ‘‘Mary Magdalen” modeled in 
relief. Height, 4 inches; width, 2 3-4 inches. 


CLEOPATRA’S NEEDLE IN BRONZE. 


It rises from a marble base having four brass feet and 
is ornamented with brass guard chains. 
Height, 17 1-2 inches. 


CIRCULAR RUSSIAN BRONZE PLAQUE. 


Decorated in relief with a design of running deer and 
leaves. Diameter, 18 inches. 


RUSSIAN IKON. 


Of gilt metal showing three figures of saints. 
Height, 7 3-4 inches; width, 6 3-4 inches. 


TWO BOOK COVERS OF TORTOISE SHELL. 


Clasps, hinge straps and ornamental mounts of filigree 
silver and gilt metal. 
Height, 5 1-2 inches; width, 3 1-2 inches. 


Sea nistt RELIQUARY, XVITH CENTURY. 


Wood covered in velvet, with gilt metal chased bands 
and octagonal panels of saints in repoussé; the hinged 
cover decorated with symbolical figures of the Evan- 
gelists in relief and surmounted by the reclining figure 
in brass of St. Peter. The sides and cover studded 
with brass knobs. Length, 8 3-4 inches; height, 7 inches. 


21 


45 


46 


47 


48 


49 


OCTAGONAL .-BRONZE PLAQUE BY ANDERE 
RICCIO. 
Subject ‘“The Holy Family with Angel in Adoration” 
modeled in high relief. 
Height, 11 3-4 inches; width, 15 inches. 


Framed in mahogany. 


BRONZE PLAQUE OF THE XVITH CENTURY, 
BY AN UNKNOWN MASTER. 
It represents ‘“The Rest on the Flight Into Egypt” 
modeled in high relief. 
Height, 13 1-4 inches; width, 9 inches. 


Framed in oak. 


RECTANGULAR BRONZE PLAQUE BY CLODION. 


Subject “A Bacchanal.” Signed. 
Height, 8 inches; width, 20 inches. 


Framed in oak. 


UPRIGHT BRONZE PLAQUE BY SARAH BERN- 

HARDT. 
Subject “Fame Crowning Shakespeare and Moliére.” 
Height, 19 inches; width, 13 3-4 inches. 


In a carved oak frame. 


BRONZE FLOWER BOWL. 


Shaped as a shell, above which rises a bronze figure of 
a naiad, Height, 11 inches. 


22 


50 ORNAMENTAL BRONZE PITCHER, LOUIS XVITH 
DESIGN. 


The bowl exquisitely chased and ornamented in relief 
with classical figures. Handle shaped as Venus. 
Height, 12 inches. 


Se Niort Ae IAR CRUCIFIX, XVITH CENTURY. 


Rock crystal mounted in silver gilt metal ornately 
chased, with applied figures in relief; the ends of 
the cross terminating in crystal balls, and the orna- 
ments studded with gems; mounted on gilt metal 
standard with four feet shaped as cherubim. 
Height, 19 1-2 inches. 


52 GROTESQUE PITCHER OF SILVER BRONZE. 


Shaped as a goose, the body ornamented with 
feathers in relief and grotesque masque. 
Height, 11 inches. 


pee LIAN TEA CHEST. 


Of white marble with paneled sides, the top orna- 
mented in mosaic and fitted with silver handle. Interior 
contains three compartments with silver covers hav- 
ing rose knobs. 

Length, 6 1-4 inches; height, 5 3-4 inches. 


54 ANTIQUE LOCK. 
The face, ornamented with gilt metal pierced and 
chased, bears the date “‘1776” and the monogram 
“F. E.G.” The ornamental back is of pierced steel 
chased. (2 keys—one iron and one brass.) 


23 


55 


56 


57 


58 


59 


ITALIAN STEEL STRONG BOX. 


Resting on four ball feet; the sides, ends and top 
chased in a floral pattern and studded with cherubim 
and rosettes. The cover is fitted with a trick lock. 

Length, 7 1-2 inches; height, 5 1-2 inches. 


CAPO DA MONTE PLAQUE. 


Representing the death in battle of a Roman General. 
Wood frame. Height, 8 1-2 inches; width, II inches. 


JEWEL BOX IN THE FORM OF A DESK OF LOUIS 
XVTH PATTERN. 

French bronze chased in rococo design, the interior 

lined with gold plush. The hinged cover is fitted with 


a lock in working order. 
Length, 6 1-4 inches; height, 5 1-2 inches. 


STRONG BOX OF THE XVITH CENTURY. 


The steel coffer, with paneled sides, ends and cover 


chased in a pattern of figures and leaves, rests on four 
ball feet. The hinged cover with handle is fitted with 
an elaborate lock in working order. 


Length, 7 1-2 inches; height, 4 1-2 inches. 


CAPO DA MONTE PORCELAIN JEWEL BOX. 


Chased gilt bronze mountings. The sides and ends 
are decorated with classical and religious subjects; 
the hinged cover decoration represents ‘“The Toilet 
of Venus.” Length, 6 1-2 inches; height, 5 inches. 


24 


See ll ee ee ee eee 


60 


61 


62 


63 


64 


ITALIAN METAL STRONG BOX, 


_ The sides, ends and top in an interlaced openwork 
pattern; four ring handles; fitted with an elaborate 
trick lock. Length, 9 3-4 inches; height, 4 1-4 inches. 


A PAIR OF ANTIQUE BRONZE DOOR KNOCKERS. 


A winged dragon rampant holds a serpent in his 
mouth; masque plates formed as grotesque heads. 
(4 pieces.) Height, 10 inches, 


TWO PHOTOGRAPH FRAMES OF SILVER BRONZE. 


One a Cossack soldier standing. 
Height, 6 inches; width, 6 inches, 
One of Florentine design. 
Height, 10 3-4 inches; width, 7 1-4 inches. 


A SILVER CRUCIFIX. 
Italian workmanship. Height, 11 1-2 inches, 


A PAIR OF DECORATED DRESDEN PORCELAIN 
FIGURES. 


A man and a woman in oriental dress playing a lute 
and a hurdi-gurdi. Height, 7 inches. 


UNDECORATED DRESDEN PORCELAIN GROUP. 


A lover playing a pipe to his mistress seated, and a 
small boy at play near by. Factory Marks of 1750 
to 1760, Height, 10 1-2 inches. 


(See Illustration.) 


25 


66 


67 


68 


69 


70 


71 


UNDECORATED DRESDEN PORCELAIN GROUP. 
‘Three children playing “see-saw” before a Term. Fac- 
tory Marks of 1750 to 1760. (Repaired.) 


Height, 11 1-4 inches. 
(See Illustration.) 


UNDECORATED DRESDEN PORCELAIN GROUP. 
Three children, two boys and a girl on stilts are seen 
before a Term. Factory Marks of 1750 to 1760. 


. Height, 10 1-2 inches. 
(See Illustration.) 


MADONNA AND INFANT CHRIST. 


Relief panel in silver, framed in green velvet. 
Height, 6 1-2 inches; width, 5 1-2 inches. 


OVAL -PALISSY FRUITIER. 


On a low base. The decoration represents the Bap- 
tism of Christ. Fluted border. (Repaired.) 
Length, 10 1-2 inches; width, 8 1-2 inches. 


LADY’S INKSTAND OF BATTERSEA ENAMEL. 


A tray on four feet with two inkwells; all decorated 
with pastoral scenes in sanguine on a white latticed 

ground studded with blue. 
Length of tray, 8 1-4 inches; width, 4 1-2 inches. 
Inkwells, 2 inches high. 


GILT METAL AND ROCK CRYSTAL CUP. 
The metal cup ornamented with a floral. band in 
repoussé is supported by a stem formed as a nude 

child standing on a crystal hexagonal base. 
Height, 7 1-2 inches. 


27 


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ee 


74 


isl 


76 


AGATE CUP. 


The stem of ormolu formed as an amorino seated on a 
bell-shaped base, chased and studded with semi- 
precious stones. Height, 5 1-2 inches. 


FOLDING CHECKER BOARD. 


Ornamented inside and out with etched ivory inlays. 
Twenty-three checkers carved in relief with heads of 
men and women of various nations. German work- 
manship. Dimensions closed, 12 x 12 inches. 


BRONZE PROCESSIONAL CRUCIFIX. 


Gilt bronze cross ornately fashioned with the forms of 

Christ, Mary and apocalyptic figures in relief on both 

sides. In leather case. Spanish XVIth century. 
Length, 12 inches. 


MGALTEVAND SILVER METAL CUP. 


Red agate bowl mounted on a lyre-shaped stem 
enclosing the figure of a man; the base resting on 
four feet is ornamented with arabesques in repoussé 
and studded with gems, which also encircle the rim 
of the cup. | Height, 6 3-4 inches. 


PAIR OF WOOD CARVINGS. 


The figures represent Christ and Mary standing on 
octagonal bases. Fine examples of wood sculpture. 
German workmanship. Height, 14 inches. 
(See Illustration.) 

29 


(el 


78 


he 


80 


81 


ITALIAN LACE WORK-BOX. 
Of wood encrusted with ivory, inlaid with silver and 
enamel, it rests on four ball feet. The interior con- 
tains numerous compartments fitted with ivory inlaid 


covers, and holding the accessories used in lace making. 
Length, 13 1-2 inches; height, 4 1-2 inches. 


ANTIQUE ITALIAN JEWEL CABINET. 


The outside, covered with embroidery in silk, shows a 
pattern of figures, flowers, birds and butterflies; the 
cover and front, opening, reveal four drawers and six 
compartments. Length, 11 inches; height, 7 inches. 


TRAY OF SILVER AND COPPER SCG 
VARIOUS NATIONS. 
25 of silver and 237 of copper. 


ITALIAN BRONZE JEWEL BOX. 
Decorated in relief with Renaissance pattern, having 
gilt bronze mounts which form the feet at four corners. 
The hinged cover with working lock surmounted by a 
basket of flowers in gilt bronze. 
Length, 5 inches; height, 5 inches. 


OVAL PLAQUE OF SILVER BRONZE, BY F. VIL- 
LANIS. 
Subject “The Water Nymphs Bathing” modeled in 
low relief. Height, 13 inches; width,.19 1-2 inches. 
30 


82 RELIEF WOOD CARVING BY AN UNKNOWN 
ARTIST. 


Subject “The Presentation in the Temple” showing a 
group of eight figures carved in high relief against an 
architectural background representing a church inte- 
rior. Formerly attributed to Albrecht Direr. 

Height, 13 1-2 inches; width, 17 1-2 inches. 


In an antique gilt frame. 


83 DEEP CIRCULAR BRONZE PLAQUE. 


Decorated in relief with grotesque masks, leaf and 
tree pattern. Diameter, 19 inches. 


84 HALF LENGTH FIGURE OF A WOMAN IN WAX 
(ATTRIBUTED TO ALBRECHT DURER). 


With one elbow leaning on a book, her hand across 
a money bag, she grasps in her right hand a number of 
coins. Over her white hair is folded a kerchief and a 
scarf is gathered about her neck. 

Height, 7 1-2 inches; width, 6 3-4 inches. 


Mounted on a glass background and framed in ebony. 


85 INDIAN PLATEAU OF SILVER BRONZE. 


The center shows an Indian temple with two open 
shrines and figures of angels in the sky offering gar- 
lands. The rim is encircled with mythological and 
other figures in relief; beaded edge. Diameter, 19 inches. 


86 TALL VASE, BY CLEMENT MASSIER, GOLFE-JUAN. 


Slender-bodied with winged handles decorated in relief, 
covered with a rich glaze of deep brown and blue splash. 
Height, 16 1-2 inches. 


Bl 


87 


88 


89 


90 


elk 


92 


WEDGWOOD TODDY JUG WITH SILVER COVER. 


Decorated with scenes of the “Festival of Bacchus,” 
grapes and leaves in relief. Height, 9 inches. 


OLD DELFT CRACKER JAR WITH COVER. 


Round jar decorated with a conventional leaf and 
flower pattern; two handles. Height, 4 inches. 


ELEPHANT OF CARVED EBONY. 
The elephant with ivory tusks and eyes bears on his 
back an Indian potentate seated with an ivory palm of 
victory in his hand; behind him is seated a servant 
holding a sunshade over his master. Height, 23 inches. 


LARGE VASE, BY CLEMENT MASSIE RI Goer 
JUAN. 


Tall urn-shaped with two handles it is covered with a 
rich glaze of deep orange and blue splash. 
Height, 33 inches; diameter, 12 inches. 


HEXAGONAL DELFT JAR WITH COVER. 


The six sides are painted in alternating floral and land- 
scape panels on a ground of conventional flowers and 
scrolls; the cover is similarly decorated and sur- 
mounted by the Dog Foo. ~ Height, 15 inches. 


DELFT MENU HOLDERS. 
Shaped as little plates with original easels. (18 pieces.) 
32 


93 


94 


95 


96 


97 


98 


OLD DELFT PITCHER VASE. 


The globular bowl has a handle shaped as a winged 
figure with a bird perched on the rim; the sides are paint- 
ed with landscapes and figures, and the neck and base 
have conventional scroll borders. Height, 14 inches. 


LONG-NECKED VASE, BY CLEMENT MASSIER, 
GOLFE-JUAN. 


Broad shouldered, covered with a rich glaze of red, 
yellow and green splash. Height, 16 inches. 


OVAL WEDGWOOD PLAQUE IN BLACK BASALF. 


Representing the power of the medusa head. Marked 
Wedgwood. Date about 1770. Mounted in a black 
wood frame. Height, 6 inches; width, 8 3-4 inches. 


OLD DELFT FLOWER VASE. 


It has a shaped body with a wide mouth, the front 
painted with a vase of flowers surrounded by a leaf 
and flower border. Height, 17 1-2 inches. 


LONG-NECKED VASE, BY CLEMENT MASSIER, 


GOLFE-JUAN. 
With broad shoulder it is covered with a rich glaze of 
red, yellow and green splash. Height, 16 inches. 


URN-SHAPED AUSTRIAN VASE WITH SQUARE 
DETACHED BASE, BY BEER. 


The bowl is painted with two lovers and amorini on a 

cloud background; the neck and stem decorated with 

gold in a leaf pattern on blue ground. (The vase is 

slightly cracked.) Height, 17 inches. 
33 


99 LOW ‘JARDINIERE, BY CLEMENT MASSIER, 


100 


101 


102 


103 


GOLFE-JUAN. 


Of oblong shape and flaring base, covered with a deep 


red glaze splashed with gold. 
Length, 15 1-2 inches; width, 9 inches. 


URN-SHAPED PORCELAIN HALL VASE. 


It is decorated with sprays of roses, birds and butter- 
flies on a blue and white clouded ground; the base 
and rim decorated in a conventional floral pattern of 
dark red and blue; of wide mouth, in turquoise 
blue glaze. Height, 32 inches. 


SEVRES REVOLVING URN WITH COVER. 


Of deep rich blue-de-roi color with ormolu rim and 
base; handles shaped as fauns’ heads and pinieapRie 


finial also of ormolu. (Stem chipped.) 
Height, 20 inches. 


WEDGWOOD WATER KETTLE SINS SBEACK 
BASALT. 


The bowl is decorated with amorini at play; the lid 
with leaf ornament in relief and the figure of a dog 
as knob. Trefoil bail. 


OLD ENGLISH METAL PAINTED TRAY. 


The field is painted with a hunting scene; the border 
shows flowers in black and gold on a red ground. 
Length, 32 1-2 inches; width, 23 1-2 inches. 


34 


104 A PAIR OF LARGE REVOLVING SEVRES VASES, 
BY DESPREZ. 


The bowls are exquisitely painted with scenes of 
Napoleon’s campaigns; the necks and stems are 
decorated with floral sprays and spread eagles on a 
blue ground, the stem showing the letter “N” and 
the dates “1797” -and “1805” respectively. Finely 
chiseled ormolu mountings and gilt metal base. 


Signed. Height, 33 1-2 inches; diameter, 14 inches. 


105 WIDE-MOUTHED VASE, BY CLEMENT MASSIER, 
GOLFE-JUAN. . 
Urn-shaped with two small handles, covered with a 


rich glaze of deep red and blue splash. 
Height, 10 inches. 


106 LARGE WEDGWOOD EWER AND TRAY IN BLUE 
AND WHITE. 


The bowl of the ewer is decorated with medallions of 
dancing figures surrounded by garlands, ribbons, 
masks and shellwork. It has a high loop handle 
formed as an arabesque supported by a cupid resting 
upon a ram’s head. In front sits a naiad holding 
laurel garlands. Height, 25 inches. 


The tray is decorated with reclining figures of a river 
god and naiads surrounded by scroll work and masks. 
Diameter, 16 inches. 


107 LARGE VASE, BY CLEMENT MASSIER, GOLFE- 
JUAN. 
In shape it is broad shouldered with slender base and 
is covered with a deep rich glaze without ornament. 
Height, 40 inches; diameter, 20 inches. 


30 


108 A COUNTRY SQUIRE’S PORCELAIN PUNCH BOWL 
WITH COVER AND TRAY. 


The bowl is decorated with four animal heads modeled 
in high relief surrounded by an intricate pattern of 
vines and leaves and broken by cartouches showing 
coat of arms and emblems of sport and chase. On 
the cover is the figure of a calf reclining bordered by 
a garland of grain. Height, 15 inches. 
The tray is bordered by a garland of fruit and flowers. 

Diameter, 17 inches. 


109 MAHOGANY COLONIAL TABLE. 


It has a pineapple carved stem and three spread 
carved legs with claw feet; round top with gadrooned 
edge. Diameter, 33 inches. 


110 LARGE URN, BY CLEMENT MASSIER, GOLFE- 
JUAN. 


Of urn shape with two handles, covered with a deep 
green glaze without ornament. Signed. ; 
Height, 42 inches; diameter, 18 inches. 


iti A PAIR OF WOOD PEDESTALS: 


The shaft is of mahogany with the Corinthian capital 
and base of gilt wood. Height, 43 inches. 


112 MOORISH LIBRARY ‘TABLE OF HEXAGONAL 
FORM. . 


The six carved legs are joined by Moorish panels 
carved in relief in an intricate floral and ribbon pat- 
tern; the top is carved in the center with an octagonal 
panel of leaves and berries, and edged with a carved 
conventional leaf border. 


Height, 26 inches; diameter, 30 1-2 inches. 
36 


113 


114 


115 


116 


BRAZIER OF BENARES BRASS. 


_ The cover is pierced in an intricate flower and leaf 
pattern enclosing medallions engraved with figures; 
the bowl is similarly ornamented. Diameter, 15 inches. 


A THREE-FOLD LEATHER SCREEN. 


The center panel is painted with a Watteau scene in 
Vernis Martin; the wings in garden scenes with pea- 
cocks; the back is decorated with floral designs and 
arabesques. Height, 55 inches; width, 40 inches. 


BRONZE FIGURE BY AN UNKNOWN ARTIST. 


Subject “Springtime.” Standing on one foot on a 
hemispherical revolving base strewn with flowers, a 
winged female figure draped, speeds through the air 
scattering flowers. Height, 40 inches. 


BRONZE GROUP BY PAUL DUBOIS. 


Subject “France Weeping for her Children.” F. 
Barbedienne, Paris, founder. Height, 38 inches. 


Round ebony carved pedestal with revolving top. 


SECOND SESSION 


Paintings 


RICHARD N. BROOKE 


‘Contemporary American Painter 


117 A WOODLAND SKETCH. 


Panel. Signed with initials. 
Height, 4 3-4 inches; width, § 1-2 inches. 


C. MARY 


118 A BOUQUET OF FIELD FLOWERS. 


Canvas. Signed. 
Height, 8 1-2 inches; width, 6 1-2 inches. 


M. MUNOZ 


Contemporary Spanish Painter 


Poe SIUDY OF TURKEYS. 


Panel. Signed. 
Height, 4 inches; width, 6 inches. 


39 


GS 


PRINCE TROUBETSKOI 


Contemporary Russian Painter 


120 —PARIS STREETSCENE Aaa Gre 


Panel. Signed in monogram. 
Height, 6 inches; width, 9 1-4 inches. 


REYNA 


Contemporary Spanish Painter 


121 . THE LAGOON, VENICE: 


Panel. Signed and dated “Venice.” 
Height, 9 inches; width, 6 inches. 


MAX WEYL 


Contemporary American Painter 


122 LANDSCAPE—A SKETCH. 


Panel. Signed. 
Height, 16 1-2 inches; width, 12 inches. 


UNKNOWN PAINTER 


123 PORTRAIT OF EDGAR ALLAN POE. 
Canvas. Height, 9 1-2 inches; width, 7 1-2 inches. 
40 


R. L. NEWMAN 
Contemporary American Painter if 
} 


i Ch Rhis lt ANDTHE FIGURE BY THE WAYSIDE— 
ae SIS IECH.: 


Canvas. Signed and dated 1900. 
Height, 16 inches; width, 13 inches. 


UNKNOWN PAINTER Ap 
; 4 
Spanish School of the XVIIth Century | 0 


Pee Onn All OF DON CARLOS. . 


The handsome young prince, seen at bust length 
wears a suit of armor, on the breast of which is a 
quiver with crossed arrows; above a wide double- 
fluted ruff he looks directly at the observer; his com- 
plexion is ruddy and he has brown eyes and brown 
hair which is brushed high from his forehead. Canvas. 

Height, 28 inches; width, 22 1-2 inches. 


WM. L. DODGE v 


Contemporary American Painter 


126 DREAM LIFE. 


Through golden summer woodlands a man and maid 
in classic drapery, he in white and she in pink, wander 
in forgetfulness; with his left hand he pushes aside 
an intercepting branch. Canvas. Signed. 
Height, 35 inches; width, 24 inches. 
Bought from the artist. 


4] 


UNKNOWN PAINTER 


40 ‘ 127 PORTRAIT OF GENERAL HARRY LEE. 


In a.white wig, white stock and black coat, the florid- 
faced general looks across his right shoulder directly 
at the observer. This subject is he that is familiarly 
known as “Light Horse Harry Lee.” Canvas. 
Relined. Height, 24 inches; width, 19 inches. 


PIERRE MIGNARD (ATTRIBUTED) 
1610-1695 


y 128 PORTRAIT OF ANNE OF AUSTRIA. 


Wearing a blue low-cut dress with bodice embroid- 
ered in pearls she stands against a pillar from which 
falls a brocaded curtain; her hair is dressed in numer- 
ous puffs; with her left hand she is drawing on a crim- 
son mantle trimmed with ermine. In the background 
is seen a glimpse of a garden with statuary. Canvas. 

Height, 21 inches; width, 17 1-2 inches. 


GREENWOOD 


/) 0 « 
d 129 PORTRAIT OF ROBERT FULTON. 
Above a high white stock and ruffled shirt is seen the 
face of the inventor looking directly at the spectator; 


he wears a black coat. Canvas. Signed. 
Height, 28 inches; width, 22 inches. 


42 


UNKNOWN PAINTER 


130 INTERIOR OF A SPANISH CIRCUS. 


Canvas. Signed ‘“H. R.” 
Height, 13 3-4 inches; width, 10 1-2 inches. 


ANTON RAPHAEL MENGS 
1728-1779 


131 PORTRAIT OF A YOUNG MAN. 


He wears a high buttoned brown coat with square 
collar edged with lace and a mantle of crimson velvet 
across his shoulders; his smooth face shows a ruddy 
complexion and brown eyes which look directly at the 
observer; his curling brown hair, parted low at the 
side, is brushed high from his forehead. Canvas. 

Height, 22 1-2 inches; width, 18 inches. 


RICHARD WILSON 
1714-1782 


132 ITALIAN LANDSCAPE. 


On the shore of a lake which stretches through the 
middle of the picture rises a square-towered castle 
outlined against the blue hills beyond; at the right 
a group of tall trees is seen and in the foreground a 
seated figure with dogs. Panel. 

Height, 18 1-2 inches; width, 23 1-2 inches. 


43 


at 


ey 


GEORGE MORLAND 
English 1763-1804 


133 SHEEP AT THE BRIDGE (SANDED), 


On the bank of a stream below a bridge four sheep are 
gathered, two standing, two lying down; above the 
bridge a number of trees are seen and at the right a 
tree rises, its branches mingling with those beyond. 
Academy board. ; 

Height, 19 inches; width, 26 1-2 inches. 


SIR GODFREY KNELLER 
English 1646-1723 


134 PORTRAIT OF A MAN. 


Dressed in red coat which, open, shows a white shirt- 
front, and wearing a long curled wig the clean-shaved 
unknown sitter is seen at bust length. Canvas. 


Oval. Height, 30 inches; width, 25 inches. 


PHILIPP PETER ROOS (CALLED ROSA DI TIVOLI) 
Flemish 1657-1705 


135 A MARKET SCENE. 


In a market place penned in by high walls are gathered 
a number of marketmen with cattle and sheep. 


Canvas. Height, 27 inches; width, 45 inches. 
44 


REMBRANDT PEALE 
American 1778-1860 


6a PORTRAIT OF COL: TIMOTHY PICKERING. 


In the dress of the XVII Ith century with white stock, 
Col. Pickering, a young man with smooth face, sits 
holding a book in his hand; the background shows a 
landscape with trees. Canvas. Relined. 

Height, 36 inches; width, 30 inches. 


RICHARD PARKES BONINGTON 
English 1801-1828 


137 A WONDROUS STORY. 


Seated at the table in an inn, a cavalier in armor, 
wearing a wide-brimmed hat with feather, tells some 
marvelous story of adventure to two young women at 
his side. On the table is an over-turned wine jug, a 
tankard and a half filled glass; on the floor in the fore- 
ground a cat plays with a ball. Canvas. 

Height, 20 inches; width, 24 inches. 

Bought from Martin Colnaghi, London. 


B. W. LEADER 
English 1831- 


138 LANDSCAPE WITH SHEEP. 


On a stretch of moor through which winds an unfre- 
quented road, a shepherd watches his grazing flock; 
a group of oak trees rises beyond against a blue sky 
flecked with white clouds. Canvas. 

Height, 20 inches; width, 36 1nches. 


45 


Dee 


0) 


NICHOLAS BERGHEM 


€ 1624-1683 
n 4 
1 139 A LANDSCAPE WITH FIGURES. 
On the shore of a lake hemmed in by high rocky banks 
some peasant figures are passing; on the rocky shore 
at the right rises a castle. The upper branches of the 
tall trees are swayed by the winds. Canvas. Signed. 
Height, 31 inches; width, 25 inches. 
JOHN OPIE 
English 1761-1807 
f 
7 J, 140 PORTRAIT OF DR. WOLCOT (PETER PINDAR). 
Wearing a red mantle with gold jeweled collar, the 
doctor sits resting his right arm on the top of a cane. 
Canvas. Height, 30 inches; width, 25 inches. 
Bought from Arthur Tooth & Sons, London. 
RICHARD WILSON, R. A. 
English 1714-1782 
7 
jl 
| J 141 AN ITALIAN LANDSCAPE. 


Across the broken foreground, deeply shaded by a 
clump of trees, stretches a landscape hemmed by high 
mountains; castles and monasteries are seen in the 
distance and the skies are filled with cumulous sum- 
mer clouds. Canvas. 


Height, 20 inches; width, 30 inches. 
46 


0 
FRANCESCO CAVALIERE TREVISANI ‘4 
Italian 1656-1746 | ; 


142 THE ADORATION OF THE SHEPHERDS. 


In the conventional red dress, a blue scarf falling from 
her head, the mother sits holding the Infant Christ in 
her lap; above her shoulder appears the benign face 
of St. Joseph, and at her left two angels gaze in rap- 
ture at the Holy Child. Canvas. 

Height, 28 inches; width, 29 inches. 


MAX WEYL : ‘a 


Contemporary American Painter 


143. GREAT FALLS OF THE POTOMAC. 
Through a rocky bed bordered by high cliffs come the 


tumbling waters breaking into cascades over the black 
rocks; above stretches a stormy sky against which the 
trees loom darkly. Canvas. Signed. 
Height, 26 inches; width, 31 1-2 inches. 
Bought from the artist. 


DIANE C. GARCIA | ©. 


\ Contemporary French Painter 


144 PEASANT GIRL. 


Against a sunny landscape background a peasant girl 
wearing a garland of yellow flowers about her head 
sits with half closed eyes in the sunshine; she wears 
a loose white blouse, at the neck of which is a bunch 
of buttercups. Canvas. Signed. 

Height, 23 1-2 inches; width, 19 inches. 


47 


aN 


MAURICE QUENTIN DE LA TOUR (ATTRIBUTED) 
French 1704-1788 


145 PORTRAIT OF VOLTAIRE. 


In a plum-colored coat trimmed with gold braid, 
frilled shirt and high white stock, and wearing a long 
curled white wig, the French philosopher looks with 
penetrating gaze and knowing smile at the observer. 
Pastel. Height, 24 inches; width, 19 inches. 


JOHN RUSSELL (ATTRIBUTED) 
English 1744-1806 


146 DECORATIVE PORTRAIT OF A YOUNG WOMAN. 


With one shoulder bare and a red scarf falling across 
the other she holds a bunch of flowers in her hands; a 
blue fillet across her blonde hair holds wheat and 
flowers; a jeweled amulet encircles her arm. The 
background is a clouded blue. Pastel. 

Height, 24 inches; width, 20 inches. 


BAND BOUY 


Swiss Contemporary Painter 


147, LANDSCAPE IN THE JURA. 


From the summit of a hill on which rises a growth on 
thin trees, the view embraces a wide stretch of a river 
which takes its course among a range of mountains; 
in the foreground on the edge of the river is a small 
Swiss village; the season is early spring and snow 
still rests on the distant mountains. Canvas. 

Signed. Height, 31 1-2 inches; width, 37 1-2 inches. 


Bought from the artist. 
48 


DAVID ADOLPH CONSTANT ARTZ “0. 
Dutch 1837-1890 J 


148 A VISIT TO THE GRANDPARENTS. 


In the stern of a broad-bottomed Dutch boat three 
young people are seated facing the aged grandmother 
who sits in the prow. The boat is nearing the shore 
at the right on which rises a clump of trees. The © 
figures and landscape bear an unmistakable Dutch 
character as well as the sky which stretches overhead. 
Canvas. Height, 19 inches; width, 30 1-2 inches. 
Bought from Cottier & Company, New York. 


VICTOR BAUFFE ig 
Contemporary Dutch Painter 1849- | 


149 MILKING TIME. 


In a farmyard shaded by a row of willow trees a 
man sits milking a Holstein cow; another cow and 
some chickens are seen on either side. Canvas. 
Signed. Height, 35 1-2 inches; width, 28 inches. 


Bought from the artist. 
(See Illustration) 


¥ 
f / i) 
RICHARD N. BROOKE 4 L 
he 


Contemporary American Artist 


fe Lae RETURN OF THE FOLD. 


Down a roadway at evening a flock of sheep is passing, 
led by the shepherd; at the right rises a barn and 
trees; the sky is streaked with the orange and red 
of sunset. Pastel. Signed. 

Height, 26 inches; width, 33 inches. 


Bought from the artist. 


49 


No. 149. MILKING TIME 
By Victor Baufte 


ARTHUR PARTON, N. A. 


Contemporary American Painter 


151 SUMMER LANDSCAPE. 


In a broad meadow through which winds a stream, 
some cattle come to the drinking place; beyond lies 
a low range of hills broken by trees. Canvas. Signed. 


' Height, 25 inches; width, 35 inches. 


Bought from the artist. 


JAN V. CHELMINSKY 


Contemporary Polish Painter 


152 LE PARLEMENTAIRE. 


At a wintry roadside is gathered a group of officers 
in uniform discussing a despatch which one holds in 
his hand; the Austrian officer brings some important 
news to the French army. ‘The picture represents an 
incident. in the campaign of 1814, in France. 
Canvas. Signed. Height, 24 inches; width, 33 inches. 


A letter describing the picture is attached to the back. Pur- 
chased from the artist through M. Knoedler & Company, 
New York. 


GLEICHEN RUSSWURM 


Contemporary German Painter 


153 LANDSCAPE IN GERMANY. 


Against a summer sky flecked with pink clouds rises 
a row of trees above a green meadow; at the left is 
seen a red tiled-roof house, cross-timbered, from 
which a peasant woman with a basket on her back 
crosses the green. Pastel. 

Height, 19 1-2 inches; width, 31 inches. 


Bought from the International Exhibition at Dresden. 


51 


po 


a 


H. J. VAN DER WEELE 
Contemporary Dutch Painter 1852- 


154 THE DEPARTURE OF THE FLOCK. 


isse AN 


Down the roadway comes a flock of sheep herded by 
an old shepherd; in the background stands a stable 
from whose open doors they have just emerged. At 
the right rises a group of trees in summer foliage; at 
the left stretches the wide heath bordered by trees. 
Canvas. Signed. 

Height, 18 inches; width, 27 inches. 


From the collection of Buffa fils. Amsterdam. 


JEAN GEORGES VIBERT 
French 1840-1904 


EGYPTIAN WATER-CARRIER. 


In a doorway, against a red curtained background, a 
muscular brown-skinned man, semi-nude, stands hold- 
ing an Etruscan water-jar on his head about which 
is bound a white scarf which falls to his shoulders. 
Canvas. Signed. 

Height, 33 inches; width, 19 1-2 inches. 


A presentation from the artist. 


PROFESSOR R. HEFFNER 
Contemporary German Painter 


156 LANDSCAPE. 


Stretching away from the foreground is a sluggish 

water-way, bordered on one side with a row of slim 

birch trees whose trunks are reflected on the surface 

of the water; -the left bank is broken by a footpath 

which runs straight away until lost in the distance. 

Canvas. Height, 30 inches; width, 25 inches. 
Bought from Wallis & Son, London. 


52 


DAVID ADOLPH CONSTANT ARTZ l, ‘6 ’ 
1837-1890 'L 


157 THE FISHER GIRL. 


On the grassy Holland dunes a young woman sits at 
her knitting; beyond we catch a brief glimpse of the 
sea with a fishing-boat drawn up on the strand, about 
which gather the fishwives for their market supplies. 
Canvas. Signed. 


Height, 24 inches; width, 35 inches. 
Bought from the artist. 


H. C. DELPY O» 
Contemporary French Painter L 


158 LAUNDRESSES AT WORK AT SUNRISE. 


On the border of the river Oise, whose banks are lined 
with trees in autumn dress, are gathered a group of 
women in the early morning washing their clothes; a 
boat with two men is passing toward a village seen in 
the distance; the sun two hours high floods the sky with 
a golden light. Canvas. Signed and dated “’97.” 


Height, 29 inches; width, 39 inches. 
Bought from Arthur Tooth & Sons, London. 


BERNARD DE HOOG iw i \ 
Contemporary Dutch Painter 1866- 


159 MOTHER AND CHILD. 


In a simple Holland cottage sparsely furnished a 

young mother sits nursing her babe; on a bare table 

before her are seen a few dishes and on the wall at 

the back a clock and a small picture. Canvas. 

Signed. Height, 29 inches; width, 22 inches. 
Bought from Wallis & Son, London. 


53 


SIR GODFREY KNELLER 
English 1646-1723 


? 
6 0 160 PORTRAIT OF A MAN. 


Wearing a dark velvet coat trimmed with buttons 
down the front which, open, reveals a white stock; he 
wears the full curled powdered wig reaching to his 
shoulders. Seen in profile he turns his head to the 
right looking directly at the observer. Canvas. 

Height, 30 inches; width, 25 inches. 


Be C. HENDRICH 
fi = Contemporary German Painter 


161 TWILIGHT. 


Above the river which winds through the picture 
rises a church, its windows lighted; some swans float 
on the stream and the last rays of the setting sun are 
seen in the skies. Canvas. Signed. 

Height, 41 1-2 inches; width, 43 inches. 


¢ JOHANNES WEILAND 
()\ an Contemporary Dutch Painter 1858- 


162 THE VEGETABLE SEUCEEK 


An old market woman arranging her wares bends over 
her basket filled with cabbages and onions; the floor 
about her is strewn with vegetable debris among 
which appears a brass kettle; a dim light comes 
through a window at the back. Canvas. Signed and 
dated “98.” Height, 31 inches; width, 39 inches. 


From the collection of Buffa fils. Amsterdam. 


54 


C. WILLIAMS f 
English Painter | " 


163 LANDSCAPE. 
In a peaceful English landscape studded with trees 
is seen some tiled roof farm buildings; on the right 
the field is strewn with stacked grain with harvesters 
at work. Canvas. 


Height, 20 inches; width, 29 1-2 inches. 


FRITZ THAULOW 0 ¢ 
1847-1910 


164 SCENE ON THE SEINE. 


A heavy freight barge, its hull painted red, is seen 
making its way along the Seine spanned at this point 
by a low bridge. Above, along the quai rises a row of 
houses in whose windows the evening lights begin to 
: appear. Pastel. 

| Height, 26 inches; width, 21 inches. 


% 0 
J. R. WETHERINGTON i v° 


Contemporary English Painter 


Toppa NET LEY ABBEY. 


Beneath tall trees rises the high Gothic arch of the 
abbey nave, against a summer sky flecked with white 
clouds. In the foreground two children who have 
been gathering wild flowers stop to rest. The quiet 
of an English summer day pervades the picture. 


Canvas. Height, 35 1-2 inches; width, 27 inches 


By) 


UNKNOWN PAINTER 


0" 166 PORTRAIT OF A MAN. 


In a snuff-colored coat with frilled shirt, and wearing 
a white wig, the clean-shaven face of the unknown 
sitter is turned directly forward; in his hand he holds 


an open book. Canvas. . 
Height, 25 inches; width, 21 inches. 


SIR GODFREY KNELLER (ATTRIBUTED) 
1646-1723 


V 167 PORTRAIT OF A COURT LADY. 


In a blue velvet robe open at the neck the lady, seen 
at bust length, looks directly at the observer; her 
hair dressed in a high roll with curls about her tem- 
ples is covered with a white scarf which falls across 
her shoulders. Canvas. Oval. 

Height, 30 inches; width, 25 inches. 


UNKNOWN PAINTER 
Vy 0) 
168 PORTRAIT OF A MAN. 

Wearing a black coat, red and buff striped waistcoat 
and high white stock a man of forty with a mass of 
hair brushed back from his forehead is seen, his head 

turned three-quarters to the left. Canvas. 
Height, 30 inches; width, 25 inches. 


56 


a 


UNKNOWN PAINTER “y, : 


169 DECORATIVE PORTRAIT OF A LADY. y 


Wearing a velvet low-cut gown trimmed with lace 
and an old rose mantle across her shoulders, the lady 
sits with her left hand at her corsage holding a flower; 
her blonde hair is dressed high. Canvas. 

Height, 32 inches; width, 26 inches. 


C ) 
SCHOOL OF HOLBEIN y, ' 
German 1497-1543 Y 
170 PORTRAIT OF A MAN. 
In a black dress with a row of buttons down the front 
and fluted ruff at the neck, a young man wearing a 
flat velvet cap stands with one hand in his belt, the 
other at his side; his overgarment is bordered with a 
band of fur; he wears a brooch at his neck and rings 
on finger and thumb. Panel. 
Height, 35 inches; width, 36 inches. 
vga 
fees 
KARL LUDWIG TISCHBEIN 


German 1797-1855 


171 MARIA THERESA, EMPRESS OF AUSTRIA. 


In a blue velvet gown trimmed with lace the empress 
sits, her left hand resting upon an imperial crown; 
across her shoulders falls a crimson mantle bordered 
with ermine; over the corsage are pendant loops of 
pearls held in place by rubies; her white hair entwined 
with pearls is surmounted by a coronet. The red 
curtain which forms the background is lifted dis- 
closing a glimpse of Schonbrunn. Canvas. 

Height, 41 inches; width, 29 inches. 


57 


cr 
yy 


UNKNOWN PAINTER 
Italian XVIIIth Century 


172 PORTRAIT OF A ROMAN LADY. 


In a low-cut court dress of red and ivory white trim- 
med with lace the lady stands holding a sheet of 
music in her left hand and a fan in her right. Around 
her shoulders is a double string of pearls held in place 
by a brooch with another double string falling down 
the front of her waist; her black hair is dressed in 
elaborate puffs starred with jewels; about her neck 
she wears a second necklace and pendant of pearls and 
large jeweled clusters in her ears. Canvas. 


Height, 50 inches; width, 40 inches. 


CHARLES WARREN EATON 
Contemporary American Painter 


173 VASHALYs DAY. 


In a broad meadow stretching away to a distant ridge 
of hills, a flock of sheep is seen grazing; clumps of 
trees rise on either hand and a veil of thin haze hangs 
over all. Canvas. Signed and dated 1894. 

Height, 25 inches; width, 36 inches. 


Bought from the artist. 


FERDINAND PACHER 
Contemporary German Painter 


174 THE FIRST COMMUNION. 


Gathered before the altar rail, a number of young 
girls, dressed in white and wearing veils crowned with 
wreaths of flowers are receiving first communion at the 
hands of a kindly faced old priest, attended by young 
acolytes; through the stone arches is seen a dimly 
lighted glass window. Canvas. Signed and dated 
“Munich, 1884.” Height, 34 inches; width, 48 inches. 


58 


A. THAMM 3 by . 


Contemporary German Painter 


175 A GERMAN GARDEN. 


Across an old-fashioned garden hemmed by birch 
trees rises a red roofed house half hid by foliage; in 
the garden is seen the figure of a woman at work. 
Canvas. Signed. 

Height, 28 inches; width, 40 1-2 inches. 


Bought from the International Exhibition, at Dresden. 


a 


J 
JAMES BAKER PYNE, R. A. | 
English 1800-1870 


176 VENICE FROM THE SEA. 


Across a stretch of water, colored with the warm sun- 
set light and dotted with boats, is seen the church and 
monastery of San Giorgio, its campanile rising above 
the horizon. Another church with campanile rises 
on the main land at the right, and in the foreground 
a group of market boats is moored. Canvas. 

Height, 36 inches; width, 48 inches. 

Bought of Henry Graves & Co., London. 


4). 


“A 


EUGENE JOSEPH VERBEOCKHOVEN 
Belgian 1798-1881 


ioe tHe DYING LION. 


In a deserted landscape strewn with rocks the king 

of beasts lies dying stretched at full length. Canvas. 

Signed and dated 1885. | 
Height, 27 inches; width, 41 inches. 


59 


o. 179. AN ODALISQUE 


By Gustave Courtois 


HENRI LE ROLLE ae O* 
Contemporary French Painter | 
178 SOLITUDE. 


On the slope of a hill which is crowned by a clump of 
trees a young peasant girl, having cast off her sabots, 
rests on the ground watching her grazing herd of cat- 
tle; clouds hang low in the sky and the trees and land- 
scape are touched with the light of a late afternoon 
sun. Canvas. Signed. 

Height, 29 inches; width, 33 inches. 

Bought from the artist. 


. GUSTAVE COURTOIS > 
Contemporary French Painter U 


179 AN ODALISQUE. 


Against a Turkish latticed window background stands 
a young woman dressed in a yellow bodice crossed 
with a black band; her arms are clothed with trans- 
parent black tulle spangled with gold; her hair falls 
loosely about her neck. Across her breast are many 
strands of black beads and in her hand she holds a 
fan of peacock feathers. Canvas. Signed and dated 
1882. Height, 46 inches; width, 28 1-2 inches. 


Bought from the artist. 
(See Illustration) 


: ANTONIO CANNALETTO 
: 1697-1768 


180 VIEW OF THE PIAZZA SAN MARCO, VENICE. 


In the foreground numerous figures are seen in the 
costume of a former day passing to and fro; some stop 
to listen to a showman who is perched on-a platform. 


61 


SE 


| ie 


On the left stretches the many windowed arcade of the 
library ending in the tall campanile; at the right we 
catch a glimpse of San Marco and in the distance the 
ancient clock tower; above, the deep blue Italian sky 
is flecked with clouds. Canvas. 


Height, 25 1-2 inches; width, 38 1-2 inches. 


SCHOOL OF NATTIER, XVIIIth CENTURY 


PORTRAIT OF A LADY. 


In a low-cut brocaded gown frilled with lace and 
wearing a blue velvet mantle about her shoulders, 
the young woman looks directly at the observer; her 
powdered hair, which falls in curls about her neck, is 
dressed with a garland of flowers and ribbons. She 
wears a pearl necklace and jewels in her corsage. 


Canvas. Height, 32 inches; width, 29 1-2 inches. 


WILLIAM COLLINS, R. A. 
English 1788-1847 


182 A PATRIARCH. 


Wearing a brown suit trimmed with braid around the 
neck and a loose mantle the patriarch sits, his hands 
folded resting on the top of his taff; a full beard falls 
on his breast and his long brown hair to his shoulders; 
he gazes intently upward as though in a vision. 
Canvas. Height, 44 inches; width, 34 inches. 
Exhibited at the Royal Academy, in London, 1844, No. 258. 


62 


UNKNOWN PAINTER EG 


ise VP PCORATIVE<PORTRAIT OF A. LADY. 


Against a landscape background she stands wearing 

a wide brimmed hat, with a kerchief about her shoul- 

ders and holding a rose to her breast. Canvas. 
Height, 35 1-2 inches; width, 27 1-2 inches. 


This picture was bought from Arthur Tooth & Sons, London, 
by whom it was attributed to John Hoppner. 


SIR PETER LELY , en 
1618-1680 


184 THE FIRST DUKE OF MARLBOROUGH AS A 
CHILD. 


Seated on a bit of crimson drapery, a nude child 
crowned with roses holds the head of a young lamb 
at his side; beyond stretches a wooded landscape. 
Canvas. Height, 50 inches; width, 40 inches. 


This picture is a replica of one at Hampton Court, near London, 
but it is believed to be the work of Lely. 


ARTHUR WARDLE 
Contemporary English Painter 


feet THE POOL. 


In a green jungle two leopards rest on a bank, leaning 
down to lap the water from a spring; red water lilies 
and their leaves strew the foreground. Canvas. 
Signed. Height, 43 inches; width, 61 inches. 


63 


No. 188. CONTENTED WITH HER LOT 
By Henrietta Ronner : 


DAVID ROBERTS 
English 1796-1864 


186 THE COAST OF ST. ANDREWS, SCOTLAND. 


On the headland stretching out to sea are seen some 
ancient Scottish ruins touched by the ruddy light of 
the setting sun; below lies the hulk of a North Sea 
craft; at the left groups of men watching other 
figures on the shore beyond are seen. Canvas. 

Height, 36 inches; width, 54 inches. 


-JAN VAN RAVENSTEYN 
Dutch 1575-1657 


187 PORTRAIT OF A COURT LADY. 


Wearing a colored dress, lace cap and cuffs and a 
wide ruff, a young woman stands beside an open 
window; a curtain drawn back reveals a Flemish 
landscape. In her right hand she holds a fan and in 
the left a glove; the waist of her dark gown is trim- 
med with gold braid and four bows of brown ribbon. 
In the upper right hand corner appears a coat of 
arms. Panel. Signed ‘‘Amsterdam 1638.” 


Height, 50 inches; width, 40 inches. 
Bought from T. J. Blakeslee. 


HENRIETTA RONNER 
Dutch 1821-1904 


188 CONTENTED WITH HER LOT. 


Resting on a cushion placed on a library table the 

mother, a fine Persian cat, watches her kittens at 

play. The brocaded hangings and silver sconce at 

the back indicate a home of luxury. Canvas. Signed 

and dated 1896. Height, 49 inches; width, 39 inches. 
(See Illustration) 


65 


ye 


GEORGE HITCHCOCK 
0: Contemporary American 1850- 


V 189 MELISANDE IN THE FOREST. 


Through the leaf strewn forest the young princess, 
dressed in a blue robe trimmed with a band of 
embroidery, walks as in a trance; about her hair is ia 
a band of gold studded with jewels. Through the ; 
gnarled branches of the trees the evening light filters 
speckling the ground with yellow patches. Canvas. 

Height, 50 1-2 inches; width, 36 inches. 


From the King collection. 


SIR JOHN RUSSELL 
English 1745-1806 


V 0. 190 PORTRAIT OF TWO SISTERS. 


In a white dress, cut low, and wearing a blue bow at 
her corsage a young woman sits with folded hands, a 
red scarf falling from her arms; she wears the pow- 
dered wig of her day. Behind her stands her younger 
sister simply dressed in white and wearing a wide 
brimmed hat trimmed with white feathers and blue 
ribbon. Pastel. Height, 45 inches; width, 37 inches. 


A. STAGURA 
Contemporary Italian Painter 


yy vt 191 THE HAVEN OF PEACE. 


A massive stairway broken by landings into several 
flights, leads directly from the foreground to an 
eminence on which is seen a tomb; a row of cypress 
trees rises on either side through whose dense 
shadows shafts of orange light fall from an evening 
sky. Canvas. Signed. 

Height, 47 inches; width, 32 inches. 


Bought from the International Exhibition at Dresden. 
66 


THIRD SESSION 


Fans, Miniatures, Clocks, Snuffboxes 
and Cabinet Objects 


192 SNUFF GRATER OF WOOD. 


Carved with a double eagle and other symbols and 
inlaid with brass in a pattern of scrolls and leaves. 
Length, 7 inches. 


175 1 WO UPRIGHT PORTRAITS OF NAPOLEON 
STANDING. 


Prints colored by hand. In French gilt metal frames. 
(2 pieces.) Height, 5 1-2 inches; width, 4 1-2 inches. 


194 TWO MINIATURE COLOR PRINTS. 
Marie Louise seated and the King of Rome at her 
side. Height, 4 1-4 inches; width, 2 3-4 inches. 


In a gilt metal frame. 


PorTRAIT OF A YOUNG WoMAN. 
In a low white gown with ornamental band across 
her forehead and about her arms. (Modern facsimile.) 


Diameter, 2 1-2 inches. 
In a gilt metal frame. 


195 ROUND COLORED ENGRAVING. 


Representing a memorial urn and willows of Louis 
XVIth and family, enclosed in a frame of gilt metal. 
Diameter, 3 1-2 inches. 


67 


196 


7, 


198 


199 


200 


201 


A PAIR OF OVAL PICTURES. 


Domestic scenes printed on silk and colored by hand. 
(2 pieces.) Height, 3 inches; width, 3 1-2 inches. 


In rococo frames of French bronze. 


SMALL CRUCIFIX. 


Carved ivory Cristus on tortoise shell cross with 
ivory ring. Length, 5 1-2 inches. 


ROUND BONBON BOX OF BATTERSEA ENAMEL. 


Gilt metal mountings. Top decorated with scene 
gallant; sides with floral sprays. Formerly the 
property of Lord Howe. Diameter, 2 1-2 inches. 


NUT FORM WOOD CARVING. 


Opening in two halves showing carvings in relief of 
“The Nativity” and “The Flight Into Egypt.” 
Silver mountings. Diameter, 2 inches. 


MINIATURE PAINTING ON METAL. 
“The Doctor and the Maid.” 
Height, 3 1-2 inches; width, 2 1-2 inches. 


In a French bronze frame. 


MINIATURE PICTURE MARIE ANTOINETTE 
AND HER CHILDREN. 
Printed on silk and colored by hand. 
Height, 5 1-4 inches; width, 4 1-4 inches. 
In a gilt metal frame. 


68 


a a — 


202 


203 


204 


205 


206 


207 


MINIATURE BUST PORTRAIT OF A MAN IN 
“OIL COLORS. 
Wearing a white wig and blue coat. On wood in a 


deep ebony frame. 
Height, I 1-2 inches; width, 1 1-4 inches. 


ROUND ENAMELED BONBON BOX. 


Decorated with vignette scenes, flowers and ara- 
besques. (Damaged.) Diameter, 2 1-2 inches. 


ROUND GREEN SHELL SNUFFBOX. 


Inlaid with gold. Miniature painting on ivory ‘‘The 
Bird Charmer” set in the top. Diameter, 3 inches. 


OBLONG TORTOISE SHELL SNUFFBOX. 


Inlaid with gold. The top set with a miniature por- 
trait on ivory of a young man in costume of the 
early part of the XI Xth century. 

Length, 3 1-2 inches; width, 2 1-4 inches. 


ROUND TORTOISE SHELL BOX. 


Covered with red enamel set in gilt metal; the top 

encloses a miniature on ivory of a court lady read- 

ing a message under the direction of Cupid. 
Diameter, 2 1-2 1nches. 


SMALL BOX OF GILT BRONZE. 
The sides and cover chased in a pattern of figures, 
flowers and arabesques. ‘The hinged cover is fitted 
with a key lock. 
Length, 2 3-4 inches; height, I 1-2 inches. 


69 


208 


209 


210 


211 


242 


OVAL MINIATURE PORTRAIT OF MARIE 

ANTOINETTE. 
Dressed in blue with a white kerchief she wears a 
puffed cap of white and blue. Signed V. M. Le Brun. 
Height, 4 inches; width, 3 inches. 


In a frame of gilt metal. 


FIGURE OF CUPID REMOVING THE BAND FROM 
HIS tPXEs: 


In ivory; resting on a circular ivory pedestal. 
French XIXth century. Height, 6 inches. 


THE MUSICIAN. 


Metal figure in enamel, with ivory set in the body, 
playing a violin. Mounted on a circular pedestal 
decorated with medallions showing classical scenes. 
Austrian. Height, 8 inches. 


FIGURE IN IVORY: A PILGRIM. 


An old man wrapped in his cloak. ‘Tortoise shell 
pedestal ornamented with etched ivory bands. 
(Slightly damaged.) Height, 6 1-2 inches. 


GOTHIC FIGURE OF ST. LOUIS: 


A silver figure with head and hands of ivory stands 
on an octagonal base of green and blue enamel studded 
with gems, which rests on the backs of four lions. 
In his hand he bears a sceptre and a chapel; on his 
head rests a crown. The crown and the top and bot- 
tom of his robe are studded with gems. French 
XIVth century. Height, 7 inches. 


70 


213 


214 


215 


216 


217 


218 


GOTHIC FIGURE OF ST. ELIZABETH. 


A silver figure with face and hands of ivory stands 
on an octagonal base of green and blue enamel stud- 
ded with gems, which rests on the backs of four lions. 
In her hands she carries a book and a sceptre; these as 
well as her crown and her robe are studded with gems. 
French XIVth century. Height, 7 inches. 


RELIEF CARVING: THE TOAST TO THE BRIDE. 


In a frame of ebony inlaid with etched ivory. 


Height, 10 inches; width, 10 1-2 inches. 


A PAIR OF ETCHED IVORY PANELS BY J. BOILLY. 


The semi-nude female figures represent “Night” and 
“Morning.” Framed. 
Height, 7 3-4 inches; width, 3 1-2 inches. 


SET OF FOUR WOOD CARVINGS. 
Abundance; Minerva: Two groups of Amorini up- 
holding cartouches. All minutely carved and resting 
on circular bases. German. Height, 4 1-4 inches, each. 


SILVER MEDALLION. 
The head of Julius Caesar in relief mounted on a 
square silver plaque chased and ornamented with 


four applied leaves. 
Height, 5 1-2 inches; width, 5 1-2 inches. 


SET OF TWELVE MUSICIANS. 


Grotesque figures playing musical instruments, stand- 
ing on beer kegs which serve as pedestals. German 
XIXth century. Height, 7 1-2 inches. 


71 


219 


220 


221 


222 


223 


OVAL PORTRAIT OF MARIE ANTOINETTE. 


The print is colored by hand. In a gilt metal frame. 
Height, 3 1-4 inches; width, 2 1-2 inches. 


MEDALLION IN FRENCH BRONZE. 


“Louis Philippe I. Roi des Francais.” On the obverse 
side in relief L’ Arc de Triomph Paris with the inscrip- 
tion “A L’ Armee Francais.” Signed Montagny. 


Diameter, 2 inches. 
In a small ebony box. 


SET OF FIVE MUSICIANS. 


Grotesque figures standing on square carved wood 
pedestals. German XIXth century. 
Height, 10 inches. 


TANKARD IN IVORY. 


From a base carved in garlands and grotesque masks 
which form the feet rises the body ornately carved 
with a representation of the triumphal passing of 
Venus and Mars on a chariot drawn by four lions, 
led by a satyr and attended by nymphs and amorini. 
The cover is surmounted by the standing figure of a 
herald, the handle formed as a draped nymph and 
cupid. German XIXth century. 

Height, 18 1-2 inches. 


MINIATURE PORTRAIT ON IVORY. 


Court lady in white wig and pale green gown with 
flowers in her corsage and wearing a pearl necklace. 
Height, 2 1-2 inches; width, 2 inches. 


72 


224 


225 


226 


227 


228 


229 


CAMEO PORTRAIT. 


- Bust figure of a man in profile wearing a curled wig. 
Set in a wood frame. 


Height, 4 inches; width, 3 3-4 inches. 


OBLONG SNUFFBOX OF BATTERSEA ENAMEL. 


Gilt metal mounts; sides and top decorated with land- 
scapes and floral sprays enclosed in rococo shell 
borders. Length, 3 1-4 inches; width, 2 1-4 inches. 


VANITY BOX. 


Enameled in turquoise blue with medallion land- 
scape framed in rococo ornament. Length, 4 inches. 
Articles missing. 


OVAL MINIATURE PAINTING ON IVORY IN 
VERNIS MARTIN. 


Subject: Samson and Delilah. 
Height, 4 inches; width, 3 1-4 inches. 


In an ebony and gilt frame. 


ROUND TORTOISE SHELL SNUFFBOX. 


Gold-lined. Top set with a miniature of a young girl 
dressed in white with a blue sash and hat. 
Diameter, 2 1-4 inches. 


PORCELAIN POCKET SMELLING SALTS BOTTLE. 


Ornamented with floral sprays and butterflies, and 
gilt metal mountings. Length, 4 inches. 


73 


230 


ey) 


239 


234 


OBLONG TORTOISE SHELL SNUFFBOX. 


With gold mountings. Cover set with a portrait on 
porcelain, attributed to Christian Zinckie. 
Length, 4 inches; width, I 3-4 inches. — 


SQUARE BONBON BOX OF BATTERSEA ENAMEL. 


Mountings of gilt metal. Top and sides decorated 
with floral sprays. 
Length, 2 3-4 inches; width, 2 1-8 inches. 
(Damaged.) 


SMALL WOOD BOX. 


It has a sliding cover, and paneled sides of soapstone 
pierced and carved, laid on a gilt metal ground. Brass 
handle on one end. 

Length, 4 1-2 inches; width, 2 3-4 inches. 


ROUND IVORY SNUFFBOX. 


Lined with tortoise shell. The cover set with a minia- 
ture painting on ivory of a landscape with figures. __ 
Diameter, 3 inches. 


ROUND TORTOISE SHELL BOX COVERED WITH 
RED ENAMEL. 


The cover showing a miniature painting on ivory of 
a court lady seated with doves in a landscape. 
Diameter, 3 inches. 


74 


235 


236 


237 


238 


259 


240 


SMALL BONBON BOX OF BATTERSEA ENAMEL. 


Silver mountings. Cover painted with a Flemish 
River scene with windmill and other buildings; the 
sides with floral sprays. 

Length, 2 1-4 inches; width, I 3-4 1nches. 


ROUND IVORY BOX. 


Lined with tortoise shell. Cover set with a portrait 
on ivory of a court lady wearing a crown in a red dress 
and ermine-trimmed mantle. Diameter, 3 1-4 inches. 


SQUARE BONBON BOX OF LILLE ENAMEL. 


Gilt metal mountings; decorated with floral sprays on 
an incised lattice ground. 


Length, 2 1-2 inches; width, 2 1-8 inches. 


OVAL BONBON BOX. 


Of moss agate with gilt metal mountings. 
Length, 2 inches; width, 1 1-2 inches. 


EGG-SHAPED BONBON BOX. 


Of green agate with gilt metal mountings. 
Length, 1 3-4 inches; width, I 1-2 inches. 


ROUND TORTOISE SHELL SNUFFBOX. 


Mounted in gold. Top painted in Vernis Martin with 
a Watteau scene. Diameter, 3 1-2 inches. 


75 


241 


242 


243 


244 


245 


246 


OVAL MINIATURE PAINTING ON IVORY IN 
VERNIS MARTIN. 


Subject: Woman pouring wine from a jug into a 


bowl held by a semi-nude man. 
Height, 4 inches; width, 3 1-4 inches. 


OVAL SILVER SNUFFBOX. 


The cover set with ivory carved in relief of Venus and 
nymphs. Length, 3 1-2 inches; width, 2 1-2 inches. 


ROUND BONBON BOX. 
Floral medallions on a blue ground diapered with 
white; the cover showing scene of a chateau. 


Diameter, 2 1-2 tnches. 
(Hinge broken.) 


TORTOISE SHELL SNUFFBOX. 


Gold mountings. Cover set with square painting on 
porcelain of an Indian palace. 
_ Length, 3 inches; width, 2 inches. 


ROUND TORTOISE SHELL SNUFFBOX. 


Surfaces chased with gold mountings. Cover set with 
a miniature painting on ivory of a classical scene. 
Diameter, 3 1-2 inches. 


GEORGE III. SNUFFBOX. 


Silver gilt chased surfaces; top ornamented with shell 
and floral pattern in relief. 
Length, 4 inches; width, 2 3-4 inches. 


76 


+ 
a 
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247 


248 


- 249 


250 


251 


ROUND BONBON BOX. 


' Silver gilt chased in rococo pattern. Cover set with 
a miniature painting after Leonardo da Vinci “‘The 
Madonna of the Rocks.” Diameter, 2 3-4 inches. 


ROUND MINIATURE PORTRAIT ON IVORY. 


“Cupid and the Maid.”’ _In a gilt metal frame. 
Diameter, 2 1-2 inches. 


MINIATURE PORTRAIT. 


Head of Bonnat, the French painter. 
Diameter, I 1-4 inches. 
Set in a leather case lined with crimson velvet. 


LADY’S NECESSAIRE. 


The cover is decorated with a miniature painting 
showing a girl petting a young chick. The interior 
contains silver scissors, knife and other articles. 
Octagonal in form. (Damaged.) 

Length, 6 1-4 inches; width, 4 1-2 inches. 


GOLD SNUFFBOXx. 


Richly chased and ornamented in relief with musical 

instruments and floral emblems in varicolored gold; 

top having a panel in blue and white enamel set with 

a small circular portrait on ivory of a boy playing a 

lute. Length, 3 1-4.1nches; width, 2 1-4 inches. 
(See Illustration.) © 


Ge 


252 


253 


254 


SNUFFBOX SILVER GILT. 


Body elaborately chased and ornamented in relief 
with floral pattern; top set with a bust portrait on ~ 
ivory of Marie Antoinette. 
Length, 3 1-2 inches; width, 2 1-4 inches. 
(See Illustration.) 


ROUND POCKET BONBON BOX. 


Enameled in a green star pattern on a white latticed 
ground. Mountings of gilt metal. 
Diameter, 1 3-4 inches. 


ROUND TORTOISE SHELL SNUFFBOX. 


Outside covered with gray enamel; silver mountings; 
top set with a miniature portrait of a court beauty. 
Diameter, 3 1-8 inches. 


ROUND IVORY SNUFFBOX. 


Top set with a miniature portrait on ivory of a lady 
in costume of the early part of the XI Xth century. 
Diameter, 2 inches. 

(See Illustration.) 


CHINESE SILVER BONBON BOX. 
Inlaid with gold in pattern of grapes and leaves. 
Cover showing harbor scene. Interior gold-lined. 
Signed on the bottom. 
Length, 2 1-8 inches; width, 2 inches. 


78 


257 


258 


259 


260 


261 


POCKET TABLET CASE. 


In gold and red enamel; one side with a miniature 

painting on ivory of a figure kneeling at the shrine of 

Cupid,and on the other a monogram in gold “AT R.” 

_ The cover bears the inscription “Souvenir d’Amitie.” 
The case is fitted with an ivory tablet and pencil. 

Length, 4 inches; width, 2 1-4 inches. 


MINIATURE ENAMELED BONBON BOX. 


Gilt metal mountings. The sides are ornamented with 
floral sprays, and the top with a landscape of figures 
and ruins. Length, I 1-2 inches; width, I 1-4 inches. 


CHATELAINE OF AGATE AND GILT METAL. 


The metal case chased in rococo shell and floral pat- 
tern is held by a flat chain of interlaced ribbon design. 
(Damaged.) Length, 8 1-4 inches. 


EADY’S POCKET COMPANION OF RED AGATE 
AND GOLD. 


The mountings are of chased gold; hinged cover; 
some of the accessories missing. (Top cracked.) 
Length, 3 3-4 inches; width, 2 3-8 inches. 


ROUND TORTOISE SHELL SNUFFBOX. 


Cover painted with “The Madonna of the Candela- 
bra” after Raphael. Diameter, 3 3-4 inches. 


79 


GOLD AND IVORY BOXES PAINTED IN MINIATURE 


262 


263 


264 


265 


266 


267 


ROUND TORTOISE SHELL SNUFFBOX. 


- Gilt mountings. Cover set with a miniature on ivory 
of a court beauty of the time of Louis XVIth. 
Diameter, 3 1-4 inches. 


OVAL GOLD PRESENTATION SNUFFBOX. 


Cover decorated in relief with coat of arms and a 
ribbon bearing the inscription “Prend Moi Tel Que 
Je Suis.” Length, 3 1-4 inches; width, 3 inches. 


SPHERICAL TORTOISE SHELL BOX. 


With silver mountings and three silver ball feet. 
Diameter, 3 1-4 inches. 


ROUND TORTOISE SHELL SNUFFBOX. 


Covered with plum-colored enamel. Top showing 
picture on ivory Mars and Venus painted in the man- 
ner of Boucher. French XVIIIth century. 


Diameter, 3 inches. 


MINIATURE PAINTING ON IVORY AFTER 
WATTEAU. 


Garden scene with musicians and figures dancing. 
Height, 3 1-2 inches; width, 2 3-4 inches. 


Tn a gilt metal frame. 


MINIATURE PORTRAIT OF QUEEN ELIZABETH. 


Engraving uncolored. 
Height, 1 3-4 inches; width, I 1-4 inches. 
In a leather case. 
81 


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268 


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270 


271 


272 


MINIATURE PAINTING ON IVORY. 


A woman seated in a garden attended by a colored 
servant 1s serving sweets to visitors. 


Height, 3 1-2 inches; width, 2 3-4 inches. 


MINIATURE BUST PORTRAIT ON IVORY BY 
GERARD. 


Marie Antoinette in white wig dressed with pearls; 
a double strand of pearls about her neck. 
ITeight, 2 1-2 inches; width, 2 1-8 inches. 


OVAL MINIATURE PAINTING ON IVORY. 


A woman seated in a high-backed red chair with a 
youth beside her. 
Height, 3 inches; width, 3 1-2 inches. 


MINIATURE PORTRAIT ON IVORY. 


Napoleon, half length, stands in uniform. 
Height, 4 inches; width, 3 inches. 


In a gilt metal frame. 


MENTATURE PORTRAIT ON IVORY BY D. LA 
MARK. 


Marie Louise, wife of Napoleon, dressed in white 
with a rose-colored scarf stands beside a sphinx in a 
garden landscape. 
Height, 4 inches; width, 3 inches. 
In a gilt metal frame. 
83 


273 


274 


219 


276 


2h. 


MINIATURE PAINTING ON IVORY BY M. E. 
JULIONE. 


A lady dressed in white with a red mantle is seated 
on a rock beside the river. 
Height, 4 inches; width, 3 inches. 


MINIATURE BUST PORTRAIT ON IVORY BY 
GERARD. 
Marie Antoinette in white wig and ermine-trimmed 
mantle, wearing a triple strand of large pearls. 
Height, 3 inches; width, 2 1-4 inches. 


Framed in gilt metal. 


DUTCH MINIATURE WATER-COLOR LAND- 
SCAPE. 

A fisherman is seated on the bank under the shade of 

a rugged tree; beyond is seen a figure outside a 

cottage. Height, 3 1-2 inches; width, 2 1-2 inches. 


In a deep ebony frame. 


OVAL MINIATURE PORTRAIT ON IVORY. 


A court beauty is dressed in court costume, wearing 
a double strand of pearls, with pearls in her ears and 
corsage. Height, 7 inches; width, 3 1-2 inches. 


Inserted in a rococo frame in black, white, red and blue enamel. 
(See Illustration.) 


MINIATURE PORTRAIT ON IVORY OF THE PRIN- 
CESS DU CONDE. 
Attended by an eagle. Seated in the clouds she 
wears a rose-colored dress with a green scarf and holds 
a pitcher and chalice. 
Height, 4 1-2 inches; width, 3 1-2 inches. 
84 


——— 


278 GROUP OF FIVE SMALL ENAMELED PICTURES. 


Representing classical scenes; each framed in gilt 
metal. 
Size of group, 6 1-2 inches wide; 3 1-2 inches high. 


279 GOLD SNUFFBOX. 


Sides richly chased in rococo pattern; top and bot- 
tom painted in vignetted scenes in black enamel sur- 
rounded by shell and floral ornaments. Inside the 
lid runs the inscription: 


“To Captain William McMickan, from Sir Andrew Barclay 
Walker, in remembrance of a pleasant voyage across the 
Atlantic in the S. S. ‘Bothnia’, November Ist, 1880.” 


Length, 3 1-4 inches: width, 2 1-4 inches. 


280 MINIATURE PORTRAIT ON IVORY BY LE SEURE. 


Anne of Austria, with red hair wearing a coronet and 
court dress with high ruff and a double strand of 
pearls. Height, 3 inches; width, 2 1-2 inches. 


In gilt metal frame. 


281 COFFER-SHAPED BOX. 


Silver gilt chased in an arabesque pattern. Cover set 
with a large pink topaz encircled with small pearls; 
inside lined with green silk, the cover bearing the 
British coat of arms. 


Length, 3 1-4 inches; width, 2 1-2 inches. 


282 GOLD MUSICAL SNUFFBOX. 


Ribbed ground with band in Florentine Renais- 
sance pattern enclosing musical attachment. 
Length, 3 6-8 inches; width, 2 inches. 


85 


eax 


IVORY AND PEARL FANS EXQUISITELY CARVED AND PAINTED 


283 ELEVEN DECORATED MINIATURE PAINTINGS 
IN VERNIS MARTIN. 


Representing peasant and court figures. Framed in 
chased gilt metal. 
Sizes circa, 3 1-2 inches long; 2 3-4 inches wide. 


284 FRENCH FAN. 


Painted with classical and pastoral scenes with gold 
borders; ivory sticks intricately carved and showing 
relief group of Venus and Mars attended by nymphs 
and amorini surrounded by flower, leaf and _ shell 
borders. 


285 FRENCH FAN. 
Painted with three panels in the Boucher manner 
with floral and latticed borders; ivory sticks carved 
in rococo designs gilded. The reverse side painted 
with a scene of gallantry. 


286 FRENCH SILK FAN. 


Painted panel in the manner of Angelica Kauffmann 
with Pompeian urns and Wedgwood medallions; 
ivory sticks intricately carved with figures and folia- 
tions gilded. (Damaged). 


287 FRENCH SILK FAN. 


Painted with figures and flowers and embroidered 
with gold spangles; ivory sticks pierced and gilded. 


87 


288 


ae259 


290 


271 


292 


FRENCH FAN. 


Painted with classical scenes surrounded by a flower 
and scroll border; mother-of-pearl sticks pierced and 
inlaid with a picture representing Diana and nymphs 
in gold, and painted with garlands of fruit, flowers 
and emblems. The reverse side painted with “An 
Appeal to Justice.” (Damaged). 


SPANISH FAN OF DRAWN NEEDLEWORK. 


The ivory sticks pierced and carved in a design of 
flowers, scrolls and shells; the drawn work is of 
exquisite fineness. 


SILK FAN. 


Embroidered and painted with figures, floral sprays, 
birds and scrolls in colors, and in gold and silver 
thread and spangles; the sticks of ivory minutely 
carved and ornamented in two colors of gold. Chinese 
workmanship. 


FLEMISH FAN. 


Ivory sticks carved and painted with flowers, birds 
and trophies; the fan is decorated with medallions 
in scenes of gallantry. 


FRENCH FAN. 


Ivory sticks painted with Watteau scenes in three 
panels, separated by pierced sticks gilded, forming 
borders; the outer sticks carved in relief with harle- 
quins and floral sprays. (Damaged). 


88 


er 


—Se aS a 


225 


294 


295 


296 


207 


298 


A FAN PAINTING ON PARCHMENT. 


- Panel showing a Roman scene against a decorated 
background in the Pompeian manner. 
Height, 7 inches; width, 15 inches. 


In a gilt and enameled fan-shaped frame. 


FIGURE OF BUDDHA. 


Seated on an ornamented circular base. Silver bronze 
of Indian workmanship. Height, 8 3-4 inches. 


OVAL ENAMELED PICTURE. 


“The Road to Golgotha.” 


Height, 2 3-4 inches; width, 3 1-2 inches. 
(Damaged.) 


LIMOGES ENAMELED PAINTING ON COPPER. 
“The Adoration of the Magi.” 
Height, 3 1-2 inches; width, 6 inches. 


In a wood frame. 


LIMOGES ENAMEL PICTURE “ST. THERESE.” 
Octagonal panel showing the saint receiving a thrust 
from a dart in the hands of an angel. Bronze frame 
with corners of cherubim. 


Height, 4 3-4 inches; width, 3 1-2 inches. 


FIGURE OF BUDDHA. 


Seated on a semi-circular base with leaf ornamenta- 
tion. Silver bronze of Indian workmanship. 
Height, 8 inches. 


89 


HE) 


300 


301 


303 


DOMESTIC SHRINE OF LIMOGES ENAMEL. 


A picture of Christ bound attended by two Romans 
is set in an architectural frame of wood ornamented 
with crystal and ivory. An inscription reads that the 
Bishop of Palenzia grants forty days indulgence. 

Height, 13 inches; width, 6 1-2 inches. 


SMALL BRONZE CLOCK. 


On a base in the form of a cushion, Atlas kneels up- 
holding a round clock surmounted by an urn with 
pendant tassels. In running order. Horton, London, 
maker. Height, 9 inches. 


XVITH CENTURY BRASS: TABLE CLOGK 


Of hexagonal form resting on six brass feet; with 
gong and a silver dial. German. Felsza Glaucha, 
maker. Height, 3 1-2 inches; diameter, 5 inches. 


SMALL IVORY BOUDOIR CLOCK. 


From a table base resting on four carved feet rises 
a lyre-shaped frame supporting a round clock ornately 
carved with rococo leaf and shell ornament and 
musical instruments, surmounted by a seated cupid 
holding a torch. Ivory dial. In running order. 
Height, 8 3-4 inches; width of base, 5 1-2 inches. 


BOUDOIR CLOCK IN BOULLE MARQUETRY. 


It rests on four feet of gilt bronze; crowned by a 
flaming torch. The front is ornamented with a figure 
of Britannia, scrolls and shell work in gilt metal. 


Height, 10 3-4 inches. 
90 


304 BRASS LANTERN WALL CLOCK WITH BRACKET. 


- The clock has a brass dial above which rises four arms 
supporting the gong framed in by pierced and chased 
panels. In running order. John Buffet, Colchester, 
maker. Height, 15 1-2 inches. 


305 SMALL SILVER CLOCK. 


The urn-shaped body is chased and decorated in 
repoussé with floral and drapery pattern and _ sur- 
mounted by a dove in flight; it rests on a square 
plinth. Charles Godet, Stuttgart, maker. (Hands 
missing.) Height, 9 1-2 inches. 


306 FRENCH EMPIRE CLOCK AND THERMOMETER. 


The rosewood base, in which is set a thermometer 
according to Reaummur, adorned with ormolu mount- 
ings supports a laurel wreath enclosing the clock. 
In running order. Enclosed in a globe resting on an 
inlaid wood base. Delhaye, Boulogne, maker. 
Height, 23 inches. 


Seen OF LOUIS XVITH SINGLE LIGHT BRONZE 
SCONCES. 


The plaque ornamented with a grotesque masque. 
Height, 11 1-2 1nches. 


308 LIBRARY CHIME CLOCK. 
Square oak case resting on four gilt bronze feet; the 
crown surmounted by a bronze urn with four smaller 
bronze urns at the four corners; ornamental panels 
of gilt bronze of rococo design set in the sides; the 


91 


ORMOLU CLOCK LOUIS XVTH STYLE 


No. 309. 


corners, base and roof decorated with bronze orna- 
ments. The dial with three smaller indicators laid 
on a gilt base with applied bronze ornament. Double 
cathedral chime. In running order. Tiffany & Co., 
makers. Height, 30 inches; width, 16 1-2 inches. 


309 ORMOLU CLOCK LOUIS XVTH STYLE. 


On an ormolu table base of rococo design rests the 
case decorated with floral sprays and musical emblems 
surmounted by a seated amorino holding a garland 
of flowers under a shell work latticed canopy. Porce- 
lain dial with hour and minute bronze plaques. In 
running order. Admirauld, Paris,maker. 

Height, 25 inches; width of base, 17 1-2 inches. 

(See Illustration.) 


310 FRENCH COSMOGRAPHIC CLOCK. 


The clock which rests on an ebony urn-shaped base is 
surmounted bya skeleton glass plate with calendar, 
above which rises the globe; the equator is marked to 
show the time in different parts of the world. In 
running order. J. Poncelet, Morez-du-Jura, maker. 
Height, with glass globe and ebony base, 27 1-2 inches. 


Formerly in the possession of Charles O’Connor, the eminent 
lawyer of New York. 


311 HALL CLOCK AND BRACKET IN BOULLE MAR- 
QUETRY. 

Of the period of Louis XVIth; of serpentine out- 

line, ornamented with mountings terminating in a 

finial of leaves and flowers; the bronze dial decorated 


93 


er ete aaearet 


CLOCK AND BRACKET IN BOULLE MARQUETRY 


No. 311. 


312 


ey 


314 


in relief, having porcelain plaques for hours and min- 
~ utes; Apollo mask rayed pendulum. In running order. 
Height, 34 inches; width, 15 1-2 inches. 

The wall bracket to match. 
Height, 13 inches; width, 17 1-2 inches. 


(See Illustration) 


A PAIR OF 4-LIGHT CANDELABRA. 


Of French gilt bronze; finely chiseled. 
Height, 15 inches. 


TWO PAIRS OF LOUIS XVITH CANDLESTICKS. 


In French gilt bronze; fluted pedestal and base deco- 
rated with acanthus leaves and grapes. (4 pieces.) 
Height, 12 inches. 


A PAIR OF SILVER URNS. 


Decorated with classic figures in repoussé, they are 


mounted on bases of Russo antique marble. 
Height, 13 1-4 inches. 


CLOCK OF VERD ANTIQUE MARBLE AND TWO 
CANDELABRA. 


From a table base resting on four bronze feet with 
bronze applied ornament rises a round-top shaft 
enclosing the clock, on either side of which stand 
bronze figures of Cupid and Psyche. In running order. 
(Crystal cracked.) 

Height, 34 inches; width of base, 24 1-2 inches. 


The candelabra. On bases which match the clock 
stand bronze figures representing the genius of light 
upholding a torch of gilt bronze with center light 
and five decorated trumpet-shaped branches. 

Height, 38 inches. 


95 


ee se”. lL. me ve 


316 A PAIR OF GILT BRONZE CANDLESTICKS. 


The triangular stem rises from a triangular base on 
three feet shaped as sphinxes. Height, 12 1-2 inches. 


317 A PAIR OF BRASS 2-LIGHT WALL CANDELABRA 
OF LOUIS XVITH DESIGN. - 


The shaft is decorated with trophies surmounted by 
a garlanded urn with flaming torch. Height, 11 inches. 


318 ORMOLU CLOCK WITH GILT WOOD STAND AND 
GLOBE. 


On a base resting on four feet ornamented with scrolls, 
leaves, grapes and a ram’s head rests a table support- 
ing two children playing with a ram. Beneath the 
table is fitted a round clock encircled with a garland 
of leaves and grapes; the gilt dial is chased in a floral 
design. In running order. James McCabe, Royal 
Exchange, London, maker. 
Height, 19 1-2 inches; width of base, 15 1-2 inches. 
Glass globe and a red velvet-covered base. 
Height, 27 inches; width, 22 inches. 


319 PAIR OF BRONZE AND ORMOLU CANDELABRA 
OF EMPIRE STYLE. 


5-lights each. On a column which rises from a circular 
base rests the head of a Roman emperor bearing a 
basket of fruit terminating in the center cup; from 
the sides of the basket spring four branches ending 
in ormolu urn cups. Height, 24 1-2 inches. 


97 


No. 321. 


TALL HALL CLOCK IN BOULLE MARQUETRY 


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320 BRONZE MANTLE GARNITURE: CLOCK AND 
CANDELABRA OF LOUIS XVITH STYLE. . 


The round clock is set in an oval fluted base of gilt 
bronze resting on six feet ornamented with scroll 
work and acanthus leaves; from this base rises a 
bronze group of two draped female figures represent- 
ing the muses of music and poetry, attended by an 
amorino holding out garlands for those recorded in 
the book of fame. Musical instruments, books, and 
a laurel branch are grouped at the right with two 
medallion portraits of eminent French composers in 
relief. The clock has-a porcelain dial and gilt hands. 
In running order. Deniere, maker. 

Height, 27 inches; width of base, 25 inches. 


The candelabra show bases to match the clock upon 
which stand bronze draped female torch-bearers up- 
holding eight-light torches of gilt bronze with urn 
cups. 

Height, 33 1-2 inches; diameter of base, 10 inches. 


(See Illustration) 


321 TALL HALL CLOCK IN BOULLE. MARQUETRY. 


Ona high curved base with bronze paw feet, mouldings, 
mask and scroll ornament, rises the clock of serpen- 
tine outline surmounted by a bronze figure of Father 
Time; the front decorated with an Apollo mask and 
with leaf and scroll ornament. ‘The bronze dial is 
ornamented in relief with porcelain plaques for the 
hours. Apollo mask rayed pendulum. In running 
order. (The marquetry slightly damaged.) 

Height, 93 inches; width of base, 31 inches. 

(See Illustration) 


99 


FOURTH SESSION 


Paintings 


MAX WEYL 


Contemporary American Painter 


322 ON THE SHORE OF THE ADRIATIC—A SKETCH. 
Panel. Signed. Height, 4 inches; width, 6 inches. 


M. MUNOZ 


Contemporary Spanish Painter 


323 STREET MARKET IN ITALY—A SKETCH. 


Panel. Signed. Height, 4 inches; width, 6 inches. 


RICHARD N. BROOKE 


Contemporary American Painter 


324 BOAT LANDING—A SKETCH. 


Panel. Signed with initials. 


Height, 7 inches; width, 9 inches. 


101 


ged 


oa | 


4 
\ 


A. VIDAL 


Contemporary French Painter 


325 FRENCH WASHERWOMEN ON THE BANKS OF A 
STREAM. 


Panel. Signed. Height, 9 inches; width, 13 inches. 


R. L. JOHNSTON 


Contemporary American Painter 


326 + SHEEP. 
Panel. Signed. 
Height, 5 1-2 inches; width, 7 1-2 inches. 


JOHN RUSSELL (ATTRIBUTED) 
1744-1806 


327 DECORATIVE PORTRAIT OF A YOUNG WOMAN. 


In a white directoire gown with kerchief folded about 
her neck she sits in meditation; her powdered hair 
bound with a blue fillet falls low over her ears and 
down her neck. The background is of clouded blue. 
Pastel. Height, 25 inches; width, 20 inches. 


FRANCIS COTES (ATTRIBUTED) 
1726-1770 


328° PORTRAIT OF FARA ye 


Seen at half length dressed in a low-cut white dress 
with a crimson scarf held in place by a jeweled clasp 


102 


at the shoulders, she holds a veil with her left hand 
to her breast; her hair, dressed simply, falls in curls 
at the back of her neck. Canvas. Oval. 

Height, 28 inches; width, 22 1-2 inches. 


FREDERICK A. BRIDGEMAN 4 ig ) 


Contemporary American Painter 


927)-A- VENETIAN CANAL. 


Rising from the water the Venetian house fronts are 
seen, broken by projecting windows with gay awn- 
ings and a balcony; a high arched bridge crosses 
the canal ’neath which advances a black gondola. 
The surface of the water is mottled by a multitude 
of colored reflections. Canvas. Dated ‘‘Venice, 
April 10, ’76.” Height, 14 inches; width, 10 3-4 inches. 


Bought from the artist’s sale. 


THOMAS HUDSON (ATTRIBUTED) 


1701-1779 


ogee OR TRAIT OF A COURT LADY. 


Seen at half length dressed in a low-cut white bodice 
with a rose at her corsage, she sits holding with her 
right hand a crimson scarf about her shoulders; 
her hair is dressed high from the forehead and falls 
in curls at the back entwined with pearls and adorned 
with a rose; strands of pearls fall across her corsage. 
Canvas. Oval. Height, 28 1-2 inches; width, 22 inches. 


103 


ANGELICA KAUFFMANN (ATTRIBUTED) 


1741-1807 
f 


\: \ 331 NIOBE. 


Dressed in white, with a blue mantle and scarf across 
her head, she sits on a red cushioned seat, her head 
resting on her arm, lost in contemplation; in her 
right hand she holds a bow; at the back rises a 
column beyond which is caught a glimpse of blue 
sky. On copper. Oval. 

Height, 10 1-2 inches; width, 7 3-4 inches. 


i UNKNOWN DUTCH PAINTER 


332 A WOMAN PEELING APPLES. 
| Panel. Height, 9 inches; width, 8 inches. 


A. WINDMAIER 


Contemporary German Painter 


| 333 LANDSCAPE. 


- Along a path which crosses a meadow two figures 
advance toward a red-roofed cottage in the distance. 
Nearer are seen farm buildings enclosed by a rude 
board fence and backed by a clump of trees; the 
sky tinged with a primrose light tells the evening 
hour. Canvas. Signed. 

Height, 7 1-2 inches; width, 12 3-4 inches. 


104 


SIR GODFREY KNELLER (ATTRIBUTED) 


1646-1723 


an 
334 PORTRAIT OF WILLIAM III (B. 1650-D. 1702). Vi } 


Wearing a buff waistcoat and shirt open at the neck, 
over which is gathered a silk mantle, the sovereign 
seen at bust length, looks directly at the observer; 
he wears a long flowing black wig which curls about 
his temples falling to his shoulders. Canvas. Oval. 

Height, 28 inches; width, 25 inches. 


J. F. KENSETT ‘ > 


American Painter, 1818-1872 


335 A WOODLAND CASCADE. 


Arched by a thick growth of trees a quiet pool 
empties its waters over the brown rocks, breaking 
into foam; through the branches come glimpses of 
an afternoon sky. Canvas. Signed with initials 
“J. F.K.” Height, 22 1-2 inches; width, 17 1-2 inches. 


> 
ELIZABETH NOURSE A} l 


Contemporary American Painter 


336 A VOLLENDAM PEASANT. 


Against a window with a background of green shrub- 
bery, an old woman in a white cap with a red kerchief 
about her neck is seen; her eyes, dimmed by age, 
look down in contemplation. Panel. Signed and 
dated “92.” Height, 13 inches; width, 10 inches. 


Bought from the artist. 


105 


W. L. PICKNELL 
American Painter, 1852-1908 


’ 
i} 0 337 SCENE ON A DUTCH CANAL. 


From the foreground: stretches a Dutch waterway 
ending in a clump of trees and a tall windmill. A 
freight barge is moored at the right and red-roofed 
houses rise on either bank. Panel. Signed. 

Height, 12 1-2 inches; width, 16 inches. 


SCHOOL OF JEAN BAPTISTE GREUZE 


? 1725-1805 
1] 4 338 HEAD OF A YOUNG GIRL. 


With drapery falling away from her shoulders, a 
young girl with auburn hair is seen, front view, 
against a blue clouded background; her head is 
encircled with a garland of leaves and grapes. Canvas. 

Height, 10 1-2 inches; width, 8 1-2 inches. 


JOHN WRIGHT, OAKES 
English 1820-1887 


OF 339 A SURREY CORNFIELD. 


. The grain has been gathered into sheaves and 
stacked in the foreground, beyond rises a row of tall 
elms and in the distance stretches a rolling English 
landscape; some figures are seen at the right resting. 
On academy board. Signed in monogram “J. W. O.” 
and dated 1858. 

Height, 11 3-4 inches; width, 18 inches. 


106 


V 


DAVID TENIERS, THE YOUNGER 


< 
1610-1694 3 . 


340 THE. DENTIST. 


In a dusky interior a man sits in a chair and above 
him the dentist is at work treating his teeth; in the 
background an old woman in white cap and kerchief 
looks on, while a boy assists the operator. On the 
table in the center is a group of bottles and jars; 
at the right a brass pan and an earthen water-jug; 
in the background, beneath a high window, the figure 

of a man is dimly seen. Canvas. 
Height, 15 inches; width, 17 inches. 

Bought from Martin Colnaghi, London. 


—_ 
es 
PAUL HUET 
1804-1869 


341 LANDSCAPE AT EVENING. 


In a broad field whose surface is marked by pools, 
stands a cottage shaded by a group of trees; at the 
left a single tree rises, spreading its branches against 
a deep blue sky with white clouds. Canvas. 

Height, 7 1-2 inches; width, 9 1-2 inches. 


w | N 
S. S. BARBUDO 


Contemporary Spanish Painter 


e472) LHE CARDINAL. 


In a richly decorated interior is seen the old cardinal 
in red robes and cap just rising from a gilded chair 
after an audience; he rests on a cane in his right 


107 


hand. The floor, couch and seat are strewn with 
flowers, and on a table at the right, covered with 
crimson velvet, rests a red covered book. Panel. 
Signed. Height, 11 inches; width, 8 inches. 
Bought from Bousod Valadon & Company, Paris. 


V. DE VILLE 


Contemporary French Painter 


343 A WINDY DAY. 


Along a path which curves through the landscape a 
woman in peasant dress carrying two baskets is seen 
going toward a distant mill; the trees above her head 
as well as her clothing are tossed by the wind. 
Canvas. Signed. 

Height, 17 1-2 inches; width, 21 1-2 inches. 


CHARLES DESHAYS 


Contemporary French Painter 


344 LANDSCAPE ON THE SEINE. 


Under a bright summer sky the wide river curves 
about the bank thickly grown with trees; on the 
further bank rises a house and row of trees dimly 
seen through the mist; in the foreground some 
women are enjoying an outing. Panel. Signed. 
Height, 9 3-4 inches; width, 18 inches. 


Bought from the artist. 


108 


ALPHONSE DE NEUVILLE 3 es 
French, 1835-1887 


345 AN INTERIOR WITH FIGURES. 

In a spacious French kitchen before a wide fireplace 
sits a woman drying her clothing; she turns to talk 
with the housemaid who stands at the table behind 
her. The walls are hung with copper kitchen utensils 
and through the open door at the back is seen a river 
landscape. Panel. Signed. 

Height, 7 inches; width, 10 1-2 inches. 


FRITZ THAULOW 


Contemporary Norwegian Painter 


Si 
346 THE CASCADE. [ L 

At a bend in the river which winds between heavily 
shaded banks the water breaks into a cascade spread- 
ing circles of white foam over the surface; at the left 
is a tangle of vines, and on the right an old tree bends 
over toward the water; a house embowered in 
shrubbery is seen at the right. Canvas. Signed. 

Height, 18 1-2 inches; width, 21 3-4 inches. 

(See Illustration.) 


EUGENE BOUDIN oe 
1825-1898 2D 


347 THE BRIDGE AT DEAUVILLE. 
Across a narrow stream a double-arched bridge joins 
the two sections of the town; in the foreground some 
boats are drawn up on the sand, and on the high right 
bank winds a roadway, above which rises a group 
of houses. Canvas. Signed and dated “75.” 
Height, 13 inches; width, 18 inches. 


109 


aomneyy ZT Ag 
AAVOSVO FHL ‘Ope 


‘ON 


LEON L’HERMITTE 


Contemporary French Painter 1844- 


348 IN THE HARVEST FIELD. 


349. UP 


A woman with a sheaf of grain in her arm stops in her 

work to talk with two small boys; near by a second 

woman is binding the grain which a man cuts down; 

beyond the field of grain rises a low hill with trees 

and on the left is seen a stretch of water. Crayon 

drawing. Signed. Height, 16 inches; width, 22 inches. 
Bought from the artist. 


FRANCOIS S. BONVIN 
French, 1817-1887 


FROM THE CELLAR. 


Through a door opening into the kitchen, a maid in 
red waist and long white apron comes carrying a jug; 
at the right below a window a range is seen with a 
copper vessel from which steam is rising; above the 
cellar door a long shelf is placed with bottles and 
jars; a pail of water stands on the red-tiled floor. 
Canvas. Signed and dated 1857. 

Height, 17 1-2 inches; width, 13 inches. 


Bought from Cottier & Company, N. Y. 
(See Illustration.) 


J. C. CAZIN 
French, 1840-1900 


350 LANDSCAPE. 


Across a field thickly grown with vegetation are seen 
some small trees blown by the wind, and on the 


111 


~ 


=> 


S 
c> 


C 


No. 349. UP FROM THE CELLAR 
By F. S. Bonvin 


horizon the low roofs of some houses; above stretches 
‘a windy sky. Canvas. Signed. 
Height, 8 1-2 inches; width, 10 3-4 inches. 


Bought from the artist’s studio. 


SCHNEIDER 


Contemporary German Painter 


351 THE FRIGHTENED BIRD. 
A tall vase resting on a table with some fruit and a 
platter of grapes has been overturned by a macaw, 
who finds himself thrust down on the fruit; in his 
fright he spreads his wings showing his brilliant 


plumage. Panel. 
Height, 17 inches; width, 23 1-2 inches. 


G. B. WILLCOCK 
English, 1811-1852 


352 CORNFIELD NEAR BRAMBER, SUSSEX. 


On the right are seen farm buildings deeply shaded 
by tall trees; on the left stretches a broad English 
landscape; some figures are seen in the foreground, 
also a flock of ducks floating on the stream. Panel. 
Height, 9 1-2 inches; width, 16 1-2 inches. 

Bought from Arthur Tooth & Sons, London. 


PARKER MANN 


Contemporary American Painter 


353 LANDSCAPE. 


Across a bit of low-lying country the surface broken 
by pools, runs a brick garden wall above which rises 


113 


4) 
ae 


¢. 


a house and a clump of trees; in the distance is 
seen the sky line of a city. Canvas. Signed. 
_ Height, 12 inches; width, 24 inches. 


70 7 Bought from the artist. 
d 
q| AELBERT CUYP (ATTRIBUTED) 
1605-1691 


354 -LANDSCAPE. WITH, CATTLE. 


On the bank of a wide estuary, a group of cattle is 
gathered on a grassy mound which rises in the center; 
beyond is dimly seen the farther shore dotted with 
buildings under a cloudy sky. Panel. 
Height, 22 inches; width, 29 1-2 inches. 
Bought at Christie’s, London. 


ISAAC POCOCK 
English, 1782-1835 


D\ 
7 655-41 HESPE TT ‘DOVE, 


With white drapery falling from her- rounded shoul- 
ders, a girl holds a dove to her breast with her right 
hand; her left hand is raised above her head; her 
red hair is dressed high in puffs. Panel. 

Height, 22 inches; width, 17 inches. 


; v. PIERRE MIGNARD (ATTRIBUTED) 
if 1610-1695 
| AY, = 
oe 356 PORTRAIT OF ANNE OF AUSTRIA. 


In a low-cut court costume of yellow with slashed 
sleeves, the queen looks directly out of the picture. 


114 


On her neck is a necklace, and jewels are placed in 
_ her corsage and on her shoulders; her ringletted 
hair is entwined with pearls and long pendants hang 
from her ears; about her arm is twisted a crimson 
scarf and in her hand she holds a lorgnette. Canvas. 

Height, 30 inches; width, 25 inches. 


) 
G. B. WILLCOCK ie 


English, 1811-1852 


957) MILL NEAR*KELMER, SUSSEX. 


At a river in the foreground some cattle have come 

to drink, watched by a herder; at the left is a cot- 

tage beyond which is seen a mill with spreading arms. 

A row of trees stretches away in perspective across 

the meadow which is dotted with cattle and sheep. 

Panel. Height, 9 1-2 inches; width, 16 inches. 
Bought from Arthur Tooth & Sons, London. 


JOHN LINNELL id 


English, 1792-1882 


oso THE FOREST. 


Along a road which curves through a deep forest 
advances a flock of sheep driven by a shepherd; the 
upper branches of the old trees part and allow a 
glimpse of blue sky with white clouds. Panel. 
Height, 7 inches; width, 9 inches. 
Bought from Wallis & Son, London. 


115 


? 


is e PHILIPP PETER ROOS (CALLED ROSA DI TIVOLI) 
1657-1705 


359 LANDSCAPE WITH SHEEP AND CATTLE. 


In a deep shady glen hemmed in by trees some goats 
are seen at rest; a cow stands in the water; at the 
left a dog and sheep are lapping from the pool. On 
the rocky eminence in the distance rises a square- 
towered castle against a mass of white clouds. Can- 
vas. Height, 29 inches; width, 37 inches. 


GEORGE MORLAND 
én English, 1763-1804 


360 THE SMUGGLERS’ CAVE. 


Through the arched rocky opening of a cave we catch 
a glimpse of the sea with smugglers unloading con- 
traband goods from a small boat; a man in a blue 
overcoat seated on some boxes at the left parleys 
with one of the smugglers. Canvas. 

Height, 17 1-2 inches; width, 23 1-2 inches. 


From the collection of Mr. Glensdale Chapman, England, from 
whom it passed into the possession of Wallis & Son, the well- 
known picture dealers of London, whose guarantee is attached 
to the back. 


$s RICHARD N. BROOKE 


Contemporary American Painter 


361 THE HAYFIELD. 


In a rolling green field some stacks of hay are piled, 
in front of which a woman kneels gathering roots; 


116 


a full round sun is just sinking below the horizon 
touching the stacks and the hillside with a soft light. 
Canvas. Signed. Height, 18 inches; width, 24 inches. 


This picture was awarded the Parson’s Prize in 1901, at the 
Exhibition of the Society of Washington Artists. 


THOMAS GAINSBOROUGH Va 


1727-1788 


362 PORTRAIT OF JOHN MASON OF PORTESS. 


The canvas shows the bust portrait of a young man 
wearing a buff coat with crimson velvet collar and a 
fur-trimmed crimson waistcoat; he wears the white 
powdered wig of the period and smooth face. An 
inscription on the back reads “John Mason, son of 
John Mason of Portess, (b. 1729, d. 1807.”’) Canvas. 
Oval. Height, 28 inches; width, 23 inches. 


Pd 
ie 
VICTOR DE PAREDES 


Contemporary Spanish Painter 


363 INTERIOR OF A STABLE WITH CATTLE. 


A number of cows are seen ranged along in their 
stalls, some standing, others lying down, while the 
stable boy is spreading their pyran for the night. 
Canvas. Signed. 

Height, 18 inches; width, 27 1-2 inches. 


117 


0! W. CLARKSON STANFIELD 
English 1793-1867 


364 A NORWICH RIVER SCENE. 


On the bank in the foreground an old boat is drawn 
up beside which a fisherman sits mending his sail. 
On the opposite shore some boats are moored and 
beyond rises a distant hill with buildings; at the 
right a boat shed, open at both ends, is seen on the 
quay. Canvas. Signed and dated 1869. 

Height, 18 inches; width, 26 inches. 

Bought of Arthur Tooth & Sons, London. 


JOHN RUSSELL (ATTRIBUTED) 
English, 1744-1806 


\ 
O 
uy 365 DECORATIVE PORTRAIT OF A WOMAN. 


Dressed in white with a blue mantle falling from her 
shoulders, she sits holding a rabbit in her arms; her 

- hair, confined by a dark ribbon, is powdered. Leaves 
and grapes appear on the blue background. Pastel. 
Height, 23 1-2 inches; width, 19 1-2 inches. 


MAX WEYL 
~@ 
Jy Contemporary American Painter 
CA 
‘\ ; 366 AUTUMN LANDSCAPE. 


Through the picture runs a small stream on the left 

bank of which a group of trees in brilliant autumn 

foliage lift their branches against a blue sky; other 

trees in red and yellow leafage are seen beyond. 

Canvas. Signed. Hetght, 16 inches; width, 21 inches. 
Bought from the artist. 


118 


367 


SIR PETER LELY (ATTRIBUTED) 
1618-1680 


DECORATIVE PORTRAIT OF A LADY. 


In a low-cut blue dress with embroidered and jeweled 
girdle and edging, a red mantle across her shoulders, 
the sitter looks directly toward us; her hair is 
dressed high and curled about her temples. Canvas. 
Oval. Height, 30 inches; width, 24 inches. 


GUSTAVE COURBET 
1819-1877 


368 A RUNNING DEER. 


Over a field bordered by leafless trees and bushes a 
frightened deer is fleeing from his pursuer; through 
an opening in the trees is caught a glimpse of a lake 
bordered by low hills. Canvas. 

Height, 21 inches; width, 25 inches. 


JOSEF ISRAELS 


Dutch, 1824-1911 GC Q a 


369 GOING TO MARKET. 


Along a lonely road, bordered by a wooden fence, a 
peasant woman with a child in her arms and carrying 
a basket trudges along; beyond the fence a green 
meadow stretches away toward a row of buildings 
and trees on the horizon; at the right three willow 
trees are seen, and the sky is filled with moving 
clouds. Panel. Signed. 

Height, 9 inches; width, 11 inches. 


Bought from the artist. 


119 


jbo 


THEOPHILE DE BOCK 
Dutch, 1851-1904 


O e 
[eo 370 LANDSCAPE. 


Through the center of the picture winds a narrow 
rivulet spreading into a pool in the foreground, 
bordered by great beech trees whose gaunt branches 
cast shadows over the earth. At the right, beyond 
a tree, the roof of a farmhouse is seen, and at the left _ 
an old woman makes her way down to the brook. 
Panel. Signed. 

Height, 14 3-4 inches; width, 23 inches. 


Bought from the artist’s sale. 


OY JOSEF NEUHUYS 
A J rad Dutch, 1841-1890 
‘1 | 371 LANDSCAPE IN HOLLAND. 
At the right along the marshy shore a boatman is 


poling his flat-bottomed boat; the low-lying land 
stretches away in the distance and is dotted with 
grazing cattle. A windmill and some buildings of a 
distant town rise faintly over the horizon; a summer 
sky of mingled blue and white stretches above across 
which birds are seen flying. Canvas. Signed. 

Height, 18 inches; width, 12 inches. 

Bought from Arthur Tooth & Sons, London. 


0 () BERNARD DE HOOG 
Contemporary Dutch Painter 1866- 


372 THE EVENING MEAL. 


Seated at a bare table, a man in peasant dress stops 
120 


eating to watch his wife feeding a young child on her 
‘lap; a second child on the floor at her side eats from 
a plate on its lap. The dusky interior is lighted from 
a window at the left. Canvas. Signed and dated 
1899. Height, 43 inches; width, 49 inches. 
Bought of Wallis & Son, London. 


J 
| 


Contemporary French Painter 


A 
O \ JOSEPH CLAUDE BAIL 


ogo DHE LACEMAKERS. 


Two women in peasant dress are seated in a window 
alcove engaged in lace making; a third in cap and 
ad! apron stands looking on. ‘The interior is flooded 
I 4%, with light from a high window on the left. Canvas. 
OA Signed. Height, 36 inches; width, 28 inches. 
Bought of M. Knoedler & Co., N. Y. 
(See Illustration.) 


Fo 
HIPPOLYTE CAMILLE DELP Y | J ' 


Contemporary French Painter 


374 SUNSET. 


On the shore of a stream two women are washing 
clothes; a group of trees and the surface of the river 
are tinged with a pink light from the setting sun. 
Panel. Signed and dated 798. 
Height, 20 inches; width, 31 inches. 
Bought from Arthur Tooth & Sons, London. 


121 


No. 373. THE LACEMAKERS 
By Joseph Bail 


TROUILLEBERX re / 
Contemporary French Painter ] 


3752 BY- THE: LAKE: 


Between low hills a roadway leads from the fore- 
ground to a lake which lies just beyond; on the slope 
of the hill at the left is a row of silvery trees, and at 
the right a cluster of three tall poplars with under 
shrubbery. In the roadway a fisherman is advancing 
carrying his coat and a fishing pole over his shoulder 
to join a second man seen fishing at the lakeside. 
Canvas. Signed. Height, 26 inches; width, 32 inches. 
-§ 
\ 
a2 


SIR GODFREY KNELLER 
1646-1723 


376 THE TWO SISTERS. 


Dressed in white, with loose overgarment of deep 
crimson held in place by a strap across the shoulder, 
the older sister stands in front; at her side a younger 
girl dressed in gray, looks into her face; their hair is 
dressed simply falling on the neck at the back. 
Canvas. Height, 43 inches; width, 28 inches. 


HENRY DAWSON 
English, 1811-1878 


poe 
—\ 


377 VIEW ON THE EASTERN COAST OF ENGLAND. 


The rounded hills and chalk cliffs rise from the water’s 
edge crowned by a square castle around which hover 
a flock of gulls. On the choppy water below a boat 


123 


with three men is making for shore; on the distant 
bank are seen the houses and church tower of a 
small village. Canvas. , 
Height, 24 inches; width, 36 inches. — 
Bought from Arthur Tooth & Sons, London. 


DAVID TENIERS, THE YOUNGER 
1610-1694 


( 378. THE ALEHOUSE: 


y Before a tavern whose high-pitched roof rises at the 
left are gathered a number of men and women seated 
at tables; they stop their meal and turn to watch 
the dancing of a man and woman; back of them a 
man in red coat stands on a barrel head playing a 
violin; below a second musician plays a violincello; 
and at the right a servant with two wine jugs pauses 
in the work of filling them to enjoy the scene. Beyond 
the tavern yard rises a clump of trees on the bank of 
a river; on the other side of the stream stretches a 
row of houses with figures passing. Panel. Signed 
in monogram and dated 1643. 

Height, 18 inches; width, 25 tnches. 


WILLIAM M. CHASE 


Contemporary American Painter 


Coe 
| 379 -STILL-LIFE. 


On a brown table are grouped some tomatoes, an 

orange, and some grapes with a copper urn and a 

piece of antique pottery; at the right is a brass bowl. 

Canvas. Signed. Height, 20 inches; width, 14 inches. 
Bought from the artist. 


124 


FRANK M. BOGGS 1 
Contemporary American Painter fv ’ 


380 THE TOWER OF LONDON. 


The battlemented walls of the old tower are seen on 
the right along the quay which stretches down the 
Thames; shipping crowds the river front, with low- 
lying buildings beyond; in the distance is seen the 
arch of London Bridge; low-hanging murky skies 
stretch above. Canvas. 

Height, 18 inches; width, 25 1-2 inches. 

Bought from the artist. 


44 
SCHOOL OF NATTIER, XVITIITH CENTURY ] 0 


381 PORTRAIT OF A LADY. 


Dressed in white with blue over-drapery, she sits 
holding up a cup in her right hand, with a pitcher in 
her left; her lap is filled with flowers; a garland falls 
across her neck and sprays are tucked in her hair. 
- Canvas. Height, 40 inches; width, 34 1-2 inches. 


9 oO» 
J. WHITELAW HAMILTON (3 


Contemporary Scotch Painter 


5o2) LANDSCAPE WITH CATTLE. 


Through an opening of trees in summer dress rising 

at the left and right, the spectator looks across a 

ravine to a rising hill with low trees; a group of cattle 

rests in the foreground; a summer sky with luminous 
clouds stretches overhead. Canvas. Signed. 

Height, 32 inches; width, 34 inches. 

Bought from Arthur Tooth & Sons, London. 

(See Illustration.) 


125 


No. 382. LANDSCAPE WITH CATTLE 
By J. Whitelaw Hamilton 


FELIX ZIEM 


1821-1908 yf? 


eee bee QUAY ALT MARSEILLES. 


A crowd of figures and horses are seen along the quay 
at which a long line of boats is drawn up, their 
forest of masts with flags and folded sails rising at 
the right. Along the quay stretches a row of white 
buildings gay with awnings, and a deep blue sky 
arches above. Canvas. Signed. 

Height, 22 inches; width, 27 1-2 inches. 


GEORGE MORLAND (ATTRIBUTED) 9 ) . 
English, 1763-1804 
564° SHEEP. 
In a leafy clump of shrubbery two sheep are resting, 
watching a black ram feeding; stretching beyond is a 
summer landscape beneath a blue sky. Canvas. 
Relined. Height, 29 inches; width, 35 inches. 
GABRIEL JACQUES DE SAINT AUBIN iL is 


French, 1724-1780 


55> 8 PASTORAL. 


At the foot of an old tree three women dressed in the 
gay costumes of the period are seen sleeping, dis- 
covered by a young gallant in red short clothes who 
approaches; a pet lamb rests beside them and at 
the left sheep are grazing; a summer landscape 
forms the background. Canvas. 
Height, 26 inches; width, 33 inches. 
This is a characteristic work by one of Boucher’s most talented 
pupils, 


27, 


ayoIepy uvA pry Ag 
SHHITO AHL NO “288 ON 


ANTHONY VAN DYCK (AFTER) ly? : 


Flemish, 1599-1641 


386 DECORATIVE PORTRAIT OF A LADY. 


Dressed in black with wide sleeves slashed with white, 
lace cuffs and lace frill about her neck a young woman 
stands seen at three-quarters length, holding a 
feather fan in her left hand; about her neck is a 
double string of pearls, also a necklace from which a 
small cross is suspended; jewels are in her ears and 
also in her hair; a chatelaine chain hangs from her 
waist and pearl bracelets encircle both wrists. Can- 

vas. Signed and dated 1623. 
Height, 50 inches; width, 40 inches. 

Bought from T. J. Blakelee’s sale. 


4] 
, u~ 
EMIL VAN MARCKE A 
: ‘ 


French, 1827-1891 


sommes Liat -CLIFES. 


In a grassy meadow hedged in by dykes some horses 
and cattle are gathered watched over by a herdsman 
and his dog; beyond lie a number of market boats 
with sails spread out to dry. On the dyke some 
marketmen are passing and in the distance rises a 
chalk headland. A summer sky filled with white 
clouds stretches above. Canvas. Signed. 

Height, 28 inches; width, 38 inches. 

Formerly in the Mary J. Morgan collection. 


(See Ilustration.) 


129 


uodAnod ura Ag 
GOVTTIA HOLA V ‘68€ ‘ON 


NICOLAS DE LARGILLIERE 
French, 1656-1746 ) 


388 PORTRAIT OF A LADY. 


In a costume held at the shoulders with brooches, 
the sleeves and corsage banded with yellow ribbon, 
the lady sits on a green-backed sofa resting her left 
arm on a table. Across her forehead runs a jeweled 
band; around her head figured ribbons pass under 
her chin, and over her right shoulder falls a mantle 
with embroidered border; her large gray eyes look 
away in contemplation. Pastel. 

Height, 25 inches; width, 21 inches. 


J. VAN COUVEN . if 0 


Contemporary Dutch Painter 


S09 7A DUTCH VILLAGE. 


Above the bank of a sluggish inlet rise the high red- 
roofed houses of a Dutch town crowned by a wind- 
mill; market boats are moored along the bank and a 
moving sky filled with wind clouds stretches above. 
Canvas. Signed and dated 1901. 

Height, 30 inches; width, 50 inches. 


Bought of Arthur Tooth & Sons, London. oh 
(See Illustration.) { U 


UNKNOWN PAINTER 


390 MONKS AT SUPPER. 


In the refectory of a monastery with groined ceiling 
are gathered a number of cowled monks; many sit 
at table eating, others walk about or kneel at prayer. 


131 


A single window at the end illumines the room; at 
the left above a high wainscoting hangs a Gothic- 
framed picture of The Madonna and Child; on the 
right in a pulpit high up a monk stands reading 
evening prayers. Canvas. 
Height, 42 1-2 inches; width, 52 1-2 inches. 
Formerly the property of Charles O’Connor, of New York. 


E. J. NIEMANN 
English, 1813-1876 


re 
“a | 391 VIEW NEAR WHITBY. 

i Above the river at the right rise the wood-crested 
rocky cliffs, at the base of which are seen cottages; 
beyond are the imposing white walls of Whitby 
Abbey below which is a harbor filled with shipping; 
on the left along the quay are railway tracks where 
groups of men are seen loitering. In the foreground 
a sloop loaded with a pleasure party is passing. 
Canvas. Signed and dated “Whitby, 1859.” 

Height, 35 inches; width, 55 1-2 inches. 


SCHOOL OF SIR PETER LELY (XVIITH CENTURY) 


\ oO: 392 PORTRAIT OF A COURT BEAUTY. 


In a white robe held in place by pearl-studded clasps 
the lady sits beside a table from which she takes a 
flower in her left hand; deep red silken drapery falls 
across her knees; with her right hand she holds her 
mantle up to her right shoulder. Canvas. 

Height, 50 inches; width, 40 inches. 


132 


SIR THOMAS LAWRENCE 


English, 1769-1830 


tae 


393 PORTRAIT OF JOHN JULIUS ANGERSTEIN. 


Seated in an upholstered chair the sitter wearing 
black coat, buff waistcoat and gray trousers looks 
directly at the spectator; his left arm rests upon a 
library table with writing implements, his right on 
the arm of the chair. Born in St. Petersburg, in 1735, 
Mr. Angerstein removed to England where he became 
an eminent merchant and patron of the fine arts; his 
rich collection of paintings made the foundation of 
the National Gallery in London. He died in 1822. 
Canvas. Height, 50 inches; width, 40 inches. 
Bought of Arthur Tooth & Sons, London. 
‘(See Illustration.) 


te 
SCHOOL OF FRANCOIS BOUCHER b ; 


1703-1770 


394 THE JUDGMENT OF PARIS—A CARTOON. FOR 
TAPESTRY: 


Seated on a cloud attended by Cupid, Venus receives 
the apple from the hand of Paris. Mars with finger 
to his lips looks on; at the back Juno sits in her 
chariot drawn by peacocks. Canvas. 

Height, 50 1-2 inches; width, 40 inches. 


135 


No. 393. PORTRAIT OF MR. ANGERSTEIN 


By Sir Thomas Lawrence 


THOMAS GAINSBOROUGH (AFTER) 
1727-1788 


See ORTRAIT OF MRS. SIDDONS. 


Dressed in blue with a wide-brimmed hat tied under 
her chin she sits in front of a red curtain. Canvas. 
Height, 47 inches; width, 37 inches. 


This is a repetition of the well-known picture in the London 
National Gallery. 


JOHN SELL COTMAN 
English, 1782-1842 


396, GeaLIOT IN A GALE. 


A broad-beamed fishing smack with sails set flying 
the British flag and manned by three sailors, is 
making its way before a stiff breeze through a 
tumbling sea; in the distance at the right are the 
Dover chalk cliffs; a lowering sky breaks away to 
show patches of blue. Canvas. 

Height, 44 inches; width, 56 inches. 


This is a replica with slight variations of a picture by Cotman 
in the National Gallery, London. 


Bought of Henry Graves & Co., London. 


ae 


FIFTH SESSION 


Sporting Prints In Colors 


397  ABNOT (L. F.). Portrait in colors of William Innes 
“To: The Society of Golfers.” Folio, reprints. (2 copies.) 


398 ALKEN (HENRY). “Meeting at Cover,” ‘‘Three 
Blind Un’s and a Bolter.” (From Sporting Anecdotes). Folio, 
prints in colors. Reprints. (2 pieces.) 


399 ALKEN (HENRY). “The Race,” “The Gallop,” two 
plates in color from Newmarket Races. Folio, reprints. 
(2 pieces.) 


400 ALKEN (HENRY). “The Meet,” ‘“ Breaking Cover,” 
“Full Cry,” “The Death,” for fox-huntings plates in colors 
from “The Leicestershire Covers.” Folio, reprints. (4 pieces.) 


401 ALKEN (HENRY). Plates; ‘Nacton Church,” “The 
Last Field,’ ““ The Large Field,” “Preparing to Start.” Four 
plates in colors from ‘‘The First Steeple Chase on Record.” 
Folio, reprints. (4 pieces.) 


402 ALKEN (HENRY). ‘The Return,” ‘“ Pheasant Shoot- 
ing,” ““The Death,” “Breaking Cover.”’ Four sporting prints 
in colors. Folio, reprints. (4 pieces.) 


137 


403 ALKEN (HENRY). “The Meet,” “Drawing Cover,’ 
“Tally-ho,” “Pace begins to Tell,” ‘Snob is Beat,” “Full Cry,” 
“The Whissendine appears in view,” and ‘The Death.” Eight 
plates in colors from “The Quorn Hunt.” Folio, reprints. 

(8 pieces.) | 


404 BARRAUD (WM.). The Fathers of the Pack. 
OrIGINAL IMPRESSION IN CoLors engraved by W. T. Davy. 
Oval. Folio. 


405 CALVERT: “The Meet of the Vine Hounds;” J. W. 
Snow “The Meet at Blagdon.” Sporting prints in colors, 
folio. (2 pieces.) 


406 COACHING. “Encounter of the York Stage” by 
Edward Hull; Nos. I. and II. of Herring’s “‘Going to Lincoln 


Fair.” Folio, in colors. (3 pieces.) 


407 FERNELEY (J.). “A Floorer,” “Shivering the Tim- 
bers,” “Take it Cooly,” “Your Sort.” Four plates in colors 
from “Hunting Recollections.” Folio, reprints. (4 pieces.) 


408 GRANT (F.). “The Meet at Melton,” “Shooting 
Party at Ranton Abbey,” “‘Meeting of Her Majesty’s Stag- 
Hounds,” each in colors. Folio, reprints. (3 pieces.) 


409 HERRING (J. F.). “St. Giles,” “St. Jamies? sez srae 


prints in colors from “‘The Cab-Horse.” Reprints. (2 pieces.) 
138 


410 HERRING (J. F.). ‘The Meet,” “The Start,” “‘The 
Run,” “The Death,” four fox-hunting plates in colors, folio, 
reprints. (4 pieces.) 


411 HERRING VJ. F.). “The Meet,” “Breaking Cover,” 
“Full Cry,” ““The Death,” four fox-hunting scenes in colors. 
Folio, reprints. (4 pieces.) 


412 HORSES. “Dandin and St. James,” and “‘Baudres,” 
lithographs in colors by G. David, OricinaL ImpREssIons, 
folio. (2 pieces.) 


413 HORSES BY J. ROBERTS. “Brown Horse Antelope,” 
“Grey Horse Skim,” and “Chestnut Horse Shakespeare.” Sm. 
folio prints in colors. (3 pieces.) 


414 HORSES. BY F. SORTORIOUS. “Old Traveler,” 


“Goldfinder” and “Pilgrim.” Folio prints in colors. (3 pieces.) 


415 HUNT (G. C. AND SONS). Tue First FENcE. 
ORIGINAL IMPRESSION IN COLORS. Folio. 


416 . Tue Last FENcE. ORIGINAL IMPRESSION IN 
cotors. Folio. 


417 
Folio. 


. THE Brook. ORIGINAL IMPRESSION IN COLORS. 


139 


418 . THe Pappock. ORIGINAL IMPRESSION IN COLORS. 
Folio. 
419 . Tae Stone WaLit. ORIGINAL IMPRESSION IN 


coLors. Folio. 


420 . AN Excitinc FINIsH. ORIGINAL IMPRESSION IN 
coLors. Folio. 


421 JONES (S. I. E.). “Stagecoach on the Portsmouth 
Road;”” ACKERMANN, “The Victorious Bunchclod;” SEY- 
MOUR, “The Chase Match;” SORTORIOUS, “Match 
between Hambletonian and Diamond.” Folio prints in colors, 
reprints: (4 pieces.) 


422 LAPORTE (G.H.). “The Ditch,” “The Stone Wall,” 
“The Finish,” engraved by Reeve. All from the Liverpool 
Grand National Steeplechase. Three plates in colors. Folio, 
reprints. (3 pieces.) 


423 MARSHALL (B.). “Peace,” ‘‘War.” Two Game- 
cocks. ‘Two prints in colors. “A Ren-counter in a Farmyard” 


(cocks) by G. JONES, in colors. Folio. ‘(3 pieces.) 


424 MORLAND (GEORGE). Fox Hunting; S. WIL- 
LIAMS, “The Meet;” and Plates I. and II. of St. Albans 


Steeplechase. Folio, in colors. (4 pieces. ) 


140 


425 NEWHOUSE (C. B.). “On Duty,” ‘Regimental 
Orders,” “Preventive Check,” ‘Dunner Round,” “Just Joined 
The Regiment,” “Baggage Guard,” six plates in colors from 
Military Incidents. Folio, reprints. (6 pieces.) 


426 NEWMARKET SUBSCRIPTIONS ROOMS; The 
Royal Mail, Brewery, Messrs. Truman & Co. Reprints in 
colors. Large folio. (3 pieces.) 


427 PAUL (JOHN DEAN). Four plates in colors from 
Sweerpetorbrenton- Plates [, II, III, and IV. Folio, 


reprints. | (4 pieces.) 


428 POLLARD (JAMES). ‘The Halloo,” ‘The Funeral,” 
Two plates in color from “Tom Moody, the Whipper-in.”’ 
Folio, reprints. (2 pieces.) 


429 POLLARD (J.). “Vexation,” “Joy and Desperation,” 
“Approbation,” “Anticipation.” Four plates in colors from 
Doncaster Races. Folio, reprints. (4 pieces.) 


430 POLLARD (J.). “Mr. Rice and Red Deer,” ‘Approach 
to Christmas;” “Mr. Cooper and the Pony,” “Mr. Mason and 
Lottery.” Folio prints in colors, reprints. (4 pieces.) 


431 POLLARD’S COACHING PRINTS IN COLORS: © 
“Mail Coach,” ‘‘Hyde Park Corner;” “‘N. E. View of the 


Postofhice;”’ “Possession,” “Anticipation.” Folio. (5 pieces.) 


141 


432 RUGBY FOOT BALL. ‘England Versus Scotland.” 
PRINTED IN COLORS with key plates, 4 copies of each. (8 pieces.) 


433° SMITH (C. L.). A Series of Eight Sporting Prints in 
colors, “The Four Horse Team,” “A Distinguished Character,” 
‘“‘Who-op was never so carried,’ “Proof of Bottom,” etc. 
Folio reprints. (8 pieces.) 


434. STURGESS (J.). ‘Patrician and Plebeian,” “Amateur 
and Professional,”’ “Mail Coach by Moonlight,” “Early Rail- 


ways in England.” Folio prints in colors, reprints. (4 pieces.) 


435 TURNER (F. C.). Refraction, Merry Monarch, Alice 
Hawthorn, Portraits of Horses, and Plate IV. of the Young 
English Fox-Hunter. Folio prints in colors. (4 pieces.) 


436 WALSH (T. N. H.). “A Pleasant Ride Home” (from 
Hunting Incidents), ‘““The Favorite Walks in,” and “The Pet 
of the Stable.” Folio prints in color. (3 pieces.) 


437 WEBB (W.). John Mytton, in the Hunting Field. 


Folio, in colors. 


438 WILLIAMS (S.). “Returning to Kennel,” ‘The 
Death,” ‘Full Cry.” Folio prints in color. (3 pieces.) 


Colored Caricatures 


439 COLORED CARICATURES: “The Devonshire, or 
Securing Votes,” “The Laws of Cricket,” “Disturbers of 
Domestic Happiness,” “Mad Dog in a Coffee-House,”’ “ Parade 
at Bath,” and other colored caricatures. (9 pieces.) 


440 WOODWARD: “John Bull Exchanging News with 


the Continent.”” COLORED CARICATURE ORIGINAL IMPRESSION. 


441 ROWLANDSON (THOMAS). “The Last Jig,’ “Mis- 
eries of London,” “Irish Jaunting Car,” ““The Toothache and 
Hot Goose” (on one sheet), “The Carter and the Gypsy.” 
COLORED CARICATURES. (5 pieces.) 


442 HOGARTH (WILLIAM). Two plates from ‘The 
Rake’s Progress at the University.””» CoLORED PRINTS. 
(2 pieces.) 


443 BUNBURY (H.). ‘The Long Story.’ CoLorep 


CARICATURE. 


444 . “Billiards,” ‘‘Cits’ airing themselves on a Sun- 
day.” COLORED CARICATURES. (2 pieces.) 
445 . “Anglers of 1611,” and ‘Pot Fair Cambridge,” 


“The College Gate” (on one sheet). COLORED CARICATURES. 
(2 pieces.) 


143 


446 


447 


448 


449 


450 


451 


452 


Chinese and Japanese Water Color. 
Paintings 


CHINESE WATER COLOR PAINTING. 


Scene in a Summer Palace. Carved wood frame fin- 
ished in red lacquer. 


CHINESE WATER COLOR PAINTING. 


Similar to the foregoing. 


CHINESE WATER COLOR PAINTING. 
Interior scene, in carved frame similar to the fore- 
going. 


CHINESE WATER COLOR PAINTING. 


Interior scene, framed as above. 


CHINESE WATER COLOR PAINTING. 


A Summer Palace. Framed as above. 


TWO CHINESE WATER COLOR PAINTINGS. 


Scenes in a Summer Palace. (2 pieces.) 


SET OF TWELVE CHINESE WATER COLOR 
PAINTINGS. 
Representing interior views, family scenes showing 
the costumes, habits and customs of the people, and 
the architecture of the houses. 


144 


eee Or TWELVE CHINESE WATER’ COLOR 
PAINTINGS. 


Representing a Mandarin’s Procession. 


454 JAPANESE WATER COLOR PAINTING ON SILK. 


Representing a Dancing Party. Bamboo frame. Folio. 


455 JAPANESE WATER COLOR PAINTING ON SILK. 


Representing a Musical Party. Bamboo frame. Folio. 


456 PAIR OF OLD JAPANESE WATER COLOR PAINT- 


INGS. 
: Old panels, representing scenes of Genroku dancing 
parties, mounted on old brocade and framed in 


lacquer. Large folio. 


457 JAPANESE WATER COLOR PAINTING, SOTATSU 
SCHOOL. 


Group of Herons. Mounted on old brocade, framed 


in gold lacquer. Nice execution. Folio date about 
1800. 


458 CHINESE CARDS. 


Set of twenty-four cards used for gambling. Framed. 


145 


459 
ae 
461 
462 
463 


464 


465 


466 


467 


Chinese and Japanese Porcelain 
and Pottery 


JAPANESE TEA BOWL. 


Decoration of birds in green enamel by Mokubei. 


JAPANESE TAKEMOTO VASE. 
Purple splash glaze. Height, 7 inches. 


JAPANESE RIOSAI KORO AND ORIGINAL COVER. 
Old peach glaze. 


TAKETORI VASE. a 


Brown running glaze. - Height, 7 inches ae 


RIOSAI VASE. 
Mottled blue and green splash. Height, 6 inches. 


OLD: ASAHT OLL JUG: 


OLD JAPANESE SOMA SQUARE BOWL. 
Height, 3 inches. 


OLD. BIZEN BOTTLE. Height, 6 inches. 


OLD AGANO BOTTLE GOURD SHAPE. 
Height, 9 inches. 
146 


468 


469 


470 


471 


472 


473 


474 


475 


476 


477 


Ory. KiSHU*BOTTLE. 
In the form of egg plant. Height, 7 inches. 


OLD SETO CELADON BRUSH HOLDER. 
Height, 5 inches. 


OLD SETO JUG WITH HANDLE. — Height, 7 inches. 


OLD SHIGARAKI BOTTLE. 


Green running glaze. Height, 8 inches. 
OED KIOTO SAK] BOTTLE. Height, 8 inches. 


OEM SE TO BOTTLE. 
Yellow crackle. Height, 11 inches. 


OLD JAPANESE CELADON CANDLE HOLDER. 
Height, 7 inches. 


OLD KUTANI VASE. 
Gourd shape. Height, 8 inches. 


OLD BIZEN BOTTLE. Height, 5 inches. 


OLD KUTANI BOTTLE. 


Panel decoration (neck broken). 
FiGurRE oF SEIGciIo. Old Ohi pottery. (2 pieces.) 


147 


478 


479 


480 


48] 


484 


485 


486 


COCHIN CHINA VASE RING HANDLES. 


(Cracked.) 
Figure REPRESENTING SAMURAI’S ATTENDANT. Seated. 
; (2 pieces.) 


OLD SHIGARAKI WATER JAR WITH LACQUER 
COVER. Height, 6 inches. 


OLD YEIRAKU WATER JAR WITH ORIGINAL 
COVER. Height, 7 inches. 


OLD BIZEN DARUMA FIGURE. Height, 7 1-2 inches. 


OLD OHI BOWL. 
Yellow iridescent glaze. Diameter, 8 1-2 inches. 


OLD TOYORAKU VASE. Height, 9 inches. 


TWO OLD KOSOBE VASES. 


Green and Indian red glaze. (Handle broken.) 
Height, 11 inches. 


JAPANESE SETO RURI BLUE VASE. 
Goldfish design. » Height, 7 1-2 inches. 


OLD SATSUMA VASE. 
Gourd shape. Height, 11 inches. 


148 


487 


488 


489 


490 


49] 


492 


493 


494 


OLD BIZEN POT WITH ORIGINAL HANDLE AND 
, EPACOUDER COVER. Height, 10 inches. 


JAPANESE SAJI CELADON VASE. 


With side ring and elephant head handles. 
Height, 12 inches. 


OLD AWAJI TEAPOT. 
_ Tiger skin glaze. 


SMALL INCENSE BOX. 
Peach-shaped. 


Otp KaAMmEYAMA INCENSE Box. 


Ovtp YeErRAKU INCENSE Box. (3 pieces.) 


PAIR OF CHINESE SOAPSTONE SEALS. 
Height, 4 inches. 


OLD CHINESE PEWTER TEAPOT. Height, 5 inches. 


OLD BIZEN WATER JUG WITH ORIGINAL COVER. 


Crest decoration on fine yellow crackle. 
Height, 7 inches. 


OLD OHI WATER JAR WITH LACQUER COVER. 
Height, 7 inches. 
149 


495 


496 


nde 


498 


499 


500 


501 


502 


OLD SETO JARDINIERE. 


Representing a woman standing by the well. ; 
Height, 10 inches. 


TWO KOZAN VASES. 


One decorated with wave in peach color, the other 
decorated with storks. (2 pieces.) Height, 8 inches. 


TWO RIOSAI VASES. i 


Ashes of roses, and mottled peach. . 
(2 pieces.) Height, 8 inches. 


TWO RIOSAI VASES. 


‘Ashes of roses and faded peach glaze. 
(2 pieces.) Height, 7 and 12 inches. 


TWO CHINESE VASES. 


Decorated with goldfish, and mottled red glaze. 
Height, 9 inches. 


RIOSAI FIGURE AND VASE. | 
(2 pieces.) Height, 7 inches. 


TWO CUPS. 


One in plum blossoms and the other decorated with 
the moon. 


OLD IDZUMO VASE. 
Green splash glaze. Height, 10 inches. 
150 


503 


504 


505 


506 


507 


508 


509 


510 


511 


OLD JAPANESE SETO BOTTLE. 


With blue iridescent glaze. (German copy.) 
Height, 10 inches. 


JAPANESE IDZUMO VASE. 
Iron rust glaze. Height, 9 inches. 


OLD UNO VASE. 
With gray splash. Height, 11 inches. 


OLD JAPANESE TORORAKU VASE. 
Green splash. Height, 9 inches. 


OLD JAPANESE OHI FIRE POT. 
In the shape of a pumpkin. Height, 7 inches. 


OLD JAPANESE SETO VASE, NAMAKO GLAZE. 
Height, 14 inches. 


OLD AGANO BOTTLE. 
Iridescent deep purple splash. Height, 11 inches. 


OED SETO LARGE TEA JAR. 
With mottled glaze. Height, 14 inches. 


OLD SETO VASE, NAMAKO GLAZE. 
Height, 13 inches. 
151 


512 


ey 


514 


515 


516 


aw 


518 


519 


520 


OLD BIZEN VASE. | 
Four small handles at the neck. — Height, 10 anches. 


OLD KAIRAKU YEN VASE. 
Decorated in blue on purple. Height, 18 inches. 


OLD SETO* BOTTLE? 4 


Dark glaze. Height, 15 inches. 
OLD SETO HIBACHI. 


In the shape of a mokugio. Height, 11 inches. 


JAPANESE FLAMBE VASE, EGG SHAPE. 
Height, 20 inches. 


CHINESE TURQUOISE BLUE VASE. 
Dragon and waves carved on the surface. 


Height, 11 inches. 


JAPANESE FLAMBE VASE, GLOBULAR SHAPE. 
Height, 16 inches. 


OLD SATSUMA BOTTLE. 
Gray glaze on the neck. Height, 16 inches. 


OLD IMBE JAR, GLOBULAR SHAPE. 
Has been buried in the ground. Height, 11 inches. 
152 


521 


B22 


526 


527 


530 


OLD SETO VASE. 


JAPANESE SHIGARAKI VASE. 
Mottled blue glaze. 


JAPANESE KIOTO VASE. 


Decorated in panels. 


Height, 8 inches. 


Height, 11 inches. 


Height, 10 inches. 


THREE JAPANESE HAWTHORN VASES. 


Gourd shape, blue and white. 


OLD SHIGARAKI VASE. 
Amber glaze. 


OLD SHIGARAKI VASE. 


Amber running glaze. 


OLD SATSUMA VASE. 


In the style of Korean pottery. 


RIOSAI VASE FLAMBE GLAZE. 


RIOSAI VASE PEACH GLAZE. 


OLD TAKATORI VASE. 
Beaker shape. 


Height, 20 inches. 


Height, 13 inches. 


Height, 14 inches. 


Height, 11 inches. 


Height, 9 inches. 


Height, 13 inches. 


Height, 12 inches. 


531 


532 


533 


534 


535 


536 


537 


53 


529 


JAPANESE CHIKUSEN VASE. 


Peony decoration on ripe peach glaze. 
Height, 9 inches. 


CHINESE MING CELADON VASE. 


With five small handles as masques. Fine specimen. 
of the period. Height, 10 inches. 


OLD SHIGARAKI WATER JAR WITH ORIGINAL 
COVER. Height, 8 inches. 


OLD SETO VASE. 
Namako glaze. Height, 12 inches. 


UNO VASE. 


. Peony decoration on pea green glaze. Height, 15 inches. 


OLD ORIBE JARDINIERE WITH WOODEN COVER. 
Boat shape. Height, 11 inches; length, 25 inches. 


CHINESE FLAMBE VASE, TWO HANDLES. 
Red splash glaze. Height, 10 inches. 


OLD IMARI PLAQUE. 


Decoration of carp swimming up the waterfall. . 
Diameter, 24 inches. 


JAPANESE PORCELAIN BOWL BY RIOSAI. 
Maroon splash glaze. Diameter, 7 1-2 inches. 


154 


Japanese Carvings in Wood, Ivory and Bone © 


542 


543 


544 


545 


546 


547 


548 


Netsukes, Jades, Screens and 
Cabinet Objects 


WOOD CARVING. 
Hotei carrying his treasure bag. Height, 4 inches. 


JEWEL BOX. 


Inlaid with jade panels of pierced work. 


DECORATED JADE PANEL. 


Etched with gold showing the combat of two dragons. 
In an oak box with hinged cover. 
Length, 11 1-2 inches; width, 5 inches. 


SMALL LACQUER: SHRINE AND FIGURE OF | 
MONJIU. 


SOAPSTONE CARVING. 
Sage carrying child. Height, 6 inches. 


TOMB JADE PAPER WEIGHT. 


Carving of a goat reclining. 


JADE ORNAMENT. 
Representing fruit. 
156 


549 


550 


551 


S52 


553 


554 


556 


JADE SAUCER. 
Nihilit green. 


Diameter, 4 1-2 inches. 


IVORY DAGGER AND SCABBARD. 


Carving of war scenes. 


SMALL IVORY CARVING. 


Man repairing armor. 


IVORY CARVING. 


Men playing with kittens. 


BONE PIPE CASE. 


Length, 4 1-2 inches. 


A sage returning from the palace. Length, 8 inches. 


CARVED WOOD NETSUKE. 


Yemma carrying: stone. 


IVORY NETSUKE. 


Dragon’s palace. 


IVORY NETSUKE. 


Blind man and child. 


IVORY NETSUKE. 


Figure of Ziurozin. 


558 


559 


560 


561 


563 


564 


565 


566 


SMALL IVORY CARVING. 
Man reading book. 


IVORY NETSUKE. 
Man and frog. - 


IVORY NETSUKE. | x 
Skull. | - ae 


IVORY NETSUKE. 


Man with masque. 


IVORY NETSUKE. 
Man with frog. 


IVORY NETSUKE. 
Group of children. he 


IVORY NETSUKE. 


Group of masques. 


IVORY NETSUKE. 
Birds hatched from the egg. 


es 


IVORY CARVING. ¥ ‘2 aoe | 
Man with hammer. Height, 3 inches. = 
158 > ee 


567 


568 


569 


570 


571 


S72 


On 
~I 
On 


IVORY CARVING. 
Man sharpening sword. Height, 3 inches. 


IVORY CARVING. 
Men carrying a big shell. Height, 3 inches. 


IVORY CARVING. 
Barrel maker. Height, I 1-2 inches. 


IVORY CARVING BY RIOSHI. 


Schoolboy playing the part of a general. 
Height, 4 inches. 


IVORY CARVING. 
Mother holding child. Height, 6 1-2 inches. 


IVORY CARVING. 
Group of monkeys. Height, 6 inches. 


IVORY CARVING. 
Men and yemma. Height, 3 inches. 


IVORY CARVING. 
Old men taking drinks. Height, 3 1-2 inches. 


IVORY CARVING. 
Sambaso dancer. Height, 3 inches. 


159 


576 


ewe 


578 


579 


580 


581 


582 


583 


SMALL IVORY TWO-FOLD SCREEN. 


Decoration of peacocks and flowers inlaid in mother 
of pearl. Height, 9 inches. 


WALRUS TUSK BRUSH HOLDER. E 
With landscape engraving. Height, 4 1-2 inches. 9 — 


IVORY. CARVING BY SHUGETSTU. 
~ Hunter fighting with a dragon. Height, 8 inches. 


IVORY CARVING. 


Group of monkeys climbing up a stone lantern. 
Height, 5 inches. 


IVORY CARVING. 
Street peddler and boy. Height, 4 inches. 


BONE UMBRELLA HANDLE. 
With figure. Height, 5 inches. 


SMALL IVORY SCREEN TWO PANELS. BY MIT- 
SUYIKI. ft 


Pine trees and storks carved on the surface. 
Height, 8 inches. 


IVORY CARVING BY SEIZIN. 
Monkeys hanging kakemonos. Height, 4 inches. 
160 


584 EUROPEAN CARVED WALRUS TUSK. 
Hermit at the edge of a cave. Height, 3 inches. 


585 GERMAN CARVED IVORY SPILL STAND. 


Carving of village scene. Height, 6 inches. 


586 IVORY CARVING. 
Man with umbrella. Height, 1 1-2 inches. 


161 


587 


588 


589 


590 


ed 


Japanese Bronze and Lacquer 


Including a Suit of Armor and a Fine Old Temple Bell 
of The Horeki Period. 


SET OF BRONZE ORNAMENTS ON LACQUER 
STAND. 


Boy turning a ball. 


BRONZE KETTLE. 


With original cover, and handle. 


OLD SENTOKU BRONZE FIRE POT. 


Decoration of flowers engraved on the body, elephant 
head handles. Height, 10 inches; diameter, 10 inches. 


BRONZE BELL. 


Decoration of vine in line. Height, 9 inches. 


IRON KETTLE WITH BRONZE COVER AND 
HANDLE. 


Decoration of a fisherman carrying fish, carved out 
on the surface. Height, 6 inches. 


KETTLE WITH BRONZE STAND AND COVER. 


The latter in the form of a chrysanthemum. The 
stand representing a gourd, with side handles. 
Height, 7 1-2 inches. 


162 


593 


594 


595 


596 


S97. 


599 


600 


601 


OLD CHINESE PEWTER TEACADDY. 


With inside cover. 


BRONZE BOX. 
The cover in the form of a masque. Finished in red 
bronze. Length, 7 inches. 


BRONZE VASE. 


With a lizard coiled round the neck. 
Height, 11 1-2 inches. 


BRONZE VASE. 
With straight side handles. Height, 9 inches. 


BRONZE VASE. 


A coiled dragon curved round the neck. 
Height, 11 inches. 


OLD BRONZE VASE. 
In the form of a goose neck. Height, 11 inches. 


BRONZE KORO AND STAND. 


Representing Japanese tea house. Height, 7 inches. 


OLD BRONZE JARDINIERE WITH SIDE 
HANDLES. Height, 7 inches; diameter, 6 tnches. 


BRONZE KORO. 
In the form of a chariot shaped as a bird, the wings 
and tail inlaid with cloisonné enamel. 


163 


602 


603 


604 


605 


606 


607 


608 


609 


610 


IRON KETTLE WITH BRONZE COVER. 


Decoration of birds and crabs carved on the surface, 
which is pierced to represent the home of the crab. 


BRONZE HIBACHI. 


With side handles representing elephant’s heads. 7 
Height, 7 inches... ~~ 


OLD JAPANESE DAGGER: 


BRONZE ORNAMENT IN THE FORM OF A CARP. 
Length, 12 inches. 


BRONZE VASE. 
Beaker shape. Height, 7 inches. - 


BRONZE KORO WITH COVER. 


Shaped as an old hat used by a Shinto believer. 
Height, 6 inches. 


CHINESE SOO-CHOW LACQUER SCREEN. 


Decoration of five clawed dragon and clouds carved 

out on the surface. The stand of red lacquer giving 

cloud effect in the carving to match the screen. 
Height, 25 inches. 


OLD JAPANESE LACQUER WRITING STAND. 


On four low legs. 


OLD LACQUER STAND. 
Inlaid with mosaic work. 
164 


611 


612 


613 


614 


615 


616 


617 


618 


TWO LACQUER LUNCH BOXES. 


“One in two sections, one in three, decorated in 
peonies and peaches. 


JAPANESE LACQUER LETTER BOX. 
With inside tray. The decoration is of peonies in 
panels. 


Seo RON! TEMPLE BELL WITH~ RED 
LEATHER STAND AND MALLET. 


Used at Shotokuzi Temple in Horeki period, about 
1600. Height with stand, 23 inches. 


OLD CARVED WALL PANEL. 


Peony and Dog Foo near the rocks. 
Length, 30 inches. 


SMALL WOOD CARVING. | 
Dog Foo and peony. Length, 17 inches. 


SMALL RAMMA. 
Dog Foo standing on the hill. Length, 24 inches. 


SMALL RAMMA. 
In the shape of Howo birds. Length, 26 inches. 


PAIR OF SMALL RAMMAS. 
Dog Foo and peony. Length, 27 inches and 30 inches. 
165 


620 


621 


622 


623 


624 


625 


626 


OLD RAMMA. . . 
Tiger and bamboo. é Length, 28 inches. , 


OLD RAMMA. 


Representing an animal’s head. Length, 32 inches. 


OLD RAMMA. 
Dog Foo and peony. Length, 18 inches. 
OLD RAMMA. 
Representing divers in the waves, beautifully carved 
in old cedar wood. Length, 65 inches. 


OLD TEMPLE RAMMA. 
Tiger drinking water. Length, 37 inches. 


PAIR OF LARGE TEMPLE RAMMAS. 


Carved with chrysanthemums and painted in red 
and green. Length, 72 inches. 


SUIT OF JAPANESE ARMOR. 
The helmet made of cast iron by the great Moyochin ~ 
Munenada. VERY FINE EXAMPLE. 


TWO JAPANESE BOXES. 
For armor. 


166 


627 OLD JAPANESE LACQUER SCREEN, ONE PANEL. 


The center of the panel represents the Five Wise Men 
conversing about Eternity. The faces are inlaid with 
ivory and beautifully finished in gold lacquer. The 
stand is made of Keyaki wood with a decoration of 
lotus and birds carved in pierced work, and also 
ornamented with lacquer. 

Height, 61 inches; width, 40 inches. 


628 JAPANESE LACQUER SCREEN IN TWO PANELS. 
Decoration of falcon and pheasant carved out in 
ivory and mother of pearl and inlaid on black lacquer. 
The frame of wood. | 

Height, 74 inches; width of each panel, 27 inches. 


629 JAPANESE LACQUER SCREEN IN TWO PANELS. 
Decoration of birds and flowers inlaid on a panel 
with ivory and mother of pearl. The top and bottom 
of the panels are carved and pierced. 

Height, 72 inches; width of each panel, 35 inches. 


167 


““ 


SIXTH SESSION 


Paintings 


E. C. MESSER 
Contemporary American Painter 


630° SUNSET—A SKETCH. 


Canvas. Signed with initials. 


Height, 8 inches; width, 9 inches. 


MAX WEYL 
Contemporary American Painter 


631 VENETIAN MARKET BOATS. 


Canvas. Signed and dated Venice 1890. 
: Height, 11 1-4 inches; width, 9 1-2 inches. 


HAYNE KUDJIH ME 
American Indian Artist 


OeeeeaGLE OF DELIGHT. 


The Indian Maid who bears this name 1s dressed in 
red, with a number of necklaces falling across her 
breast; her black hair, painted with bands of red, 
falls in two braids and from her ears hang loops of 
beads. Panel. Signed and dated on the back 1822. 

Height, 17 inches; width, 15 inches. 


169 


W. S. MACY 
Contemporary American Painter 


633 VILLAGE IN THE TYROL. 


The straggling village street of a Tyrolean mountain 
town stretches away from the foreground to the 
snow-covered mountains in the distance; in the 
middle of the street are seen two donkeys standing 
with their packs while their owners loiter at the door 
of one of the houses talking with a woman. Panel. 
Signed. Height, 8 inches; width, 12 1-2 inches. 


JEROME MEYERS 
Contemporary American Painter 


634 MARKET SCENE. 


In one of the streets of the East side of New York 
appropriated by the foreign population, some market 
women in picturesque dress are seen before the stalls 
which line the sidewalk; the yellow walls of a church 
form the background. Canvas. Signed. 
Height, 16 1-2 inches; width, 12 1-4 inches. 
Bought from the artist. ) , 


ROBERT HENRI 
Contemporary American Painter 


635 FRENCH PEASANTS’ COTTAGES. 


On the bank of a river, spanned by a double-arched 
bridge, rises a group of peasant cottages with unkempt 
surroundings; several figures appear in the fore- 
ground and trees rise in the distance; overhead a 
blue sky with heavy rolling clouds is seen. Canvas. 
Height, 25 inches; width, 32 inches. 

Bought from Wm. Macbeth, New York. 


170 


Contemporary American Painter 


PARKER MANN ] 


636 A MIDSUMMER EVENING. 


Across the sedgy waters of an inlet is seen the distant 
shore, lined with trees and bushes, above which 
emerges a silver full moon through a bank of clouds. 
The surface of the water is tinged with the waning 
light of evening. Pastel. Signed. 
Height, 16 inches; width, 24 inches. 
Bought from the artist. 


~UNKNOWN PAINTER | ‘ 


O37) EHE MILL. 


On a high rock tufted with grass is perched a wind- 
mill whose outline and lean arms are silhouetted 
against the sky; a low white building stands beyond 
and at the foot of the cliff a woman and child are 
passing along the roadway; a gray sky with lowering 
- clouds reaches down to the horizon bordered by 
trees. Panel. Height, 8 1-2 inches; width, 12 1-2 inches. 


EDOUARD MANET » 
French, 1832-1863 


638 HEAD OF A YOUNG GIRL (A SKETCH). 


A young girl seen at bust length wears a brown shawl 
over a blue dress and a brown bonnet, out of which 
her hair falls loosely to her neck; over her shoulder 
is seen the head of a child. Metal panel, on the back 
of which is a sketch of a man. 


Height, 5 1-2 inches; width, 4 3-4 inches. 
171 


639 LANDSCAPE WITH FIGURES. 


UNKNOWN FRENCH PAINTER 
XVITIth Century 


rocky cliffs rise at the right crowned with 
and garlanded by trailing vines. At the e 


to a woman seated with her children; a 
stands in the foreground and a goat stand: 
spur of the cliff. Canvas. . 

Height, 12 inches; width, 11 1-2 


172 


Early English Water Colors 


SAMUEL PROUT 
1784-1852 


: 6) 
640 THE FORUM OF NERVA, ROME. 4 
Height, 17 1-2 inches; width, 11 1-2 inches. 


From the collection of Col. L. Neumann, Esq., London. An 
autograph letter from Samuel Prout attached to the back. 


THOMAS GIRTIN 


1775-180 
: bb” 


641 ENTRANCE TO DOVER HARBOR. 
Height, 9 inches; width, 12 inches. 


RICHARD PARKES BONINGTON 


1801-1828 g > 


642 THE GYPSY CAMP. 
Height, 9 1-2 inches; width, 14 1-2 inches. 


DAVID COX O 
} O 
1783-1859 


643 LANDSCAPE WITH CATTLE. 
Height, 9 1-2 inches; width, 25 inches. 
173 


e(> 


644 


645 


646 


647 


648 


COPLEY FIELDING 
1787-1855 


MARINE. = 
Signed. Height, 7 inches; width, 10 1-2 inches. — 


W. L. LEITCH 
1804-1883 


MOUNTAIN SCENERY. 
Signed. Height, 6 3-4 inches; width, 10 1-2 inches. 


PETER DE WINT 
1784-1849 


LANDSCAPE. 
Height, 12 inches; width, 10 1-2 inches. 


JOHN CONSTABLE 
1776-1837 


HAMPSTEAD HEATH. 


Signed. Height, 9 inches; width, II inches. 
From the collection of Sir John D. Milburn, Bt., of Acklington, 
Northumberland. 


SAMUEL PROUT 
1874-1852 


THE PORCH OF A FRENCH CATHEDRAL. 


Signed. Height, 17 inches; width, 11 1-2 inches. 
From the collection of A. D. Halford, Esq. 


174 


THOMAS ROWLANDSON 
1756-1827 


649 FULL LENGTH FIGURE OF A WOMAN. 
Height, 12 inches; width, 8 1-4 inches. 


JOHN CONSTABLE 
1776-1837 


650 A LANDSCAPE STUDY. 
Height, 4 inches; width, 10 inches. 


From the collection of Isabel Constable. An inscription framed 
in the back records the work having been presented by Constable 
to Miss Tham. 


JOSEPH HOLLAND 
1800-1870 


651 THE THAMES BRIDGE. 
Height, 8 1-2 inches; width, 17 inches. 


J. M. W. TURNER 
1775-1851 


652 SKETCH OF A COTTAGE. 
Height, 9 1-2 inches; width, 14 tnches. 


SAMUEL PROUT 
1784-1852 


653 A HARBOR VIEW. 
Signed. Height, 7 1-4 inches; width, 11 3-4 inches. 
175 


ED 


ein 


THOMAS ROWLANDSON 
1756-1827 


654 THE VILLAGE DANCE. 
Height, 13 1-2 inches; width, 18 1-2 inches. 


DAVID COX 
1783-1859 


655 BOLTON ABBEY. 
Height, 18 1-2 inches; width, 29 inches. 


DAVID ROBERTS 
1796-1864 


656 MOUNTAIN LANDSCAPE. 
Signed. Height, 8 3-4 inches; width, 12 1-2 inches. 


W. LOEWITH 
ontemporary Austrian Painter 


657, DEEPLY INTERESTED: 


Dressed in red velvet and wearing a white wig, a 
man sits in a high-backed chair leaning over a table 
reading; on the table, covered with a green cloth, 
rest several books, one of which lies open, also a globe 
and some papers, one with a seal attached. A book- 
shelf filled with books, a map and the lower part of 
a picture are seen against the wall background. Panel. 
Signed. Height, 4 inches; width, 5 3-4 inches. 
176 


FELIX ZIEM ! Y & 
French, 1821-1908 [ | > 


658 VIEW OF THE PIAZZA SAN MARCO, A SKETCH. 


In front of the church which rises at the right many 

figures are gathered about the red flagstaffs from 

which float crimson banners; beyond rises the pic- 

turesque ciock tower and the long arcade. Panel. 

Signed. Height, 6 inches; width, 9 inches. 
Bought from Wallis & Son, London. 


is 
ALEXANDER GABRIEL DECAMPS 
French, 1803-1860 


659 A FARMYARD SCENE. 


From a low farmhouse with tiled roof which stands 
at the right, a young woman in cap and sabots 
emerges, driving a flock of turkeys before her. Some 
farm implements are seen against the building and 
the yard stretches away ending in a low line of trees. 
Panel. Signed with initials. 

Height, 9 1-4 inches; width, 9 3-4 inches. 


ied 


ALPHONSE DE NEUVILLE 
French, 1836-1885 


660 A SOLDIER OF ALGIERS. 


Standing against a wall, in the Zouave uniform of the 
French soldiery, fully accoutred he rests with his 
gun on the ground beside him, his hands tucked in 


177 


rl 


wW™ 


his sash; light snow lies on the ground and along a 
projecting base of the building forming a contrasting 
background with the gaily dressed, overloaded black 
man. Canvas. Signed and dated 1875. 

Height, 12 inches; width, 8 inches. 


J. F. RAFFAELLI 
French, 1845- 


ON A FRENCH ROADWAY. 


Along the white chalk road which winds past a vil- 
lage, a man and woman approach, followed by a dog; 
in the distance in front of a house a horseman is 
seen and at the right two cows graze by the grassy 
roadside. Panel. Signed. 

Height, 9 1-2 inches; width, 12 1-2 inches. 


A. D. PEPPERCORN 


Contemporary English Painter 


STORM CLOUDS. 


Above a_ wide-reaching landscape in which are 
indistinctly seen low buildings, intensely black storm 
clouds are moving; near the horizon, light breaks 
through, touching the surface of the water which 
lies in the middle distance. Canvas. Signed. 

Height, 10 inches; width, 12 inches. 

Bought from M. Knoedler & Son, New York. 
178 


663 


CHARLES JACQUE 
French, 1813-1894 


THE. SHEEPFOLD. 


Leaning against an open stable door a shepherdess in 
blue waist stands looking in across the bars, with her 
flock of sheep gathered about her; at the right is a 
rooster perched in a window opening; from a high 
window light falls across the scene touching the 
head of the girl and the backs of the sheep. Panel. 
Signed and dated ’89. 

Height, 9 1-2 Barre width, 13 inches. 


From the artist’s sale. 
(See Illustration.) 


HENRY HARPIGNIES 
French, 1819- 


664 SOUTHERN SUNSHINE. 


665 


The old trees rising on either side are touched by the 
sunshine warmed into a golden glow; through an 
opening in the center a view of a lake is seen, its 
farther bank bordered by blue hills; a mass of white 
clouds floats in the blue sky above. A roadway runs 
from the foreground toward the lake. Panel. Signed. 

Height, 4 1-2 inches; width, 8 inches. 

Bought from the artist’s studio. 


pub. C1 COROT 
French, 1796-1875 


LANDSCAPE—A SKETCH. 


On the edge of a pond in the foreground rises a group 
of farm buildings sheltered by a clump of trees in 


179 


L”” 


anboef sojrvyg Ag 
G1OddaaHS AHL “€99 ON 


summer foliage; beyond the houses rises a low hill 
against an afternoon sky filled with dark clouds. 
Panel. Signed. 

Height, 4 3-4 inches; width, 9 I-2 inches. 


Purchased at the Corot sale. Stamped on the back ‘‘ Vente 
Corot.’ 


fi 
ALEXANDER GABRIEL DECAMPS [, 
French, 1803-1860 


666 SLEEPING BOYS. 


- At a street corner two street boys sit fast asleep 
resting against a stone wall. One leans his head upon 
his hand and rests on the shoulder of the other; 
beyond the corner in the distance rises a white build- 
ing against the sky. Canvas. Signed with initials. 

Height, 9 3-4 inches; width, 7 I-2 inches. 


lo 0 
EUGENE BOUDIN fh 
French, 1825-1898 


667° ALONG THE SEINE. 


On the left a roadway runs parallel with the river 
along a high bank with houses seen in perspective. 
Some black barges are moored at a landing place and 
down the river others are seen in tow of a small tug; 
the farther shore is dimly seen lined with trees. 
Canvas. Signed. 

Height, 13 inches; width, 21 1-2 inches. 


181 


a. 


THEOPHILE DE BOCK 
Dutch, 1851-1904 


668 WOODLAND LANDSCAPE. 


Under a group of noble beech trees in summer dress, 
winds a woodland path; through the interlacing 
branches shafts of sunlight break, mottling the 
ground; beyond stretches a green meadow. Panel. 
Signed. Height, 11 1-2 inches; width, 10 inches. 


Purchased at the artist’s sale. 


ADOLPH MONTICELLI 
French, 1824-1886 


669 A GARDEN PARTY. 


Under the shade of the trees a woman dressed in 
yellow reclines on a couch while two others are seen 
near by holding up their glasses. A demure maid in 
blue at the left is engaged in knitting, and at her feet 
stands a dog and a white cat. Through the trees a 
deep blue sky is seen. Panel. Signed. 

Height, 15 inches; width, 20 inches. 


LEON L’HERMITTE 
French, 1844- 


670 THE OLD GARDENER. 


Along a garden path which circles about a row of 
trees, the old gardener is pushing his wheelbarrow 
toward a red-roofed cottage which rises in the sun- 
shine beyond. Pastel. Signed. 
Height, 17 inches; width, 14 inches. 
Bought from the artist. 


182 


795. C.-COROT ns 
French, 1796-1875 | 


671 LANDSCAPE. 


In a meadow bordered by a row of tall poplar trees 
some cattle stand knee-deep in the grass, on the edge 
of a stream; at the right are some willow trees, and 
beyond a range of low hills. The sky is filled with 
soft gray clouds. Canvas. Signed. 

Height, 8 1-2 inches; width, 13 3-4 inches. 


q\ 
CHARLES JACQUE es 
French, 1813-1894 


672 THE COMING STORM. 


In a pasture lot a flock of sheep are seen grazing, 
watched over by a shepherd; several trees crown the 
low hilltop and a gray sky darkly overcast, is streaked 
with rain; the light lower on the horizon is reflected 
on a pool in the foreground. Panel. Signed. 
Height, 6 3-4 inches; width, 9 3-4 inches. 


Bought at the artist’s sale. 


f\, 
HENRY HARPIGNIES y 
Contemporary French, 1819- 


Ope trie, SETTING SUN. 
Across a stretch of rocky farmland runs a path to the 
horizon; at the left rises a clump of trees, and in the 
sky floats a low bank of clouds touched with the 
yellow light of evening. Panel. Signed. 
Height, 4 1-2 inches; width, 8 inches. 
Bought from the artist’s studio. 


183 


yl 


“(> ' 


ANTON MAUVE 
Dutch, 1838-1888 


674 HOLLAND LANDSCAPE, A SKETCH. 


Across the green meadow runs a roadway at the end 
of which rise bars; a row of trimmed willows stretch 
away at the left bordering a stream. In the meadow 
a horse is seen also some cows; overhead a gray 
Holland sky. Panel. Signed. 

Height, 5 1-2 inches; width, 9 inches. 


Bought from the artist’s widow. 


EUGENE BOUDIN 
French, 1825-1898 


675° THE PORT OF HAVRE, 


At the docks which line both shores are drawn up a 
number of sea-going vessels whose tall masts are 
etched against the sky. At the left a double crane 
lifts its black outline, and at the right a long row of 
tall houses stretches away in perspective; on the 
surface of the water several small boats are passing. 
Panel. Signed and dated 795. 

Height, 15 inches; width, 18 inches. 


THEOPHILE DE BOCK 
Dutch, 1851-1904 


676 A HOLLAND FARM SCENE. 


In a grassy field with ripening grain a peasant woman 
is seen hanging her washing on a rail fence to dry; 


184 


beyond rises the steep roof of the farmhouse shaded 
by a group of trees; a blue sky with patches of white 
clouds above. Signed. 

Height, 11 inches; width, 16 inches. 


Bought from the De Bock sale. 


ADOLPH MONTICELLI 
French, 1824-1886 


had 


677 LANDSCAPE WITH FIGURES. 


From a house rising at the left a number of knights 
and ladies are coming down a path met by other 
figures grouped at the right. Across a meadow 
stretches a line of low buildings ending in a church 
tower, and through a murky sky is seen the setting 
sun. Panel. Signed. 

Height, 15 1-2 inches; width, 22 1-2 inches. 


8) 
EUGENE JETTEL “1 


Contemporary Austrian 1845- 


678 A FARM IN NORMANDY. 

A long row of low-thatched buildings on the left, 
partly hidden by clumps of bushes, and similar 
buildings in the distance, break the level surface of 
the plain. In the foreground a long pond is seen with 
ducks swimming and other ducks sunning themselves 

on the banks. Canvas. Signed. 
Height, 17 inches; width, 25 1-2 inches. 

Bought from M. Knoedler & Company. 


185 


a): 


A. VOLLON 
French, 1833-1900 


679s 3 LICL ALIEE: 


On a table against a dark red curtain background is 

seen a chafing dish, a porcelain beaker, an apple and 

a pear; also a goblet and a teacup and saucer at the 

back. Canvas. Height, 38 inches; width, 22 1-2 inches. 
Bought of Arthur Tooth & Sons, London. 


H. W. MESDAG 
Contemporary Dutch Painter 


680-1 FISHING BOATS AT SCHEVENINGEN. 


On the wide strand of level sand numerous broad- 

hulled fishing boats are drawn up awaiting favorable 

weather. Fishermen and their wives are seen about 

the boats and two horses stand ready for service. 

Canvas. Signed. Height, 19 inches; width, 31 inches. 
Bought of Cottier & Company. 


A. J. GROENEWEGEN 
Contemporary Dutch Painter 


MILKING-TIME. 


Cattle are grouped here and there in the polder, and 
in the foreground a blue-bloused peasant is seated 
milking a white cow. He turns from his task to 
greet a maid who advances with her pail; at the 
right rises a clump of bushes and the trunk of a 
pollarded willow, against which a cow rubbing her 
neck is seen. Canvas. Signed. 

Height, 12 1-2 inches; width, 21 inches. 

Bought from Arthur Tooth & Sons, London. 


186 


NICOLAAS BASTERT 0 G> 
Contemporary Dutch Painter, 1854 ] 


Goa THE APPLE ORCHARD. 


Against a clear blue sky the gnarled apple trees lift 
their branches in full bloom; on the grass beneath, 
strewn with fallen blossoms, sheep and some lambs 
are grazing. Canvas. 
Height, 14 inches; width, 23 inches. 
Bought from the artist. 


es 
JAN MONCHABLON VY 
Contemporary French Painter 


684 SUNSHINE AND ROSE ON THE VALLEY NEAR 
CHATAILLON. 


From an elevation we look across a fertile valley 
through which winds a silvery stream bordered by 
low trees; in the meadow, cattle are grazing and 
near by a farmer with pitchfork over his shoulder, 
stands contemplating the scene. On the opposite 
ridge lie furrowed fields, and a dense forest borders 
the horizon. Panel. Signed and numbered “191.” 

Height, 17 1-2 inches; width, 24 inches. 


Inscribed, signed and numbered on the back. 


y 
J. H.S. KEVER v 


Contemporary Dutch Painter 


635 THE FISHERMAN’S HOME. 


In a barely furnished room a mother sits with a 
young girl at her knee drinking from a mug; at her 
side is a bare table with a pitcher and bowl, and at 


187 


4" 


(. 


fhe 


the back a rude bed. ‘Through an open door a 
glimpse of a second room is seen lighted by an open 
window. Canvas. Signed. ; 
Height, 23 inches; width, 28 inches. 
Bought of M. Knoedler & Co., N.Y. 


ALBERT GOSSELIN 


Contemporary French Painter 


686 TWILIGHT. 


About a pool tall trees rise against a pink evening 
sky, casting their dark reflections across the waters; 
in the distance some red-roofed houses are seen and 
beyond a ridge of hills; above a thin sickle moon is 
rising. Canvas. Signed. 

Height, 18 inches; width, 24 inches. 


Bought, from M. Knoedler & Company. 


THEOPHILE DE BOCK 
Dutch, 1851-1904 


687 CUTTING TIMBER. 


In an opening in the woodland, beyond which is seen 
a glimpse of the sea, a number of great beeches have 
been felled and are being cut into logs; the branches 
are being piled up beyond by the woodman. Some 
slender trees lift their thin boughs against the sky 
where a mass of white clouds hang low. Canvas. 
Signed. Height, 14 1-2 inches; width, 23 1-2 inches. 


From the artist’s sale. 


188 


Lf 


4 o 
\, J. B. C. COROT | 


i ’ 
French, 1796-1875 | 


Goo CATTLE AT PASTURE. 


In a rough pasture lot some cattle are seen watched 
_over by the herdsman who sits on a rock at the right 
talking with a woman; beyond is a wide spreading 
tree, and a slender second tree which bends toward 
the ground. In the distance the glinting surface of 
a river is seen winding through low hills; buildings 

rise at the left and right. Canvas. Signed. 
Height, 17 3-4 inches; width, 24 inches. 


Sold in the Perkins sale, 1899, (52,500 francs) to Arnold & Tripp; 
later sold to Australia for 185,000 francs. Resold to Kenneth M. 
Clark, Esq., of Seaburn Hall, Oxford, and bought by Mr. Fischer 
at hissale. Llustrated in Robaut’s ‘Works of Corot,” Paris, 1905, 
peeee: 


(See Frontispiece.) 


JEAN FRANCOIS MILLET 
French, 1814-1875 


689 THE HUNTER. 


A hunter, dressed in blue, hides behind a tree with 

his gun ready for the game; snow covers the ground 

and rests on the trees and fence posts; in the opening 

in the foreground a dog follows a scent; beyond, the 

tops of the dense black forest rise against a wintry 

sky. Panel. Signed. Height, 14 inches; width, 9 inches. 
Bought from Arthur Tooth & Sons, London. 


189 


IAS y spe A 
YMOLAALINI AOVLLIOD V (069 ON 


J. H. S. KEVER 


J, 
Contemporary Dutch Painter i: b 


Ore COT PAGE INTERIOR. 


At a table sits a peasant woman paring apples; she 
stops in her work to offer a piece to a child who sits 
on the floor at her right fingering the fruit in a tall 
basket. On the table rests an earthen pot, and above 
is a curtained window. Canvas. Signed. 

Height, 18 inches; width, 21 inches. 

Bought from the artist. 
(See Illustration.) 


J. H. WEISSENBRUCH 
Dutch, 1824-1903 


69 TAS ROADSIDE COTTAGE. 


By a lonely road stands a red tile-roofed cottage, 
above which spread the gnarled branches of an old 
tree; in front a peasant woman is feeding a flock of 
chickens, and beyond the house is seen a row of 
distant trees rising against the gray Holland sky. 
Canvas. Signed. 

Height, 25 1-2 inches; width, 33 1-2 inches. 


From the artist’s sale. 


Jab. ©. COROT, 
French, 1796-1875 


692 CRECY-EN-BRIE, CLOCHER DU VILLAGE. 


On the border of a stream which winds through the 
picture rises a row of willow trees above which is seen 
the village church with its square bell tower. In the 


191 


— 


ie . jo109 “Daf Sa 
AOVITIA NA AAHOOTO “AINE-NY-AOUUO “269 “ON 


foreground at the left a man sits in a boat, and to 
the extreme right a curve of the river catches the 
light through the feathery trees; a luminous sky 
stretches above filled with white clouds. Canvas. 
Signed and stamped “‘Vente Corot.” 

Height, 20 inches; width, 24 inches. 


Sold in the Corot sale, 1875, (No. 218), to Durand-Ruel. Listed 
and illustrated in Robaut’s “‘ Works of Corot,” Paris, 1905, p. 320. 


(See Illustration.) Wo l- Tit~No ee zi 
Wo. Sarah, 3 denkling « dale “pps. # (4b. Elfoo - A 


EUGENE BOUDIN | } 
1825-1898 


693 MOONLIGHT ON THE HARBOR AT TROUVILLE. 


A number of boats are huddled together at the left, 
beyond which stretches the shore, dotted with even- 
ing lights; on the right is seen a summer hotel and a 
waterman is poling his boat up the river; the water 
is marked by the white reflections of the moon which 
sails above through a clouded sky. Canvas. Signed. 

Height, 13 inches; width, 18 inches. 


J. H. S. KEVER am 
Contemporary Dutch Painter 


694 PLAYING MARBLES. 

The interior of a simple Dutch home shows two 
children, a boy and a girl playing marbles on the 
floor; in the center sits the mother with a child in 
her lap, looking on; a bureau rises at her back and at 
her side a chair on which rests a white teacup. 
Canvas. Signed. 

Height, 20 1-2 inches; width, 26 inches. 

Bought of M. Knoedler & Co., N. Y. 


193 


No. 695. SUPPER-TIME 
By Bernard de Hoog 


—— 


Se 


toy 


= 


BERNARD DE HOOG 
Contemporary Dutch Painter us ) Os 


695 SUPPER-TIME. 


In a simply furnished room with a window at the 
right, through which is caught a glimpse of a garden, 
a woman stands at a bare table pouring milk from a 
kettle into a teacup; on the opposite side a child with 
plate before her anxiously watches the operation. 
On the wall hangs an ornamental Dutch clock, and 
on the shelf above the fireplace stand some green 


plates. Canvas. Signed. 
Height, 39 1-2 inches; width, 31 1-2 inches. 


(See Illustration.) 


oS” 
yo: 
JOSEF WEISS Y 


Contemporary Dutch Painter 


696. MOONRISE. 


In a broad pasture reaching away to a range of hills, 
a scattered flock of sheep are seen grazing. A road- 
way winds through the center of the picture and 
trees are seen at both right and left; above the hills 
a full golden moon is rising reflecting a violet light on 
the clouds and landscape. Canvas. Signed. 

Height, 36 1-2 inches; width, 60 inches. 


Bought from Arthur Tooth & Sons, London. 
195 


0 
O- 


THEODULE RIBOT 
French, 1823-1891 


697 UNE CONFERENCE. 


In the center is seated an old woman wearing a cap, 
her hands folded in her lap; standing on either side 
and seated in front are seen a number of men and 
women, all wearing the caps and long cloaks of the 
peasantry. In the foreground a bearded man holds 
a book in his hand and a pencil with which he records 
the family history. This is the portrait of the artist 
and those about him are portraits of various members 
of his and his wife’s families. Canvas. Signed. 
Height, 40 inches; width, 36 inches. 


From the collection of the Portuguese Minister at Paris. - 


J. M. W. TURNER 
1775-1851 


698 A DREAM OF VENICE. 


On the right rises the palaces and domes of an ethereal 
city before which are clustered barges and gondolas; 
on the left of the canal are vaguely seen buildings 
with numerous boats and gondolas; a luminous sky 
with floating clouds stretches above. Canvas. 
Height, 26 inches; width, 42 1-2 inches. 


This picture was formerly in the possession of the English 
Artist Beechey, who had made an exchange with Turner; later 
the picture came into the collection of Lady Bloomsbury, whence 
it was sold by Robinson and Fisher, London, from whom it was 
acquired by Mr. Fischer. 


196 


R. NOBLE : ‘e 
\ 
Contemporary American Painter y 


699 A BAVARIAN FARM SCENE. 


On the banks of a stream curving through the picture 
rises a white farmhouse with red roof, shaded by tall 
trees; beyond stretches a level meadow bordered by 
a range of hills with a group of cattle grazing; some 
ducks float on the water in the foreground and an 
old man is seen on the bank. Canvas. Signed. 
Height, 36 inches; width, 66 inches. 


This picture was awarded a gold medal at the International 
Exhibition, at Munich. Bought from the artist. 


Ov 
ANTHONY VAN DYKE Y (, 
Flemish, 1599-1641 


700 MADONNA AND THE INFANT CHRIST AT- 
weNDED BY ANGELS. 


Enthroned on clouds, dressed in a blue mantle with a 
scarf floating in the air around her head, the Mother 
holds the infant Christ, who stands on a sphere; 
back of the child an angel in flight, robed in red 
plays a lute, and in front a second angel wrapped in 
a brown mantle holds a violin. Across the sphere a 
serpent trails its length. The radiating glory around 
the heads of Mother and Child add to the splendor 
of the color scheme. Canvas. 

Height, 62 1-2 inches; width, 51 1-2 inches. 

From the Waggaman collection. 


197 


CARLO CRIVELLI 
Italian, 1430-1495 


701 MADONNA ENTHRONED ATTENDED BY SAINTS. 


if 0’ Seated in a throne raised on a dais, which is carpeted 
with a rug, the Madonna holds the Infant Christ 
standing on her knees; the round top of the back of 
the throne forms a background for Her haloed head. 
On Her left stands St. John holding a cross, from 
which floats a ribbon, and by his side a bishop wear- 
ing his jeweled mitre and holding his crozier; at the 
right stands a female saint and another bishop in 
full robes with mitre and crozier. Above their heads 
and beyond the throne appears a luminous sky. 
Canvas. Height, 56 inches; width, 49 1-2 inches. 


This picture has been transferred from a wood panel to canvas. 
The attribution to Crivelli has been generally accepted by Euro- 
pean critics although Dr. Bode thought it might be the work of 
Raffaelino Del Garbo. Purchased from Wallis & Son, London. 


198 


SEVENTH SESSION 


Gold and Enameled Watches, Fobs, Chains, 
Necklaces, Chatelaines, Brooches and 
Rings of marvelous workmanship 
and great brilliancy 


702 SILVER WATCH. 


Joseph Johnson, Liverpool, maker. Double case; 
both outer and inner cases plain. In running order. 


703 A SOUTH AFRICAN WAR MEDAL AND A CRIME- 
AN WAR MEDAL. 


704 A GOLD MINIATURE BROOCH AND A GOLD 
EYEGLASS. 


705 A MEDAL OF OLD COIN OF SAXONY AND A 
CRIMEAN WAR MEDAL. 


706 TWO FOLDING LORGNETTES. 


707 AN AQUAMARINE RING. 
199 


708 


709 


710 


711 


712 


713 


714 


SILVER WATCH. 
Samson, London, maker, 1706. Double case; 


outer repoussé with figures and scrolls, the inner 


plain. In running order. 


A RING WITH TWO LIZARDS. 


Set with rose diamonds. 


SILVER ALARM WATCH. 


No name. With a white enameled dial; the inner 


case is engraved in a flower pattern. In running 
order. 


ROSARY OF WHITE BEADS ON A SILVER GILT 
CHAIN. 
Suspended from the rosary is a Hungarian coin and 
small crucifix set with garnets. 


A PAIR OF HAMMERED SILVER BELT BUCKLES. 


Interlaced ribbon design. 


SILVER WATCH. 
No name. With a white enameled dial and plain 
case. In running order. 


A GOLD EYEGLASS AND AN ENAMELED RELI- 
QUARY. 
Enclosing figures of Adam and Eve and the Serene 


200 


<b ane 


715 


716 


ra 


718 


719 


720 


721 


722 


723 


A GOLD MINIATURE FRAME WITH BOW KNOT 
Use 


SILVER WATCH. 
Vimdvill, London, maker, 1658-1703. Double case; 
the outer repoussé in a pattern of scrolls and figures, 
the inner case plain; silver dial marked with hours 
and minutes. In running order. 


TWO GOLD LORGNETTES. 
A SEAL RING AND A HAIR RING. 


A SILVER GILT MINIATURE FRAME. 


Bordered with a floral pattern having an opening 
at the back for hair. 


METAL WATCH. 
Noname. With white enameled dial; the back enam- 
eled in colors shows two girls in a garden against a 
deep blue ground. In running order. 


A CORAL AND TORTOISE SHELL HAIR COMB. 


PeelORTOISE SHELE LORGNETTE SET WITH 
GOLD. 


TWO CORAL BROOCHES. 
201 


724 A RING WITH HORSES’ HEADS. 


With a rose tourmaline. 


725 SILVER WATCH. 


James Samson, London, maker. Double cover; the 
outer of tortoise shell, the inner cover plain; the 
silver dial marked with hours and minutes has gilt 
hands. In running order. 


726 A CORAL BRACELET. 
727 A SILVER ROSE RING SET WITH BRILLIANTS. “# 


728 SILVER WATCH. 


No name. With a silver engine-turned dial with hour 
and second hands; the back chased and enameled | 
in a scroll pattern. In running order. 


729 TWO GOLD FOLDING LORGNETTES. 


730 AN INDIAN WAR MEDAL AND A SCOTCH SIL- | 
VER SHAWL PIN. 


The silver shield and sword set with a bloodstone. : 


731 A GILT AND ENAMEL CROSS. 
202 


[ee 


733 


734 


735 


736 


ee f 


738 


739 


SILVER WATCH. 


Girardier Laine, maker. The dial is enameled in 
colors with a scene of a soldier and a chateau; the 
back repoussé with figures playing musical instru- 
ments surrounded by a shell pattern. In running 
order. 


A CHASED RING SET WITH PINK AMETHYSTS. 


AN ONYX AND GOLD CROSS. 


The cross of black onyx is overlaid with a cross of 
pearls. 


A SILVER GILT MINIATURE FRAME. 


SILVER WATCH. 


No name. With a white enameled dial and plain 
case. In running order. 


A CORAL MUFF CHAIN. 


A MINIATURE RING AND A SEAL RING. 


SILVER WATCH. 


No name. The face is set with a small dial, also 
two medallions of landscapes in black and _ pink 
enamel. In running order. 


203 


740 


741 


742 


743 


744 


745 


746 


747 


AN ENAMELED RING SET WITH BRILLIANTS. 


SILVER WATCH. 


J. Van Loon, Leyden, maker. Double case; the 
outer chased and repoussé with a historical scene, 


the inner case plain; white enameled dial. In run- 


ning order. 


A CORAL NECKLACE, EARRINGS AND BROOCH. 
; (4 pieces.) 


A SILVER GILT MINIATURE FRAME. 


Encircled with pearls, garnets and emeralds. 


ANTIQUE METAL WATCH. 


Markham, London, maker. The case is pierced in 
a trefoil pattern around a central medallion showing 
“T HS” and a cross; metal dial. In running order. 


TWO SEAL RINGS. 


A GOLD MINIATURE FRAME WITH DOUBLE 
FACE. 


GOLD AND. BLUE ENAMELED CHATELAINE 
AND WATCH. 


No name. The chatelaine is set with the monogram 
“F.M.” in sparks. The watch is encircled front and 
back with pearls, one side enameled in blue with a 
flower decoration in sparks and the reverse side 
engine-turned. In running order. 


204 


748 


749 


750 


751 


152 


753 


754 


AN EMERALD AND RUBY RING. 


Pe oILVERS MINIATURE FRAME ENCIRCLED 
WITH BRILLIANTS. 


METAL WATCH. 


Spencer, London, maker, 1732. Double case; the 
outer case enameled with a scene of two classical 
figures in a landscape; white enameled dial. In 
running order. 


A SILVER GILT MINIATURE FRAME. 


With green and white enamel. 


TWO SILVER CHRONOMETERS. 


Breguet, Paris, maker. With silver dials and plain 
backs. In working order. Enclosed in a wood case. 


A CORAL NECKLACE AND EARRINGS. 
(3 pieces.) 


GOLD WATCH. 


Thomas Jarvis, London, maker. Double case; the 
outer frame encircled with a border of scrolls and 
flowers; the back repoussé with a historical figure 
scene surrounded by shell and flower work. In run- 
ning order. 


205 


755 


756 


757 


758 


759 


760 


LADIES’ GOLD WATCH. 


Josephson, London, maker. Double case; the outer 
case chased in a pattern of scrolls and flowers; the 
back repoussé with scene of a king and queen seated 
on the throne, surrounded by a border of shells and 
flowers. In running order. 


A SILVER GILT MINIATURE FRAME. 
The crowned top is set with a heart-shaped opal. 


GOLD WATCH. 


William Bonner, London, maker. Double case; the 
outer chased and repoussé in a historical scene, sur- 
rounded by a shell border, the inner case plain. In 
running order. 


A GOLD NECKLACE SET WITH TURQUOISES 
AND PEARLS. 


LADIES’ SMALL GOLD WATCH. 


Gaston Jolby, Paris, maker. The front and back 
encircled with pearls, the front open to show a small 
dial; the back studded with pearls set in red enamel. 
In running order. 


A GOLD MINIATURE FRAME. 
With an opening in the back for hair. 
206 


761 


762 


763 


764 


pat 


766 


767 


768 


LADIES’ GOLD WATCH. 


No name. The gold dial is encircled with a laurel 
wreath in relief in vari-colored gold; the back orna- 
mented in relief in a pattern of leaves and roses. In 
running order. 


SILVER GILT MINIATURE FRAME SET WITH 
PEARLS AND DIAMONDS. 


A CHATELAINE CHAIN OF GOLD AND BLUE 
ENAMEL. 


A GOLD OPENWORK BROOCH. 


Of East Indian workmanship set with brilliants. 


GOLD PENDANT NECKLACE. 
Of East Indian workmanship. 


A TURQUOISE SCARF PIN. 


Engraved with a Turkish inscription. 


A SILVER GILT MINIATURE FRAME WITH BOW 
KNOT TOP. 


GOLD REPEATING WATCH. 


No name. With a white enameled dial and engine- 
turned back. In running order. 


207 


769 


770 


tial 


G2 


1k) 


774 


775 


776 


AN EAST INDIAN BROOCH. 


With nine miniature paintings of palaces and cemples 
in a gilt filigree frame set with emeralds. 


A-SILVER?) GIA BUCKEr: 


It is set with turquoises and rubies. 


LADIES’ GOLD WATCH. 


Fra Perigal, London, maker. With a white enameled 


dial with gold hands; the back chased in a flower and 
shell pattern. In running order. 


A GOLD WATCH FOB. 


Agate and crystal seal in a swivel. 


A MINIATURE BROOCH SHOWING THE TAJ 
MAHAL. 


FRENCH GOLD CALENDAR WATCH. 


No name. Engine-turned face and back; the back 
opening reveals a calendar showing the days of the 
month and week. In running order. 


A RUSSIAN CROSS OF BLACK ONYX AND GOLD. 


Set with garnets, carbuncles and pearls. 


Av BROOCH: 
Cupid cut in intaglio. 
208 


eas 


778 


Riek, 


780 


781 


782 


783 


PeesolLD NECKLACE WITH ENAMEL AND 
PEARLS. 


The necklace with three pendants is studded with 
pearls; the center of blue enamel is set with stars con- 
taining pearls and brilliants. 


AN ENAMELED MINIATURE. 
“Venus and Cupid at Play.” 


A CAMEO NECKLACE OF TWELVE CAMEOS. 


Exquisitely cut with mythological and portrait heads 
joined by double chains. 


A PENDANT MADE FROM A CHINESE GOLD 
COIN. 


OBLONG TURQUOISE BROOCH. 


The two leaves are engraved with a Turkish inscrip- 
tion, and are set with four diamonds and a small 
polished turquoise. 


CAMEO MEDALLION SHOWING MALE AND 
FEMALE HEADS. 


Finely cut. 


A CROSS OF SILVER GILT. 


Set with turquoises, rubies and a pearl, in a flower and 
leaf pattern. 


209 


784 


785 


786 


787 


788 


789 


790 


AN ENAMELED PENDANT. 1 
Painted in a Watteau scene set in a filigree border of 
silver gilt, studded with turquoises, emeralds, rubies 
and sapphires. 


A SPANISH GOLD ROSARY WITH CRUCIFIX. 
A chain of nineteen gold chased balls joined with 
small coral beads supports the gold crucifix which is 
studded with gems; a silk tassel forms the handle. 


GOLD REPEATING WATCH. 
F. Esquivillon, Geneva, maker. With a gilt dial with 
white enameled hour plaques surmounted by a figure 
of Father Time between double columns; cornucopias 
of flowers at the right and left. In running order. 


AN EAST INDIAN NECKLACE AND EARRINGS. 


Composed of medallions and chains in a lattice — 
pattern. Finely wrought. (3 pieces.) 


A GOLD BRACELET STUDDED WITH GAR- 
NETS. 


GOLD WATCH AND CHATELAINE. 


No name. The watch of oval form is hung in a swivel 
suspended by two chains; seal and key attached. In 
running order. 


SIX BUTTONS OF CUT STEEL. 
210 


791 


792 


793 


794 


795 


796 


17 


798 


A SMALL CAMEO BROOCH. 


The reverse side is set with a miniature. 
A GOLD MUFF CHAIN. 


A GOLD SEAL FOB. 


A seal showing the letters ““T. H.”’ set in gold chased 
in a scroll and leaf pattern. 


AN EAST INDIAN ENAMELED BROOCH. 


Gold, in a pattern of horsemen, leaves and flowers on 
green enamel. 


AN EAST INDIAN GOLD PENDANT NECKLACE. 


GOLD REPEATING WATCH. 


Vaucher, Paris, maker. With a white enameled dial 
and plain back. In running order. . 


AN EAST INDIAN GOLD AND ENAMELED PEN- 
DELOQUE. 


Gold filigree, in a pattern of elephants, figures and 
flowers on red enamel. 


THREE SEAL RINGS. 
211 


ieee) 


800 


801 


802 


803 


804 


METAL WATCH. 


Breguet, Paris, maker. With a white enameled dial; 


the back is enameled with an oval scene of ahorseman — 


and deer on a blue ground surrounded by a yellow 
band. In running order. 


BELT AND BUCKLE OF CRYSTAL AND SILVER 
GILT: 


The belt is formed of a number of plates pierced and 
each set with ten brilliants, joined by links. The 
buckle is studded with brilliants in the center of which 
are three rosettes of amethysts and pearls. 


AN EAST INDIAN GOLD JOINTLESS SNAKE 
NECKLACE. 


Of marvelous workmanship. 


FRENCH THIN GOLD WATCH. 


No name. The case is engraved with a figure of St. 
Anthony kneeling in prayer before a cross. In running 
order. 


NECKLACE WITH PENDANT. 


The necklace is of amethysts set in silver gilt; the 
pendant a rosette of amethysts surrounded by pearls. 


AN EAST INDIAN GOLD BRACELET. 


It has seven medallions of green and gold enamel in a 
pattern of figures, birds and flowers. 


212 


805 


806 


807 


808 


809 


810 


GOLD WATCH KEY. 
_ Shaped as the head of a dog rising from a scroll base. 


AN EAST INDIAN SILVER BROOCH. 


Shows miniature paintings in medallions of Indian 
palaces, surrounded by a frame of filigree work in leaf 
and flower pattern. 


SUN DIAL AND COMPASS COMBINED. 


The gilt metal plate is chased in a scroll pattern; a 
hinged metal ring marked with the hours. In a 
leather case. 


GOLD FOB. 


The large cut crystal pendant, framed by shells and 
scrolls set with turquoises, is held in a hand suspended 
by six chains. 


GOLD REPEATING WATCH WITH MUSICAL 
ATTACHMENT. 


No name. With a gilt dial chased in a scroll pattern; 
the back engine-turned. In running order. 


PENDANT NECKLACE. 


Of amethysts and aquamarines connected by small 
diamonds. 


213 


811 


812 


813 


814 


815 


816 


GOLD REPEATING WATCH. 
Bordier, Paris, maker. With a white enamel 
bordered by figures of a man and woman in 
colored gold who strike on silver bells on blue « 
eled ground; engine-turned back. In running 


AN EAST INDIAN GOLD BRACELET. — 


With a triple center, crescent-shaped pendant set v 
turquoises, and hung with numerous inscribed 1 me 
lions. 


GOLD FOB. 
Seal of ‘‘M. F.” shown on a draped canopy ina fluted 
setting in the form of ribs, bowknots and tassel. 


ENAMELED WATCH. 
No name. The face and back encircled with sparks; 
back enameled in color showing a garden scene with _ 
two figures. In running order. 


A GOLD BUCKLE. 


A large topaz surrounded by sapphires and rie 
enclosed in an intricate gold framework. 


GOLD BROOCH. 


Enclosing a cut amethyst surmounted by a diamond 
and surrounded by pearls and diamonds in an ara- | 
besque setting. 


214 


817 


818 


819 


820 


820-a 


821 


TWO GOLD WATCH KEYS. 


' Agate seals in a setting chased in a pattern of flowers 
and scrolls. 


GOLD REPEATING WATCH. 
E. F. Verlinden Cnudde, Ghent, maker. With a 


white enameled dial with hour and second dials; the 
back chased with a hunting scene. In running order. 


m GOLD NECKLACE. 


With fifteen green tourmalines and fourteen pearls 
in a gold chain setting. 


GOLD FOB. 
Agate seal; the setting shaped as a dog seated on a 
bank of flowers. 


ENAMELED FIGURE WITH WATCH. 


Enameled metal figure of a man playing a horn and 
wearing a hat formed of a baroque pearl. His body 
is set with a small watch. The circular base is 
ornamented with medallions painted in Watteau 
scenes. Austrian. Height, 6 inches. 


ZODIAC WATCH. 
James Murray, London, maker. The dial shows the 
chariot of Apollo surrounded by a band with signs of 
the zodiac. In running order. 


215 


822 


823 


824 


825 


826 


827 


LADIES’ GOLD WATCH. 


A GOLD MUFF CHAIN. 


SUN DIAL AND COMPASS COMBINED. 


A DOUBLE GOLD LOCKET. 


GOLD FOB. 


GOLD REPEATING WATCH. 


Hamlet, Princes Street, Leicester Square, London, 
maker. With a gilt dial chased and ornamented in ~ 
relief surrounded by a laurel wreath in vari-colored 
gold; the back ornamented in high relief with a bou- | 
quet of flowers in vari-colored gold. In running 
order. ny 


The links are intricately wrought. 


The gilt metal plate is chased in a flower and shell © 
pattern; a hinged ring marked with the hours. In _ 
a leather case. a 


Engraved in a landscape and leaf pattern with the 
monogram “R. H.” 


The agate seal is hung in a swivel setting of scroll 
pattern. 


No name. With a white enameled dial and engine- 
turned back. In running order. (One hand is loose.) 


216 


828 A NECK PENDANT OF UNCUT STONES. 


Set in Roman mat gold in an arabesque and leaf 
pattern. 


- 829 A GOLD AND BLACK ENAMELED SEAL RING. 


830 GOLD REPEATING WATCH. 


Meuron & Company, makers. With a white enameled 
dial, and plain back engraved, “Given to Sydney 
Powell by F. F. Courtenay, Esq., in recognition of 
much valued service during long and severe illness. 
January 1872.” In running order. 


831 TWO SEAL WATCH KEYS. 


In one the agate seal is cut on one side with the let- 
ters ““M. A.” surmounted by an open hand and on 
the other with letters alone. The other has a white 
agate seal. 


832, LADIES’ WATCH. 


Perret, Geneva, maker. Open face; gold dial chased; 
the back enameled in colors in a floral and scroll 
pattern. In running order. 


Boone TOPAZ. NECKLACE. 
With twenty-six topazes set in gold; five pendants. 


834 GOLD WATCH FOB. 


Agate seal; on the reverse side, enclosed, is a basket 
of fruits and flowers in relief in vari-colored gold. 


217 


835, LADIES GODDEW AT GE: 


No name. The white enameled dial shov 
and minutes; the back a shepherdess ar 
landscape wrought in vari-colored gold. 
order. — 


836 GOLD REPEATING WATCH WITH 
ATTACHMENT. 
No name. With a gilt dial chased; the | 


In running order. 


837 TWO GOLD WATCH KEYS. 


One chased in a pattern of leaves and flowers. 
with figure of a dog seated. 


218 


EIGHTH SESSION 


Paintings 
GUSTAVE DORE , 
French, 1832-1883 Wau 
838 THE MANDOLIN PLAYER. L 


A sketch. Canvas. Signed. 
Height, 14 inches; width, 12 inches. 


UNKNOWN PAINTER 


O» 
839 BOY AND GIRL WITH A RABBIT. 
Pane sioned. “°F. v B.” 
Height, 9 inches; width, 12 inches. 
J. F. CROPSEY QO: 
American, 1823-1900 | 


840. A MOUNTAIN LANDSCAPE. 


Beyond a foreground which lies in deep shadow, rises 
a square-towered castle in full light on a rounded hill 
and in the distance a range of rocky mountains; to 
the left a rugged old tree is seen at the foot of which 
aman rests. Canvas. Signed and dated 1850. 
Height, 8 1-2 inches; width, 11 3-4 inches. 


219 


RICHARD N. BROOKE 


Contemporary American Painter 


841 A FRENCH FARM SCENE. 


In a meadow a French peasant 1s seen at work witha ~ 
rake; long low farm buildings with thatched roof: 
stretch along the edge of the field; at the right rises rs t 
a row of tall trees. Panel. Signed. R.N. B. 

Height, 9 inches; width, 9 I-2 inches. 


Bought from the artist. 


UNKNOWN PAINTER 


842 TIBERIUS GRACCHUS INSTRUCTING HIS 


BROTHER CAIUS. 
Panel. Height, 7 inches; width, 6 inches. 


From the collection of Charles O’Connor. 


R. PAREZ 


Contemporary Spanish Painter 


(843) A ROMAN KITCHEN. 


In a lofty dim interior, a woman in a blue skirt and 
pink waist, sits stirring the fire, above which a kettle — 
boils, the smoke rising to make its escape through a — 
wide projecting chimney; on a stone table at the left 
stands a large covered jar and on the floor is an over- 
turned green jug. Canvas. Signed and dated 
“Roma.” Height, 24 inches; width, 17 1-2 inches. 


220 


E. C. MESSER 
Contemporary American Painter 


844 MOONLIGHT. 


A level landscape stretches away toward clumps of 
trees and a distant ridge of hills above which rises a 
yellow moon. The figure of a man followed by a dog 
advances down a path, a second dog is seen at the left 
and in the murky sky small clouds catch the light of 
the moon, which is reflected in a thin stream crossing 
the foreground. Canvas. Signed with initials and 
dated 795. Height, 12 inches; width, 17 1-2 tnches. 


JOHN JACKSON 
English Painter, XVIIIth Century 


845 PORTRAIT OF ADMIRAL NELSON AT THE AGE 
OF 18. 


Wearing a blue jacket with high collar and black 
stock, the blonde-haired, blue-eyed youth gazes direct- 
' ly at the observer; from his waistcoat hangs a gold 
fob. Panel. Height, 10 inches; width, 8 inches. 


CHARLES C. INGHAM N. A. (PROBABLY) 
American, died 1863 


846 PORTRAIT OF ROBERT FULTON. 


In black coat with ruffled shirt, white stock and high 
collar, the inventor is seen, bust length; his right arm 
upraised points to a view of the Hudson River which 
appears in the background; his curly brown hair falls 
low over his brow and his deep blue eyes look search- 
ingly at the spectator; at the left rises a lighthouse. 
Canvas. Height, 25 inches; width, 20 inches. 


22) 


RICHARD N. BROOKE 


= Contemporary American Painter = 


46 847 PINE WOODS. 


VV The slender black trunks of a grove of pine trees rise 
against the sky, their interlaced branches forming a 
canopy above, with here and there patches of light 
breaking through; the ground is strewn with brown 
pine needles, through which grassy patches are visible. 
Academy board. Signed. R.N. B. . 

Height, 11 inches; width, 18 inches. 


UNKNOWN PAINTER 


\0 : 848 A DUTCH INTERIOR. 


Beside a small window in a Dutch cottage an old 
woman sits knitting, over her head is tied a blue ker- 
chief across which she wears her spectacles; behind 
her rises a broad oven beside which stands a low 
bench. On academy board. 

Height, 9 inches; width, 7 inches. 


if 0 ANGELICA KAUFFMANN 


[eve 849 CHASTISING CUPID. 


Venus, nude, with upraised arm, is chastising Cupid, 
who with eyes bandaged, is being carried away on the 
back of a young comrade; another playmate kneels 
astride a quiver at the left. Canvas. 

Height, 19 1-4 inches; width, 17 1-4 inches. 


222 


A. D. WAARTL ae 
English Painter, XVIIIth Century | 


850 SARAH, DUCHESS OF MARLBOROUGH. 

Wearing a brown dress trimmed with blue, with puffed 
sleeves and a kerchief about her neck and a skirt of a 
lighter shade, the duchess sits beside a table holding 
an open book in her lap; her dark hair is simply 
dressed and she looks directly at the spectator. A 
brush and tray are seen on the table and through an 
open window at the back a landscape is visible. 

Canvas. Signed. Height, 19 inches; width, 15 inches. 


a 
N) 


A. D. WAARTL q 


English Painter 


851 JOHN, SECOND DUKE OF MARLBOROUGH. 


Wearing a gray robe lined with blue, held at the waist 
by a brown cord, his grace sits beside the library 
table on which he rests his left arm. He wears a long 
white curled wig, a kerchief is tucked about his 
neck and his right hand is extended; the background 
is formed of a green curtain which is looped back 
disclosing shelves filled with books. Canvas. Signed. 


Height, 19 inches; width, 15 inches. 0 
£ 


UNKNOWN PAINTER 
Dutch School, XVIIth Century 


852 A FRIENDLY VISIT. 
Seated before a bare table a man and woman are 
engaged in conversation; before them is a wine-jug 


223 


and a large dish with a spoon. The figures both in 
type and dress represent the peasant class. Panel. 
Height, 11 inches; width, 9 inches. 


MAX WEYL 


Contemporary American Painter 


853 AUTUMN LANDSCAPE. 


A clump of trees in autumn dress rises beside a stream 
whose waters spread out into wide pools broken by 
reflections. Panel. Signed. 
Height, 9 1-2 inches; width, 17 inches. 
Bought from the artist. 


( 
GILBERT STUART (ATTRIBUTED) 
American, 1755-1828 


854 PORTRAIT OF AARON BURR. 
Wearing a white stock and tie, a brown waistcoat 
which opens showing a white shirt the distinguished 
man is seen in profile at bust length; he wears a white 
wig with queue. Panel. 
Height, 8 inches; width, 6 inches. 


UNKNOWN PAINTER 


855: "PORTRAIT OF igCritiep: 


Dressed in a brown suit a young boy with golden hair 
curling about his ears clasps a young dog in his arms. 
Canvas. Height, 21 inches; width, 17 1-2 inches. 


224 


856 


EUGENE LEJEUNE 


Contemporary French Painter 


A SIMPLE OFFERING. 


At a wayside shrine of the Virgin, a peasant woman 
with her child stops to place a spray of flowers at the 
feet of the statue. Her feet are bare and on the ground 
rests a large water-jug which she will soon fill at the 
spring flowing at the left; the background is formed of 
interlaced forest branches. Canvas. Signed. 

Height, 25 1-2 inches; width, 20 inches. 

Bought from the Joseph Jefferson collection. 


UNKNOWN PAINTER 
English, XVIth Century 


857 PORTRAIT OF EDMUND SPENCER. 


The author of the Faerie Queene is seen at half length 
in full face. He wears a dark dress and wide flat lace- 
trimmed collar of the Elizabethan period tied with 
tasseled cords in front; his hair curls above his high 
forehead and he wears a mustache and _ beard. 
Canvas. Height, 13 1-2 inches; width, 11 1-2 inches. 


RICHARD WILSON 
English, 1713-1782 


858 ITALIAN LANDSCAPE. 


Above a rocky foreground, through which falls a cas- 
cade, rise some houses on the slope of a hill; beyond 
the hill stretch the blue waters of an Italian lake 


225 


bordered by villas and hemmed in by high mountains; 
trees dot the landscape and groups of figures are seen 
here and there. Canvas. 


Herght, 21 1-2 inches; width, 32 inches. 


PHILIP WOUVERMAN 
\ Dutch, 1619-1668 


859 THE HALT FOR REPAIRS. 


Before a stable, two horses are seen unhitched from a 
loaded wagon; the owner, near by, is kneeling on the 
ground, making repairs to the harness, while his wife 
and children stand looking on; in the distance a lady 
on horseback comes over the hill. Panel. 

Height, 6 inches; width, 7 1-2 inches. 


re JACOB VAN RUYSDAEL (ATTRIBUTED) 
) Dutch, 1630-1682 


b 
| 860 THE STORM. 
Several full-rigged ships have sought refuge in the 
harbor from a storm; the choppy waves and lowering 
black clouds indicate its fury; at the right an old hull 
is drawn up on the beach near the fishermen’s cot- 
tages; several small boats are seen making their way 
to shelter; the black clouds breaking away show a 
glimpse of blue sky. Panel. 
Height, 15 inches; width, 19 1-2 inches. 


226 


UNKNOWN PAINTER 
Italian, XVIth Century 


861 THE HOLY FAMILY. 


In a marble-paved court at the base of a pillar the 
Mother sits with the Holy Child on Her lap Who 
reaches over toward the young St. John; St. Anne and 
St. Joseph sit alongside and at the back are angels play- 
ing musical instruments; through the open doorway 
is seen the distant landscape. Tempera painting on 
canvas. Height, 15 inches; width, 12 inches. 


MAX WEYL 
Contemporary American Painter 


862 THE SHEPHERDESS. 


On a pile of rocks in a brown pasture sits a young 
girl in peasant dress and sabots guarding a flock of 
sheep. A hill rises at the right overgrown with a 
stubby growth, and a thin line of trees with a few 
houses borders the horizon. Canvas. Signed. 
Height, 15 inches; width, 21 inches. 


UNKNOWN PAINTER 
Italian School, XVIth Century 


863 THE HOLY FAMILY. 
The Madonna, seated in a shaded nook, holds the 


Infant Christ on Herlap, Wholeans forward toembrace 
the youthful St. John; St. Joseph is seated at the back 
and the head of an angel appears in the background. 
Canvas. Height, 15 1-2 inches; width, 12 1-2 inches. 


The picture is framed in an Italian glass frame with ornamental 
brass mountings. 


227 


AUGUSTUS W. CALLCOTT 
English, 1779-1844 


5, 864 LANDSCAPE WITH SHEEP. 


Through an opening of tall trees advances a flock of 
sheep attended by two men; above the trees stretches 
a golden sky flecked with clouds. Panel. 

Height, 5 1-4 inches; width, 6 inches. 


WILLIAM HAMILTON 
-9 English, 1751-1801 


{ 865 PORTRAIT OF A MAN. 


Dressed in a black velvet coat with satin waistcoat, 
breeches, lace frilled shirt and a high stock, the young 
unknown subject sits with his left arm over the back 
of the chair and holds in his right a book; he wears the 
powdered wig and queue of a former day; his face 
is seen in three-quarter view and looks directly at 
the observer. Canvas. Oval. 

Height, 12 1-2 inches; width, 10 inches. 


~ UNKNOWN PAINTER 
Italian School, XVIth Century 


a 866 MADONNA, INFANT CHRIST AND SAINTS. 
Seated in a high niche, the Mother holds the nude 
Child standing on Her lap; on either hand and before 
Her are ranged figures of saints in adoration. Tem- 
pera painting on canvas. 
Height, 15 inches; width, 12 inches. 


228 


SIR DAVID WILKIE J 


1785-1841 i) \ 


867 THE INTERRUPTED SUPPER. 


A family seated about a table at supper is interrupted 

by the entrance of a cavalier to arrest one of the 

guests; the women rise in alarm and turn to the master 

of the house, who sits at one end; in the foreground 

is a jug with a wine-cooler containing two bottles. 

Canvas. Height, 12 1-2 inches; width, 17 1-2 inches. 
Bought from Arthur Tooth & Sons, London. 


fae 


UNKNOWN PAINTER (ENGLISH SCHOOL) : | ]- 


868 ENGLISH LANDSCAPE. 


On a slight elevation rises a cottage before which 
appear several figures talking with an old woman who 
stands in the doorway; some trees rise at the back, and 
at the right stretches a rolling landscape. Canvas. 
Height, 9 1-2 inches; width, 11 1-2 inches. 


HEYWOOD HARDY u Os, 


Contemporary English Painter 


869 CROSSING THE SANDS. 


A stage-coach, drawn by four horses and accompanied 
by a party of horsemen, is making its way across the 
sands left exposed, save in a few channels, by the out- 
going tide. The coach is filled with passengers and 
among the followers is a woman in a red cloak who 
rides as passenger behind a horseman. Canvas. 
Signed. Height, 18 inches; width, 34 inches. 
Bought of McLean & Company, London. 


229 


ae 


nad 
J 


THOMAS HOVENDEN 
American Painter, 1840-1895 


870 THE NEGLECTED PATH. 


871 ON 


Across a sloping hill-side, thickly grown with leafless 
trees, winds an unused path. At the left a cloaked 
figure is seen through the branches gathering early 
wild flowers. Canvas. Signed. 
Height, 16 inches; width, 22 inches. 
Bought from the artist. 


PAUL MUSIN 
Contemporary Belgian Painter 


THE RIVER SCHELDT. 


Plowing its way through the water, comes a red-hulled 
ocean liner fitted with sails and masts; she leaves a 
plume of black smoke behind; at the left are seen the 
towersand spiresof Antwerp,-at the right passesa small 
sloop with sails spread; above, the blue sky is filled 
with floating white clouds. Canvas. 

Height, 27 inches; width, 20 inches. 


SCHOOL OF FRANCOIS CLOUET 
French, XVIth Century 


872 PORTRAIT OF A PRINCESS. 


In court dress with high ruff and wide flaring collar, 
the young princess looks directly at the observer. She 
wears a red jeweled cap on her blonde hair and a jew- 
eled necklace with a double pendant in the form of an 
eagle; her buff coat is braided with gold and has bows 
of red ribbon on each shoulder. Octagonal panel. 
Height, 19 inches; width, 16 inches. 


230 


WILLIAM COLLINS R. A. 
English, 1814-1847 


| v O> 
S75" A FISHERMAN’S CHILDREN. 


Along the sands which the outgoing tide has left bare, 
two children wander followed by a dog. The larger 
child carries a fish net over her shoulder and the 
smaller a basket on her arm; at the left rises a gray 
headland jutting out to sea; a summer sky with pink 
clouds appears above. Panel. Signed and dated 
1846. Height, 15 inches; width, 12 inches. 
Bought from Arthur Tooth & Sons, London. 


JAN VAN GOYEN i¢ 
Dutch, 1596-1666 


874 LANDSCAPE. 


In the center rises a low hill up which a man is driving 
a flock of sheep toward a horseman who stands on the 
crest; at the foot runs a small stream; some trees 
rise on the banks against a blue sky with masses of 
white clouds. 

Panel. Height, 14 1-2 inches; width, 23 1-2 inches. 


(ay 


RICHARD BRAKENBURG | : 
Dutch, 1650-1702 


ert AVERN SCENE. 


In the dusky tavern a number of men and women 
seated on barrels and benches are engaged in drinking 
and merrymaking. Canvas. 

Height, 8 inches; width, 21 1-2 inches. 


231 


MICHAEL VAN MIEREVELT 
Dutch, 1567-1641 


876 TWO MINIATURE PORTRAITS. 


The two portraits are those of a man and his wife, he 
in wide stiff collar, she wearing the cap and wide ruff 
of her day; they are seen at bust length and are 
people of quality in their time. At the right of the 
man’s head is a coat of arms with an inscription; on 
the woman’s portrait an inscription with the date 
1631. Painted on copper. 

Height, 2 3-4 inches; width, 2 1-8 inches, zach. 

Bought from Wallis & Son, London. 


CORNELIUS BRAGA 
Dutch Painter 


877...A: WAYSIDE TAVERN. 


Ata small Dutch tavern, whose tiled roof is shaded by 
a tall tree, some men are gathered to discuss the local 
affairs with the innkeeper who stands at the door- 
way; in the distance a white horse, saddled, is held 
by a boy awaiting its master. Panel. 

Height, 15 inches; width, 10 inches. 


A VAN DE VELDE 
Dutch, 1656-1672 


878 LANDSCAPE WITH FIGURES. 


At a pool in the foreground two cows and some sheep 
are coming to drink; in the center a herdsman stands 
playing a pipe and at his side a woman sits bathing 


232 


her feet; beyond them rise bushes and trees between 
which is seen the outline of low hills against an even- 
ing sky. Canvas. 

‘Height, 14 1-2 inches; width, 18 inches. 


Bought from Mr. Humphrey Ward, London. 


\ 


ANGELO ALLORI, CALLED IL BRONZINO \ 
Italian, 1502-1572 


879 PORTRAIT OF A FLORENTINE LADY. 


In a dark dress with puffed sleeves and high collar 
open at the neck, and trimmed with colored lace, the 
lady is seen at bust length. She looks directly at the 
observer and her red hair rolled high from her fore- 
head is studded with pearls; she wears a pearl neck- 
lace and pearls hang from her ears. Canvas. Oval. 

Height, 25 inches; width, 19 inches. 


a 


THOMAS GAINSBOROUGH (ATTRIBUTED) 3 | 
English, 1727-1788 


880 PORTRAIT OF A LADY. 


In a white lace gown and wearing long gloves, a young 
woman sits in an arm-chair; her brown hair, simply 
dressed, forms in ringlets about her forehead; in the 
background at the right rises a birch tree. Canvas. 
Oval. Height, 28 inches; width, 23 inches. 


233 


J. M. W. TURNER (ATTRIBUTED) 
English, 1775-1851 


ty 881 THE GRAND CANAL, VENICE. 
On either hand stretch long lines of palaces with a bril- 
liant mass of boats between; conspicuous on the right 
is the church of Della Salute, and on the left a tall 
campanile; above floats a shimmering curtain of cloud 
touched with sunset gold. The whole forms a color 
scheme of great splendor. Canvas. 
Height, 28 inches; width, 35 inches. 
SIR THOMAS LAWRENCE 
English, 1769-1830 
if QO) 882. HEAD OF A YOUNG WOMAN (UNFINISHED.) 

In a low-cut dress, a locket suspended from the chain 
about her neck, a young woman is seen at bust length, 
three-quarters view; her hair is curled about her tem- 
ples; the unfinished background is of light blue. 
Canvas. Height, 21 inches; width, 17 inches. 

Bought from Wallis & Son, London. 
THOMAS GAINSBOROUGH (ATTRIBUTED) 
English, 1727-1788 
1) ‘ORS. 883. PORTRAIT OF A MAN. 
J 


Wearing a black coat and long white wig the clean- 
shaved sitter is seen at bust length against a dark red 
curtain. Canvas. 


Height, 30 inches; width, 25 inches.. 
234 


JOHN RUSSELL (ATTRIBUTED) 


1744-1806 qT) 
884 PORTRAIT OF A YOUNG WOMAN. 


Dressed in a directoire gown of white and wearing 
a red sash, the young woman sits against a clouded 
blue background holding a bouquet of flowers in her 
hand; her mass of black hair is bound with a red 
ribbon and falls in curls down her neck. Pastel. 
Height, 30 inches; width, 25 inches. 


: Or 
MLLE. PHILIBERTE LEDOUX V ) 


Favorite Pupil of Greuze 


885 PORTRAIT OF HER DAUGHTER. 


The young woman is seen, her elbow resting on her 
knee, holding a scarf about her bare shoulders. 
Canvas. Oval. 

Height, 29 1-2 inches; width, 24 inches. 


Admirers of Greuze will recognize the sitter as the girl frequent- 
ly painted by the popular French painter of the XVIIIth century. 


SCHOOL OF MIGNARD 
French, 1610-1695 


886 PORTRAIT OF A LADY. 


In a low-cut blue gown loosely folded across the waist 
which falls open to show a brocade lining, the un- 
known subject looks directly at the observer; her 
hair is dressed simply away from the forehead and her 
gown is edged with a white rufHe. Canvas. 

Height, 30 inches; width, 25 inches. 


) PES 


a 


oy 


UNKNOWN PAINTER 
Italian School 


887 HEAD OF A YOUNG WOMAN. 


In a low-cut dress of dark blue, she is seen at bust 
length, holding a book in her hand; her head is 
turned to one side facing the spectator; her red hair, 
simply dressed, falls in ringlets about her neck. Panel. 

Height, 21 inches; width, 16 inches. 


SCHOOL OF JOHN BAPTISTE GREUZE 
French, 1725-1805 


888 PORTRAIT OF A YOUNG GIRL. 


Wearing a low-cut blue dress, she turns her head to 
one side gazing downward; her curling blonde hair 

~ falls low over her forehead and down the back of her 
neck, and is held in place by a blue fillet. Canvas. 
Height. 11 inches; width, 9 inches. 


SCHOOL OF NATTIER 
1700-1777 © 


889 A COURT LADY OF THE TIME OF LOUIS XVTH 


Wearing a low-cut blue dress trimmed with lace and 
holding a buff silken scarf about her shoulders, the 
lady is seen at half-length. In her powdered hair are 
placed clusters of flowers and a long curl falls across 
her shoulders; her shoulder-straps are held by pearl 
clasps and a pearl pendant hangs from her corsage. 
Canvas. Height, 23 inches; width, 26 inches. 


236 


ae 


JOSE DOMINGO 
Contemporary Spanish Painter ‘ 0 2: 


890 A GARDEN PARTY. 


Along the paved terrace of a chateau garden move a 
number of ladies and cavaliers dressed in XVIIIth 
century costumes; the terrace is bordered with old 
trees whose branches bend down to the earth; at the 
left is seen the red brick French chateau rising 
beyond a broad staircase which leads to an upper 
terrace. Panel. Signed and dated 1898. 

Height, 8 3-4 inches; width, 13 1-2 inches. 


VICTOR DE PAREDES OF 
Contemporary Spanish Painter 


891 COURTYARD OF THE LOUVRE. 


Across the stone-paved courtyard bordered by the 
buildings of the French gallery numerous figures, 
horses, carriages and omnibuses are passing. In the 
foreground a nurse with a child in her arms, followed 
by a dog is seen; beyond rises the Garibaldi Monu- 
ment backed by the trees rising from the small green. 
Canvas. Signed. 

Height, 25 inches; width, 18 inches. 


ra be 
G— 


FRITZ THAULOW 
Contemporary Norwegian Painter 


892 MONTROY SUR MER. 


Above the market place rise the walls of a Gothic 
Cathedral, its red transept roof tinged with the after- 
noon light. In the square a number of figures are 


37 


bo 


nfo 
y) 


passing and a cart and two unhitched horses are 
drawn up against the walls; on the farther side rises 
a row of red-roofed buildings reaching past the pro- 
jecting Lady Chapel. The sky is filled with pink- 
tinted clouds. Canvas. 
Height, 26 inches; width, 32 inches. 
Bought from Arthur Tooth & Sons, London. 


PIERRE MIGNARD (ATTRIBUTED) 
1610-1695 


PORTRAIT OF A COURT LADY. 


Seated in a brown upholstered arm-chair against a red 
curtain falling from the top of a portico seen at the 
back, the lady wears a low-cut dress of black with 
wide lace-trimmed collar. A single strand of pearls 
encircles her neck, and a double strand falls from her 
shoulders across her breast and one strand finishes the 
waist line of her dress. In the center of her corsage 
a cross hangs from a bow of ribbon. In her right hand, 
which rests on her lap, she holds a rose. Canvas. 
Height, 50 inches; width, 40 inches. 


WILLIAM SHACKLETON 
Contemporary English Painter 


894. THE SILVER SEA. 


On a rocky bank which rises high above the sea, two 

nude figures are seen, the woman, her red hair falling 

to her waist, leans her head against the man’s shoul- 

der; above, the sky is tinged with all the colors of the 

prism, far below the silvery sea is discerned. Canvas. 

Signed. Height, 32 inches; width, 39 inches. 
Purchased from The New Gallery, at London. 


238 


MADAME VIGEE LEBRUN 
1755-1842 


895 PORTRAIT OF MARIE ANTOINETTE. 


The queen in blue dress is seen seated, making a most 
imposing decorative picture. It is a replica, painted 
for one of the queen’s daughters, and is one of the lar- 
gest pastels ever painted. 

Height, 88 1-2 inches; width, 56 1-2 inches. 


From the collection of Count Lebzettern. 


SCHOOL OF REMBRANDT 7 1G : 
Dutch, XVIIth Century f : 


896 HEAD OF A MAN. 


Wearing a white shirt with standing ruff, and a crim- 
son mantle about his shoulders, the unknown sitter 
is seen at bust length, looking directly at the specta- 
tor. He wears a mustache brushed upward and an 
imperial; his ‘long hair falls about his neck; on his 
head is a flat cap and upon his breast hangs a chain 
suspending a medallion. Canvas. 

Height, 17 inches; width, 14 inches. 


Formerly attributed to Rembrandt, this was called a Portrait 
of the Artist. 


eer 
L 


NICOLAS LANCRET 
1690-1743 


897 MLLE. CAMARGO. 


The famous danseuse 1s seen in the act of dancing in a 
garden to music furnished by youths near by. She 


239 


O ’ 


(. 


wears a white satin dress trimmed with garlands of 
roses and a blue cape falls from her shoulders. ‘Tall 


trees rise on either hand. Canvas. 
Height, 45 inches; width, 38 inches. 


LUCA GIORDANO 
1632-1705 


898 TWO ALLEGORICAL DECORATIONS. 


One represents Venus in her chariot drawn by dol- 
phins and attended by Neptune and naiads, entering 
the cave of AZolus. The second represents Italia 
directing the crowning of the bust of a painter. 
Canvas. Height, 16 1-2 inches; width, 55 1-2 inches. 


These two overdoor decorations came from a Venetian palace 
and were acquired from J. Goldschmidt of Frankfort. The at- 
tribution is on the authority of Bernhard Berenson. 


GEORGE JAMESONE 
Scotch, 1586-1644 


899 PORTRAIT OF SIR THOMAS CRANE. 


Wearing a red coat bordered with brown fur, which 
is open revealing a white satin waistcoat, he stands 
with one hand on his thigh, the other at his side. 
Beneath a high collar he wears a gold chain across his 
breast, from which is suspended a red and black 
medallion. He wears a Van Dyke beard and his long 
hair escapes from beneath a black cap pushed back 
from his forehead. Canvas. 

Height, 46 1-2 inches; width, 38 inches. 


Sir Thomas Crane was secretary to Charles I. when Prince of 
Wales; member of Parliament from 1614 to 1621; envied by 
courtiers for the numerous favors granted him by the king as 
security for advances. Died in Paris in 1636. 


240 


SIR PETER LELY (ATTRIBUTED) 0? 
1618-1680 


900 PORTRAIT OF ANNA HYDE. 


Seated against a landscape background the lady is 
seen at three-quarters length playing a guitar. She 
wears a low-cut dress of white with a brown over- 
dress which turned back shows a green lining. Her 
hair curls about her temples and a long curl falls over 
her shoulder. The picture shows evidence of having 
been framed as an oval at one time. Canvas. 


Height, 44 1-2 inches; width, 39 1-2 inches. 


: A 
FRANCISCO DE HERRERA yb 
Spanish, 1622-1685 


901 THE KITCHEN. 


Before a table on which are some brass vessels and a 
plucked goose, a young woman stands holding a live 
goose in her arms; the head of a man wearing a cap 
is dimly discerned in the background. Canvas. 
Height, 43 1-2 inches; width, 36 inches. 


| \ 
ELIZABETH NOURSE | 


Contemporary American Painter 


902 CARTOON FOR TAPESTRY—THE MARRIAGE OF 
THE VIRGIN. 

Canvas. Height, 60 inches; width, 156 inches. 

This cartoon painted in color and gold is after Lorenzo di 


Viterbo, 1469. Framed in ebony. Painted to order for 
Mr. Fischer. 


241 


ee 


fo 


st 


ELIZABETH NOURSE 


Contemporary American Painter 


903 CARTOON FOR TAPESTRY—ADORATION OF THE 
MAGI. 


Canvas. Height, 61 inches; width, 89 inches. 


This cartoon painted in color is after the well-known work by 
Gentillis de Fabriano. Framed in ebony. Painted to order for 
Mr. Fischer. 


ELIZABETH NOURSE 


Contemporary American Painter 


904 TWO CARTOONS FOR TAPESTRY—LA FORTEZZA,; 
THE MADONNA WITH THE INFANT CHRIST. 


Canvas. Height, 75 inches; width, 30 inches, each. 


This pair of cartoons painted in color are after the well-known 
paintings by Botticelli. They are framed in architectural frames 
' of ebony. Painted to order for Mr. Fischer. 


PAOLO VERONESE 
1528-1588 


905 “HESTER "BEPORESHE ROD: 


Herod wearing the ermine and crown of office sits on 
a throne above a dais covered with crimson cloth; 
with a scepter in his outstretched hand he touches the 
head of Hester who kneels at his feet. The young 
woman, dressed in a blue and ivory brocaded low- 
cut gown, wears a necklace of pearls with a fillet of 
pearls about her head; she is attended by two maids, 
one in crimson the other in yellow; back of them is a 
white-bearded man holding a book and at the right 


242 


: 
J 


“y 


two young boys richly dressed appear prominently; 
above them a courtier and an old man look on. An 
arched opening in the background shows a distant 
view of buildings. Canvas. 
Height, 70 1-2 inches; width, 90 inches. 
Bought from Martin Colnaghi, London. 


ARTHUR WARDLE 


Contemporary English Painter 


905-a THE ENCHANTRESS. 


On a green bank lies a woman with _heliotrope 
drapery, her black hair loosened, playing with a 
young leopard beneath among Fleur de lis; above 
are two other leopards looking on. Canvas. Signed. 

Height, 62 inches; width, 42 inches. 


Exhibited at the Royal Academy in 1901. 
(See Illustration.) 


243 


No. 905-a. THE ENCHANTRESS 
By Arthur Wardle 


NINTH SESSION 


Necklaces, Chains, Gold and Enameled 
Watches, Fobs, Rings, Brooches 
and Chatelaines 


906 A GOLD DOUBLE WATCH KEY. 


907 A MINIATURE ENAMELED PAINTING IN THE 
WATTEAU MANNER. 


Enclosed in a black case. 


908 TWO ROSARIES. 


One with a wood cross; the other with a silver cruci- 
fix and two medals attached. 


909 SILVER WATCH. 
D. B. Hempstead & Company, New London, makers. 
Double case; both the inner and outer cases plain. 
In running order. 


910 A SEAL RING IN BLUE ENAMEL. 


245 


of an Indian hunter on one side and a deer on 
other. 


the 
“a 


912 SILVER WATCH. 


Denton, London, maker. Double case; both outer 
and inner cases plain. In running order. : 


913 TWO ROSARIES. 


One with a crucifix and mountings of silver. 


914 GILT.METAL WATCH -KEYaEOn: 


With agate seal; the key ona swivel. 


915 GILT METAUSFOR: 
The crystal seal shows portrait of Washington. 


916 A MINIATURE RING SET WITH GARNETS. 


917 A DOUBLE SILVER GILT LOCKET. 


Engraved in a trefoil pattern and a square. 


918 AN ENAMELED RING. 
Set with rose diamonds and rubies. 


246 


919 


920 


221 


922 


923 


924 


925 


A GOLD WATCH FOB. 
With agate seal on the reverse side of which are seen 
the rose, shamrock and thistle in vari-colored gold in 
relief; suspended in a hand held by six chains; the 
clasp and hand set with turquoises. 


A CAT’S-EYE RING. 


AN ENAMELED RING SET WITH ROSE DIA- 
MONDS. 


MINIATURE PAINTING BROOCH ENCIRCLED 
WITH PEARLS. 


SILVER WATCH. 
Wm. Shearman, Philadelphia, maker. Double case; 
the outer chased in an intricate floral pattern, the 
inner case plain; it has a white enameled dial with 
gold hands. In running order. 


A GOLD MINIATURE BROOCH FRAME. 


The bow knot top is set with diamonds and a pearl. 


SILVER WATCH. 


Charles Roskett, Liverpool, maker. Double case; 
the outer chased and enameled in an Arabic design, 
the inner case plain; white enameled dial. In run- 
ning order. 


926 


927, 


928 


929 


930 


931 
932 
933 


934 


A CAMEO RING SET WITH ROSE DIAMONDS. 


NECKLACE OF ONYX BEADS WITH LARGE ONYX 
PENDANT. 


Composed of fifty graduated spherical beads, the 
onyx cut so as to show a white zone about each 
sphere; the flat oval pendant shows a similar white 
zone. 


A SILVER HAIR ORNAMENT. 
Set with brilliants. 


A BROOCH SET WITH EMERALDS. 


CHINESE NECKLACE OF AGATE BEADS. 


The beads are spherical in form and of graduated 
size, each bead showing a white zone. 


A MINIATURE RING. 


FIVE CORAL BUTTONS. 


A SMALL CORAL NECKLACE. 


GOLD FOB WITH MUSICAL ATTACHMENT. 
Oval agate seal with fluted ring. 
248 


935 


936 


937 


938 


PA 


940 


941 


SILVER WATCH. 


James Bell, London, maker. Double case; the outer 
chased with a lattice and scroll design, the inner case 
plain. In running order. 


THREE SEAL RINGS. 


GOLD FOB. 


Three-sided bloodstone seal; the setting in an 
arabesque pattern. 


GOLD WATCH ENCIRCLED WITH BRILLIANTS. 


J. J. Jequier, Lausanne, maker.. In running order. 


THREE ROSARIES. 


One with a silver shield and cross; another with a 
rosette studded with garnets, a gilt metal cross and 
tokens. 


SILVER WATCH SHAPED AS A SKULL STANDING 
ON CROSS BONES. 


No name. With a skeleton dial on a gilt ground. In 
running order. 


A GOLD WATCH FOB. 
Large agate seal suspended from a chased serpent ring. 
249 


NECKLACES, GIRDLES, AND BROOCHES OF EGYPTIAN, 
INDIAN, AND EUROPEAN WORKMANSHIP 


942 


943 


944 


945 


946 
947 
948 


949 


SILVER WATCH. 
Josephson, London, maker, 1760-1790. Double 


case; the outer chased and repoussé with scrolls and 
figures, the inner case plain. In running order. 


PAee Nw AMELED PICTURE FOR THE. BACK OF A 
WATCH. 


A landscape showing figures of a girl, a boy andalamb 
in a border of blue and gold. 


SILVER WATCH. 


Roguemont, Paris, maker, 1816. With white enam- 
eled dial, the back engraved in a series of interlacing 
rings painted in black enamel; overlaid with a gold 
star engraved with a spread eagle. In running order. 


A DOUBLE GOLD LOCKET. 


Engine-turned decoration with a scroll on one side 
marked “Fannie.” 


A SCARAB SCARF PIN. 
A GOLD AND ENAMELED MINIATURE BROOCH. 
TWO GOLD EYEGLASSES. 


SILVER WATCH. 


Robert Roskell, Liverpool, maker. Double case; 
the inner case is plain, the outer one missing. In 
running order. 


251 


950 


951 


952 


953 


954 


955 


956 


A GOLD LORGNETTE AND GILT METAL LODGE 
STAR OF. THE? EAST- 


A SILVER GILT MINIATURE FRAME. 


METAL WATCH. 
Bordier, Geneva, maker. The white enameled dial 
encircled by sparks, and the filigree hands set with 
sparks; the back shows a woman in a garden on a 
blue ground with white border. In running order. 


TWO GOLD SEAL WATCH KEYS. 
In one is a large oval agate with plain setting; in the 
other the seal is engraved with the letter C. 


GOLD WATCH AND CHATELAINE. 
Bardge, Galway, maker, 1813. The watch is orna- 
mented with a relief garland in vari-colored gold; 
the chatelaine formed of three square pieces joined 
by chains. In running order. 


SILVER WATCH. 
James Henderson, Dublin, maker. Double case; 
the outer engraved with a hunting scene, the inner 
case plain; the dial is painted in enamel with land- 
scape and figures. In running order. 


A SILVER GILT BROOCH. 


Five pink topazes and four aquamarines are set in 
silver gilt in an arabesque pattern. 


252 


epee ee CHINESE NECKLACE OF CARVED PEACH 
STONES WITH PENDANT. 


Consisting of thirteen stones marvelously carved with 
figures, flowers, trophies and emblems strung as a 
necklace and pendant. 


956° A GOLD NECK CHAIN. 


The links are studded, the filigree clasp is set with 
turquoises. 


959 ANTIQUE OVAL METAL WATCH. 


No name. With gilt metal dial chased; the back 
pierced and chased in the design of an urn, scrolls 
and flowers. In running order. 


960 ORIENTAL NECKLACE OF AMBER BEADS. 


Composed of twenty-two elongated spheres of amber 
strung on silk cord. 


961 AN EAST INDIAN BROOCH OF GREEN AND GOLD 
ENAMEL. 


In a pattern of figures, flowers and animals. 


962 SILVER WATCH. 
J. Richards, London, maker. With double silver 


case, plain. In running order. 


963 A TOPAZ BROOCH IN A SILVER GILT ENAMEL 
SETTING. 


208 


964 


965 


966 


967 


968 


969 


CHINESE NECKLACE OF DARK JADE. 


There are one hundred and eight spherical beads 
of uniform size ornamented with two pink silk tassels. 


LADIES’ SMALL METAL WATCH. 


Vaucher, Paris, maker. With white enameled dial 
with gilt hands encircled by sparks; the back 
encircled with sparks shows the mechanism through 
a crystal. In running order. 


A LARGE PEARL BROOCH. 


Numerous small pearls are set in an oak and leaf 
pattern with three acorns in the center. 


A GOLD CROSS. 


Set with pink and yellow topazes, with a receptacle 
for hair at the back. 


A SEVEN-STRAND NECKLACE OF SILVER BEADS. 


The beads of uniform size are held by a clasp orna- 
mented with a rosette of silver gilt set with a tur- 
quoise. 


LADIES’ MINIATURE GOLD WATCH. 
No name. In the form of a globe encircled by bands 
of blue and black enamel separated by white stripes, 
the blue and black figured with gold in a pattern of 
leaves and trophies. In running order. 


254 


970 


971 


972 


973 


974 


975 


976 


A GOLD BROOCH. 


Set with a single large carbuncle. 


FIVE ROMAN MOSAIC BUTTONS. 


Roman ruins set in turquoise blue. 


A THREE-STRAND GARNET NECKLACE. 


The cut garnet beads of uniform size are strung in 
three strands with a clasp containing a large cut 
garnet set in silver gilt. 


Pee LOCKETT PENDANT. 


Set with emeralds, rose diamonds and rubies. 


AN ANTIQUE SEAL. 


Unmounted. 


GOLD WATCH. 
Hessen, Paris, maker. With white enameled dial; 
the back enameled in colors showing a female painter 
seated before her easel in a landscape surrounded by 
a band of blue encircled with gold and silver stars. 
In running order. 


A SILVER GILT BROOCH. 


A large carbuncle surrounded by a double row of 
garnets. 


255 


FRENCH WATCHES, PAINTED IN ENAMEL AND ENCIRCLED 
WITH PEARLS AND SPARKS 


977 


978 


979 


980 


981 


982 


983 


984 


A MINIATURE RING SET WITH PEARLS. 


A GARNET NECKLACE WITH FILIGREE SET- 
TING. 


POCHALELAINE OF SILVER GILT. 


Set with turquoises and garnets; three chains. 


LADIES’ GOLD WATCH. | 


Thomas Esquivillon, Geneva, maker. Double case; 
the outer case encircled with sparks; the back shows 
a medallion in colors, a half length figure of a girl 
painted in enamel surrounded by a double border of 
sparks on a ground chased in a flower pattern in 
vari-colored gold. In running order. 


A SILVER RING SET WITH ROSE DIAMONDS. 
A CARBUNCLE BROOCH. 


AN ENAMELED PENDANT—THE MADONNA IN 
GLORY. 
The figure of the Madonna in silver gilt, enameled, 
rests above a crescent surrounded by a glory set with 
rubies and rose diamonds. Old Spanish workmanship. 


GOLD WATCH. 
N. Desward, Louvain, maker. With white enameled 
dial with gold hands; the reverse side shows a 
calendar dial. In running order. 


257 


985 


986 


987 


988 


989 


990 


991 


A MINIATURE RING. 


GOLD REPEATING WATCH. 
Charman, London, maker. With gold dial with hour 
and second hands; the back is plain. In running 
order. 


A NECKLACE OF SILVER GILT. 


Set with emeralds, rubies and pearls. 


ENAMELED WATCH. 
Baillon, Paris, maker, 1760. The porcelain case shows 
a landscape with a shepherdess and sheep painted 
in enamel colors; white enameled dial surrounded 
by an enameled band in color. In running order. 


GOLD REPEATING WATCH. 


No name. With a skeleton dial encircling an archi- 
tectural structure in metal with three figures striking 
on bells. In running order. 


A RING SET WITH EMERALDS AND GARNETS. 


GOLD REPEATING WATCH. 
No name. With an enameled dial with additional 
calendar dial and gold hands; the back chased in a 
scroll pattern on diapered ground; the inner case 
inscribed with ‘“‘La Roche, Rouen, Mai 1794.” In 


running order. 


258 


992 


O95 


994 


995 


996 


aO7 


998 


999 


A MINIATURE RING AND A SEAL RING. 


GOLD REPEATING WATCH. 


No name. With skeleton dial enclosing trophies and 
figures striking silver bells in vari-colored gold; plain 
back. In running order. 


A GOLD NECKLACE WITH BLACK ENAMEL. 


LADIES’ GOLD WATCH. 


Augustin Perrenoud, Ponts-de-Martel, Suisse, maker. 
Of fluted shell shape, the front enameled in a blue 
star, set with diamonds; the back enameled in black 
and blue in a star pattern. In running order. 


AeROsE RING SET WITH BRILLIANTS. 


LADIES’. MINIATURE GOLD WATCH. 


No name. Of shell shape chased on both sides in a 
floral pattern. In running order. 


A GOLD NECKLACE OF EAST INDIAN WORK- 
MANSHIP. 


CHINESE JADE NECKLACE. 
The one hundred beads of green jade, separated at 
intervals by eight amethyst beads and two agate 
beads, all spherical in form, are strung on silk cord 
with braided tassel. 


259 


1000 


1001 


1002 


1003 


1004 


1005 


1006 


A MINIATURE RING SET WITH BRILLIANTS. 


A CAMEO NECKLACE: 


The six cameos of classical subjects, exquisitely cut, 
and set in filigree borders of vari-colored gold, are 
joined by filigree chains. Old Italian workmanship. 


LADIES’ GOLD WATCH. 


Blanc pere et fils, Geneva, makers. Double case; 
the outer enameled with a band of dark blue about 
a chased center; the front encircled with sparks and 
a studded band of colored gold. In running order. 


A NECKLACE OF GARNETS AND PEARLS. 


With pear-shaped pendant; flowers and trefoils in 
an alternating pattern. 


GOLD REPEATING WATCH. 


Breguet & fils, makers. With white enameled dial 
and engine-turned back. In running order. 


EAST INDIAN TURQUOISE NECKLACE. 


Eighteen uncut stones of irregular shape and size 
are joined by a gold link chain. 


NECKLACE OF JADE BALLS. 


The thirty-two graduated jade balls are joined by 
thirty-three smaller gold balls of uniform size. 


260 


1007 


~ 1008 


1009 


1010 


1011 


1012 


GOLD REPEATING WATCH. 


No name. With white enameled dial, engine-turned 
back and fluted edge. In running order. 


SPANISH GIRDLE OF SILVER GILT AND CRYS- 
a. 


A series of scroll-shaped plates, studded with crystal 
and silver balls and ornamented with floral patterns, 
are linked together by silver flowers; the end plate 
is set with a topaz. 


GOLD REPEATING WATCH. 


George Graham, London, maker. Double case; 
the outer is engine-turned with a floral border, the 
inner pierced and chased in a scroll pattern. In 
running order. 


PEARL HAIR ORNAMENT. 


Fashioned in a flower and leaf design. 


NECKLACE OF PALE AMBER BEADS. 


The graduated beads are in the form of flattened 
spheres, the surfaces cut with numerous facets. 


GOLD REPEATING WATCH. 


No name. With a white enameled dial and engine- 
turned back. In running order. 


261 


1013 


1014 


1015 


1016 


1017 


1018 


1019 


NECKLACE OF CHINESE JADE. 
One hundred and eight aquamarine jade beads, 
separated at intervals by twelve agate beads of 
yellow and red, are strung on a silk cord with a 


beaded silk tassel. 


GOLD CALENDAR WATCH. 


Robert Pierpont, maker. With a white enameled 
dial marked with the hours and days of the month; 
three hands; the back plain. In running order. 


GOLD NECKLACE SET WITH EMERALDS sAn@ 
ROSE DIAMONDS. 


Spanish workmanship. 


ORIENTAL AMBER NECKLACE. 


One hundred and eighteen amber beads, separated 
at intervals by green and red beads, are strung on 
a silk cord with tassel. 


A THREE-STRAND PEARL NECKTAGT 


With clasp set with rose diamonds. 


AN EAST INDIAN GOLD JOINTLESS SNAKE 
NECKLACKH® 


Of marvelous workmanship. 


A FIVE-STRAND PEARL NECKLACE: 


With a pendant set with emeralds and rose dia- 
monds. 


262 


1020 


1021 


1022 


1023 


1024 


1025 


1026 


NECKLACE OF AMBER BEADS. 


The graduated beads are in the form of flattened 
spheres, the surfaces cut with numerous facets. 


GOLD REPEATING WATCH. 


No name. The dial of white enamel; the back 
plain. In running order. 


ENAMELED JEWELED PENDANT. 


The square silver frame, enclosing anenameled panel, 
is set with emeralds, pearls, diamonds and_ pink 
topazes. 


ORIENTAL RUBY AND GOLD DOUBLE NECK- 
LACE. 


Composed of twenty-one graduated ruby beads in 
the form of flattened spheres, alternating with 
twenty-three graduated gold thread beads, strung 
in two strands on gold cords. 


A SILVER NECKLACE SET WITH ROSE DIA- 
MONDS AND RUBIES. 


Old Italian workmanship. 


BISHOP’S GOLD CROSS. 


Set with a large emerald and rose diamonds. The 
arms are richly chased with church emblems. 


A GOLD RELIQUARY SET WITH EMERALDS. 
Contains a small figure of a saint, in ivory, colored. 


263 


1027 


1028 


1029 


1030 


1031 


1032 


GERMAN WEDDING RING. 


A ruby and an aquamarine in a quaint enameled 
setting. 


GOLD REPEATING WATCH WITH MUSICAL 
ATTACHMENT. 


A. Liquelle, maker. With spiral edge, gilt dial 
with enameled hour, plaques; the back chased in 
a design of the eye rayed. In running order. 


OLD SPANISH GOLD ROSARY. 


The beads are joined by ornaments in a filigree 
pattern from which is suspended a gold double- 
faced locket enclosing an image of the Madonna in 
ivory touched with gold. Very rare. 


NECKLACE OF JADE BALLS. 


The fifty-two graduated jade balls are joined by 
fifty gold balls with filigree applied ornament. (1 
gold ball missing.) 


OPEN FACE THIN GOLD WATCH, 


J. J. Tobias, Liverpool, maker. The back is chased 
with an eagle and shield; the gold dial chased with 
a landscape. In running order. 


AN EAST INDIAN GOLD MUFF CHAIN. 


Composed of seventy-two gold balls connected by 
chain links. 


264 


1033 


1034 


1035 


1036 


1037 


1038 


A SILVER PENDANT LOCKET BROOCH. 


An oval enameled painting of the muse of music set 
with sapphires, pearls and garnets. 


ORIENTAL NECKLACE OF AMBER BEADS. 
Twenty-seven beads in the form of flattened spheres 


strung on a gilt metal chain. 


AN ORIENTAL BRACELET OF AMBER BEADS. 
Composed of fifteen beads to match the foregoing. 


A GOLD BROOCH. 


Enclosing a large cut topaz, surrounded by pearls, 
emeralds and diamonds in an arabesque setting. 


CAMEO NECKLACE. 


The eight exquisitely cut cameos of classical heads 
set in gold are joined by triple fine gold chains. It 
is of marvelous workmanship. 


NECKLACE OF SMOKED TOPAZES. 


Composed of eighty-eight cut beads, graduated in 
size, strung on a white cord. 


A GOLD NECKLACE. 
Set with garnets and pearls. 
265 


1039 AN EGYPTIAN GIRDLE. 

Formed of a series of square 
red enamel against a green backg 
together by hemispherical brass b 
a row of pear-shaped pendants of 
enamel. 


266 


TENTH SESSION 


Unframed Water Colors 


Water Color Paintings by Dutch, French and English Artists 
Also a group of Bronzes and Gothic Church Symbols 


W. J. BAER 


Contemporary American Painter 


1040 HARBOR SCENE. 
Height, 3 1-2 inches; width, 9 inches. 


LOUIS APUL 


Contemporary Dutch Painter 


-1041 HOLLAND CANAL SCENE. 
Height, 10 1-2 inches; width, 15 1-2 inches. 


A. F. BUNNER 


Contemporary American Painter 


1042 LANDSCAPE WITH MILL. 


Height, 10 3-4 inches; width, 8 1-2 inches. 


267 


1043 STREET SCENE WITH FIGURES. 


1044. FAJIYAMA. 


1045 FIGURE OF A WOMAN. 


1046 CHATEAU SCENE. 


1047 DUNKIRK HARBOR. 


E. HERSON J 
Contemporary Dutch Painter = 


T. KASEKAWA 


- Contemporary Japanese Painter 


SIMONETTI 


Contemporary Italian Painter 


Height, 16 3-4 ‘aches width, 10 3-4 inches. 7 ; “ 


TOLAND 


Height, 20 inches; width, 15 inches : 


F. LETEURTE 


Contemporary French Painter 


Height, 10 inches; width, 16 1-4 inches. 
268 : 


1048 


1049 


1050 


1051 


FELIX OUDART 


Contemporary French Painter 


LANDSCAPE WITH SHEPHERDESS. 


Height, 10 1-2 inches; width, 16 inches. 


J- MILLSPAUGH 


LANDSCAPE. 


Height, 8 inches; width, I1 1-2 inches. 


RIVOIRE 


Contemporary French Painter 


FLOWER PIECE. 


Height, 15 inches; width, 21 3-4 inches. 


H. L. LANDER 


TWO LANDSCAPES IN WALES. 


(2 pieces.) Height, 13 inches; width, 21 inches. 
Height, 11 inches; width, 17 inches. 


V. BLAS 


1052-3 A NEAPOLITAN FISHING-BOAT. 


Height, 21 inches; width, 15 inches. 


269 


f) 


w 


1054 


1055 


1056 


1057 


* sR, DOMINGO 


Contemporary Spanish Painter 


MATADORS. 


pa i eis fin 


‘Height, 10 1-2 inches; width, 14 nee 


W. J. BAER 


_ Contemporary American Painter — 


LANDSCAPE. 
Height, 7 1-2 inches; width, 9 inches | 
R. DOMINGO 
BULL FIGHT. oe aan 
Height, 6 inches; width, 9 1-2 inches. 
LANDSCAPE. 


(2 pieces.) Height, 6 inches; width, 9 inches. 


THEODORE GUDIN E 
1802-1880 oi 


MARINE. 


Signed and dated “1849.” 
aS 5 3-4 inches; width, 9 f -2 tached 


270 


1058 


1059 © 


1060 


1061 


R. DOMINGO 


Contemporary Spanish Painter 


ARTILLERY CHARGE. 


Height, 8 1-2 inches; width, 10 1-2 inches. 


FIGURE OF A MAN. 


(2 pieces.) Height, 14 inches; width, 7 inches. 


VICTOR GILBERT 


Contemporary French Painter 


FLOWER-STORE. 


Height, 12 inches; width, 10 inches. 


R. DOMINGO 


Contemporary Spanish Painter 


A STABLEMAN. 


Height, 8 1-2 inches; width, 5 1-4 inches. 


HORSE’S HEAD. 


(2 pieces.) Height, 7 1-2 inches; width, 5 inches. 


G. LUTZ 


STREET SCENE IN HOLLAND. 


Height, 13 1-4 inches; width, 7 3-4 inches. 


271 


1062 


1063 


1064 


1065 


1066 


R. DOMINGO 


TWO WHARF SCENES WITH FIGURES: 
(2 pieces.) Height, 10 inches; width, 10 inches. 


(AFTER TITIAN) 


SUSANA AND THE ELDERS. 
Height, 10 inches; width, 14 1-2 inches. 


E. PELIKAN 


LANDSCAPE. 
Height, 16 1-2 inches; width, 22 1nches. 


R. DOMINGO 


BULL-FIGHTER. 
Height, 8 inches; width, 9 inches. 


FIGURES. 
(2 pieces.) Height, 9 inches; width, 7 1-2 inches. 


E. SMITH-HALD 


THE FISHERMAN’S WIFE. 
Height, 13 inches; width, 19 1-2 inches. 
272 


1067 


1068 


1069 


1070 


1071 


R. DOMINGO 
HORSEMEN. Height, 9 inches; width, 10 inches. 
CASCAIRO 
LANDSCAPE. 


Pastel. Signed. 


Height, 10 inches; width, 15 inches. 


G. HENKEL 


MAN SMOKING. 


Height, 20 inches; width, 14 1-2 inches. 


R. DOMINGO 


FISHING-BOATS. 


Height, 8 inches; width, 8 1-2 inches. 


BULL RING. 


(2 pieces.) Height, 5 inches; width, 6 1-2 inches. 


ARTHUR WARDLE 


Contemporary English Painter 


JAGUAR AND MACAW. 


Pastel. Height, 9 1-2 inches; width, 13 1-2 inches. 


273 


35 


Cr 


B. L. ROYS 


10727 _ SCENEAN CONSTANTINOPLE. 
Height, Il 1-2 inches; width, 19 inches- 


R. DOMINGO 


1073 STUDY OF A MAN. 
Height, 6 inches; width, 4 1-2 inches- 


WHARF SCENE WITH FIGURES. 
Height, 6 inches; width, 6 1-2 inches. 


THE BULL RING. 
(3 pieces.) Height, 6 1-2 inches; width, 7 1-2 inches. 


G. LUTZ 


1074 DUTCH FISHING-BOATS. 
Height, 10 1-2 inches; width, 14 1-2 inches. 


R. DOMINGO 


1075 THREE FIGURE STUDIES. 
(3 pieces.) Circa. Height, 4 inches; width, 2 1-2 inches. 
274 


1076 


1077 


1078 


1079 


ARTHUR WARDLE 
Contemporary English Painter 


PEACE. 


Pastel. Height, 9 1-2 inches; width, 13 1-4 inches. 


MARIANA 


HEAD OF A MOOR. 


Pastel. Height, 18 inches; width, 13 1-2 inches. 


R. DOMINGO 


LANDSCAPE. 


Height, 6 inches; width, 8 inches. 


FIGURE STUDY. 


Height, 7 1-2 inches; width, 7 1-2 inches. 


STUDY OF HORSES. 


Height, 6 inches; width, 9 inches. 


Peete BULL RING. 


(4 pieces.) Height, 5 1-2 inches; width, 10 1-2 inches. 


E. PELIKAN 


LANDSCAPE WITH CRANES. 


Height, 16 1-2 inches; width, 17 inches. 


275 


_ ARTHUR WARDLE as 
Contemporary ian 5 Palner 


1080 HE, AFRICAN SERVAL. _ i “a 
Pastel. Height, 9 1-2 BAR ‘width, 5 11 inches. 


7 4 = 


a 
“te 
eo” iia A 
a 


. ap 


a 
R. DOMINGO 
Contemporary Spanish Painter . 
ys r 1081 BULL-FIGHT. | ees Pe 
Height, 9 inches; width, 1 0 1 oe ‘inch 
af = ny ae 


WHARF SCENE. _ 3 oe a 
(2 pieces.) diate 9 1-2 inches; width, Th inches. ay 


NASH (AFTER SIR DAVID WILKIE) — 


(0 1082 THE TRAVELER IN SPAIN. ae 
Height, 19 inches; width, ci 6 inches. “4 


G. LUTZ 


¢ “ 1083 SCHEVENINGEN BEACH. 
‘ Height, 10 1-2 inches; width, 14 inches 
276 


R. DOMINGO 


1084 STUDY OF A MAN. 


Height, 5 1-2 inches; 


mLREET SCENE. 


Height, 5 inches; 


STUDY OF A MAN. 
Height, 6 inches; 


STUDY OF A MAN. 


(4 pieces.) Height, 4 inches; 


H. NAKAGAWA 


1085 A GRAY DAY. 
Height, 12 1-2 inches; 


R. DOMINGO 


1086 BULL RING. 


Height, 7 inches; 


A WASH DRAWING. 


Height, 7 1-2 inches; 


A LANDSCAPE. 


(3 pieces.) Height, 5 1-2 inches; 


207 


width, 3 inches. 


width, 3 inches. 


width, 5 inches. 


width, 6 inches. 


width, 19 inches. 


width, 9 inches. 


width, 9 inches. 


width, 9 inches. 


a 


b. 


1087 ALLIGATORS — 


(1088. AMSTERDAM. 


1089 SCENE -IN THE BUEL RING. 


1090. TIGER. 


s es on 
Ld ae 


_ ARTHUR: WARDLE- a 


THE LAST OF THE 
SUN. 


Pastel. 


Height, 10 1-2 inches; width, 14 3-4 inches. 


_ & 


R. DOMINGO IS a 
%,| ae , 


- Height, 11 1-2 inches; widths 1a a 


A WASH DRAWING—OLD BUILDINGS. 
- Height, 15 Ca width, iz inches. > a 


Wes a 


A MOUNTED BULL FIGHTER. 
(3 pieces.) Height, 5 inches; Br. t inches. 


ARTHUR WARDLE 


Pastel. Height, 9 inches; width, 13 inches. 
: 278 ; 


t 


1091 


1092 


1093 


~ 1094 


1095 


CASCAIRO 


LANDSCAPE. 


Pastel. Signed. 


Height, 10 inches; width, 15 inches. 


BIRKET FOSTER 
English, 1825-1899 


LANDSCAPE IN WALES. | 
Signed with initials. 
Height, 6 1-2 inches; width, 9 inches. 


M. NUSBERING 
Contemporary Dutch Painter 


A CITY STREET SCENE. 
Height, 18 1-2 inches; width, 20 1-2 inches. 


ARTHUR WARDLE 
Contemporary English Painter 


AN ALLIGATOR SWAMP. 
Pastel. Height, 8 inches; width, 11 1-2 inches. 


A. J. GROENWEGEN 
Contemporary Dutch Painter 


LANDSCAPE WITH CATTLE. 
Height, 13 inches; width, 20 inches. 


279 


a ; 0; 


rh 


; French, 1822-188 4 


ys 


71006) COAT 


H eight, 4 3-4 fir width, 
From the Rosa Bonheur 28 2 


CHARLES JACQUE 
French, 1813-1894 


i} O 1097 CHICKENS. 


ARTHUR WARDLE 
Contemporary English Painter 


1098 LIONS AT THEIR KILL. : 
Pastel. — Height, 15 inches; width, 23 1-2 inche 


ae 


| . R. DOMINGO 
r Contemporary Spanish Painter 


G 1099 THE OX-TEAM. a 
H ye 12 1-2 inches; “width, 20 inches. 
we 


BILDERS VAN BOSSE 
a ly ‘ Contemporary Dutch Painter 


1100 WOOD INTERIOR. : a} a, 
Height, 17 inches; width, 24 1-2 inches. 
280 


1101 


1102 


1103 


1104 


1105 


PAUL HELLEU 
Contemporary French Painter 


HEAD OF A GIRL. 
Crayon and chalk drawing. Signed. 


Height, 17 inches; width, 17 inches. 


ARTHUR WARDLE 


LIONS AND BUFFALO. 


Pastel. Height, 12 inches; width, 17 3-4 inches. 


ROSA BONHEUR 
, French, 1822-1884 


BULL’S HEAD. 


Height, 4 3-4 inches; width, 6 1-2 inches. 


From the Rosa Bonheur sale. 


F. HOPKINSON SMITH 
Contemporary American Painter 


LANDSCAPE. 


Height, 12 1-2 inches; width, 15 1-2 inches. 


AUGUST VON PETTENKOFFEN 
Austrian, 1821- 


MILITARY SCENE. 


Height, 9 inches; width, 13 inches. 


281 


pene re 
iv ) ; ; ; iy French me ees ae 
Ve neces FIGHTING-BULLS. a 
Crayon drawing: |. ¢ =. ae a 
3 a 16 1 -2 inches; width 23 inches. 

eo 


pits ee 2 
a 
hg 


a 


ARTHUR WARDLE 


: . , ae Se 
| Ot 1107 SERVAL AND LEOPARD. | La 
Pastel. H eight, 10 1-2 inches; width, 1 4 a. 2 inches se) 


W. STEELINK _ 


Contemporary Dutch Painter 


mL 1108 LANDSCAPE AND SHEEP. a 
Height, 16 1-2 inches; width, 24 ss ; '® 


ROSA BONHEUR 
French, 1822-1884 


| 4 4 ) 1109. LANDSCAPE AND DEER. Be 
Signed. Height, 9 inches; width, 13 inches, eae 
sd ‘on 
rg 0 3 JOHN T. HULK 
n fs 1110 SWANS. 
. 


Height, 18 inches; width, 22 1-2 inches. — 
282 3 


1111 


1112 


1113 


. 1114 


£215 


ISAAC ISRAELS 


Contemporary Dutch Painter 


THE LITTLE MOTHER. 


Height, 21 inches; width, 14 1-2 inches. 


J. H. VAN MASTENBROEK 
Contemporary Dutch Painter 


menOLEANTD STREET SCENE. 


Height, 12 1-2 inches; width, 19 inches. 


WILLIAM E. RIP 


Contemporary Dutch Painter 


LANDSCAPE IN HOLLAND. 


Height, 14 1-2 inches; width, 21 1-2 inches. 


PAUL HELLEU "\ 


Contemporary French Painter 


SEUDY OF A GIRL. 
Crayon and chalk drawing. Signed. 


Height, 25 inches; width, 20 inches. 


J. DE JONG 


Contemporary Dutch Painter 


A STREET MARKET SCENE. 


Signed. 


Height, 18 inches; width, 11 inches. 
283 


> 


4 


ae 


rQ) 


1116 


1117 


Vv 
1118 


1119 


1120 


WILLIAM C. RIP 
Contemporary Dutch Painter 


LANDSCAPE. 
Height, 15 1-2 inches; width, 22 inches. 


TONY OFFERMANS 
Contemporary Dutch Painter 


DUTCH INTERIOR WITH FIGURES. 
Signed. Height, 22 1-2 inches; width, 16 inches. 


THEOPHILE DE BOCK 
Contemporary Dutch Painter 


LANDSCAPE. 
Height, 11 inches; width, 16 inches. 


MRS. ALMA TADEMA 
Contemporary English Painter 


TULEPS: 
Height, 28 1-2 inches; width, 21 inches. 


J. H. S. KEEVER 
Contemporary Dutch Painter 


DUTCH INTERIOR WITH CHILDREN. 
Height, 19 inches; width, 28 3-4 inches. 
284 


width, 39 inches. 


Antique Bronzes, Gothic Church Symbols 


1124 GOTHIC CIBORIUM OF SILVER GILT: 


From an oval base rises a tall stem supporting the 
octagonal receptacle whose hinged cover, decorated 
in repoussé in a pattern of scrolls, is crowned by a 
representation of the Madonna and Child; on either 
side stand angels. Spanish workmanship XVth> 
century. Height, 14 inches. 


1125 GOTHIC RELIQUARY IN SILVERSGH Te 


Rising from a circular base the oblong receptacle is 
decorated in repoussé with scenes in the life of 
Christ: “The Last Supper,” “The Kiss of Judas,” 
“Christ Washing the Feet of the Poor Man,” and 
“Christ’s Entry into Jerusalem.” On the four 
corners are tabernacles ending in foliated finials. The 
cover is surmounted by a low dome crowned by the 
figure of Christ on the Cross surrounded by four 
arabesque brackets. Set on a red plush oblong 
base. Spanish workmanship XVth century. 

Height, 10 inches; width, 7 inches. 


1126 GOTHIC -PROCESSIONAL CROSS OFS SIGVEx 
SUT: 


The base is formed of an octagonal Gothic structure 
with figures of saints under canopies framed by 
buttresses ending in tall finials. From this base rises 
the cross whose arms have crocketed borders. Above 
and below and on either side of the silver Cristus are 


286 


applied figures representing the Four Evangelists; on 
the reverse side are applied figures representing the 
Virgin and Child surrounded by figures of three saints 
and above is a representation of the pelican on its 
nest feeding her young. The whole resting on a 
circular base of red plush. Spanish workmanship, 
XVth century. Height, 39 inches. 


1127 BRONZE FIGURE: A ROMAN GIRL. 


Fully draped she stands holding a broken column in 
her right hand and with her left she gathers her robe 
about her waist. French workmanship XVth cen- 
tury. Height, 8 inches. 


1128 BRONZE FIGURE: MINERVA. 


Leaning against a column she stands with upraised 
right hand in which she holds some missing object; 
with her left she holds her drapery about her; her 
head is covered with her warrior helmet; at her feet 
rests a lion. The base is of Italian marble, octagonal 
in form, with silver gilt mouldings. French work- 
manship XVIth century. Height, 17 inches. 


1129 BRONZE FIGURE: A ROMAN WARRIOR. 


Clad in decorated armor with plumed helmet, he 
carries a spear in his right hand and a shield in his 
left. The figure stands on a circular base of red 
antique marble. Italian workmanship XVIth 
century. Height, 20 inches. 


287 


1130 BRONZE GROUP: ST. SEBASTIAN. 


With right arm bound to the trunk of a tree, the 
figure of the saint hangs limp against its base, his 
head falls heavily to his shoulder and his feet are 
lifted from the ground. French workmanship of the 
end of the XVth century. Height, 21 inches. 


1131 BRONZE GROUP OF THE INFANTS aor 
WITH A LAMB. 


Seated on a pile of rocks the young St. John holds the 
lamb to his side with his left hand, and with his 
right gathers his scarf over his shoulder. French 
workmanship XVIIIth century. Height, 17 inches. 


288 


ELEVENTH SESSION 


Bronzes, Rugs, Japanese and English 


1132 


1133 


1134 


1135 


1136 


1137 


Pottery, Arms and Furniture 


TABLECOVER OF OLD IVORY BROCADE. 


Bordered with gold braid. (Soiled and somewhat 
worn.) 50 x 75 inches. 


AN ANTIQUE PISTOL. 


THREE SHORT SWORDS. 


A PAIR OF FENCING FOILS. 


GERMAN CAVALRY SABRE. 


The blade damascened in gold with trophies and 
floral emblems. In a leather scabbard. 


COURT SWORD. 


The hilt is of gilt bronze inlaid with mother-of- 
pearl; the blade damascened in a pattern of leaves 
and trophies. In a black scabbard. 


289 


1138" A BOLO: 


In a wooden scabbard. 
1139 TWO SWORDS. - 


1140 GERMAN COURT SWORD. 
The hilt is of gilt bronze inlaid with mother-of-pearl 
decorated with a spread eagle; the sword blade 
damascened in a pattern of scrolls and trophies. In 
a white enameled scabbard. Eduard Sachs, Berlin, 
maker. 


1141 GERMAN COURT SWORD. 


Similar to the foregoing. In a black enameled 


scabbard. 


1142 A GUN WITH WOOD STOCK AND ORNA- 
MENTAL BRASS MOUNTINGS. 


290 


1143 


1144 


1145 


1146 


1147 


1148 


1149 


Egyptian Pottery 


VASE WITH TWO HANDLES. 


Sphinx decoration in relief. 


THE BULL APIS STANDING ON A BOX BASE. 


The cover is shaped as a pedestal on which stands 
the bull; the base and pedestal with incised decora- 
tion and hieroglyphics; the handles in the form of 
seated deities. 


URN-SHAPED JARDINIERE WITH HANDLES. 


Relief figure decoration on a black ground with 
fret borders. 


COVERED URN WITH HANDLES. 


Relief figure decoration on a black ground. 


VASE WITH DOUBLE LOOP HANDLES. 


Relief flower and figure decoration. 


DOUBLE PITCHER VASE WITH THREE HAN- 
DLES. 


Incised decoration. 


PITCHER VASE WITH LOOP HANDLES. 
Relief animal decoration. 


291 


1150 


1151 


1152 


1153 


1154 


1155 


1156 


1157 


AMPHORA. 


Painted figure decoration. 


A WINGED SPHINX. 


Incised decoration. 


URN-SHAPED VASE WITH TWO HANDLES 
FORMED AS GOATS’ HEADS. 


Incised and relief decoration; two spouts. 


PITCHER VASE WITH HANDLES RES UNG ON 
THREE FEET. 


Relief floral decoration. 


PITCHER VASE WITH THREE HANDLES: 


Incised floral decoration. 


PITCHER VASE WITH FLARING LIP AND GRO- 
TESQUE HANDLE. 


Painted decoration. 


VASE WITH HANDLES. 


Relief decoration of mythological figures. 


SMALL-NECKED VASE WITH HANDLES. 
Shell decoration in relief. 


292 


1158 


1159 


1160 


1161 


1162 


1163 


(1164 


1165 


1166 


URN-SHAPED JAR AND COVER WITH FINIAL 
~ SHAPED AS A FAUN. 


Decorated with figures and acanthus leaves, and 
resting on three feet. 


PEAR-SHAPED VASE WITH HANDLES. 


Relief decoration of sphinxes. 


PITCHER VASE. 


With incised decoration and grotesque mask. 


AMPHORA. 


Raised decoration of horsemen and acanthus leaves. 
A PAIR OF FELLAHEEN BUST FIGURES. 


LONG-NECKED VASE WITH SQUARE EXTEN- 
SION HANDLES. 


Relief figure decoration. 


URN-SHAPED VASE WITH LOOP HANDLES. 


Incised decoration. 


AMPHORA. 


Painted figure decoration. 


A TALL VASE WITH LION HEAD HANDLES. 
Incised figure decoration. 


293 


1167 


1168 


1169 


1170 


Lin 


Li 


1173 


ORIENTAL FIGURE OF A BOY AND GOAT. 


JAR WITH COVER. 
Urn shaped. 


VASE SHAPED AS A WINGED DOG. 


WINE-JUG WITH HANDLE. 


Moorish decoration in relief. 


SUMA POTTERY PLAQUE. 


Decorated with a band of flowers and leaves in 
blue between conventionalized borders on an old 
ivory ground; the center with a floral design in 
red and blue. Diameter, 25 1-2 inches. 


POTTERY PRESERVE-JAR. 


The body is decorated with an arabesque design 
in blue on a blue-gray ground. Hezght, 6 3-4 inches. 


SUMA POTTERY PLAQUE. 


The center shows pansies and other flowers in red, 
yellow and blue on an old ivory ground with four 
borders, and a wide band with edelweis and forget- 
me-nots on a black ground; the outer band is in a 
conventionalized pattern of marguerites. 

Diameter, 25 inches. 


294 


1174 


1175 


1176 


1177 


1178 


1179 


1180 


Silver 


MENU HOLDER. 
Shaped as a cupid supporting a shield. 


TWO OVAL EASEL FRAMES FOR PHOTOGRAPHS. 


Of rococo design. 


TWO PAIRS OF SUGAR-TONGS. 
Ont monogrammed “E. E.;” the other “I.°L. S. 
Jan. 1821.” 


SAUCER CANDLESTICK WITH HANDLE. 


Resting on a base the saucer is repoussé in a leaf 
pattern; the handle chased in a design of classical 
figures. Carrington & Co., London, makers, 1881. 


PeetCUCE CLASP AND CHATELAINE. 
Decorated in a pierced design. London Hall Mark. 


TWO EASEL FRAMES FOR PHOTOGRAPHS. 


Both of rococo design; one for two pictures, the 
other for one. 


SAUCER CANDLESTICK WITH HANDLE AND 
EXTINGUISHER. 

It is chased in a scroll pattern; the handle with 

figure decorations ending in a ram’s head. English, 


1881. 


295 


1181 


1182 


1183 


1184 


1185 


1186 


BOOK COVERS WITH CLASPS. 


The sides are ornamented in a pierced design of 
scrolls with lions holding up an escutcheon. 
Height, 7 inches; width, 4 1-2 inches. 


TROPHY CUP WITH LOOPED HANDLES. 


The bowl decorated in repoussé in a pattern of 
leaves and flowers; -on the front applied is the 
winged Mercury foot resting on a bracket. Tiffany 
& Co., makers. Height, 9 3-4 inches. 


FRUIT BASKET WITH SWINGING HANDLE. 


In a filigree pattern with diamond appliqués. Lon- 


don Hall Mark. Length, 9 1-2 inches. 


A PAIR OF CANDLESTICKS. 


Square bases; baroque design. L. K. D., maker, 
date Height, 12 inches. 


HOT WATER KETTLE AND STAND WITH 
LAMP. 
The kettle has a fluted body with scroll handle; 
the top finial shaped as a leaf and two flowers. 
The stand is supported on three legs formed of 
twisted vines and leaves. 
Height, including stand, II inches. 


THREE-HANDLED LOVING-CUP. 


The body is decorated in a pattern of shells and 
scrolls in relief; gold-lined. Tiffany & Co., makers. 
Height, 7 1-4 inches. 


296 


1187. A PAIR OF TALL CANDLESTICKS. 


Square bases; baroque design. Mark G. A. R. 
Height, 16 1-2 inches. 


1188 TALL SLENDER-NECKED PITCHER. 


Urn-shaped with a looped handle formed as a scroll 
with leaf ornament; about the body of the pitcher 
a processional frieze of classical figures in relief; 
fluted. base; the base and neck ornamented 
with egg and dart mouldings. Gold-lined. Elking- 
ton & Co., London, makers, 1893. 

Height, 17 1-2 inches. 


1189 SILVER CAKE BASKET WITH SCROLL HANDLES, 


Oblong-shape with fluted bottom; the inside of 
the basket chased in a rococo pattern. 
Length, 11 inches; width, 8 1-4 inches. 


1190 TEA SET OF FOUR PIECES. 


Consisting of a teapot, coffee-pot, sugar-bowl and 
creamer decorated with bands in repoussé of mask 
and scroll pattern; fluted bases. 
Height of teapot, 9 inches; height of coffee-pot, 
11 1-2 inches; height of sugar-bowl, 5 1-2 inches; 
height of creamer, 6 1-4 inches. 
297 


1190-2. SILVER EPERGNE, 


A large and important decorative piece of heavy 
silver made for Napoleon III. by Durand and 
signed. Grouped on a reticulated oval base, 
around a centerpiece rising from acanthus leaf and 
lattice standard, are four modeled figures repre- 
senting the four seasons each from eight to ten 
inches high, alternating with four urns on the 
removable covers of which are groups of appro- 
priate fruits, flowers, animals and birds of Spring, 
Summer, Autumn and Winter. The oval top is 
decorated with the modeled figures of two amorini 
playing on pipes surrounded by wheat, ivy leaves 
and other symbols of the seasons. Quality 930, 
1000 fine. Wetght, 1203 ounces, 2 pennywerght; 


extreme height, 22 inches; extreme width, 28 inches. 


1190-b SPANISH SILVER WALL BASIN FOR HOLY 
WATER, XVITH CENTURY. | 

Decorated in relief. Surmounted by a small cross. 

Weight, 25 ounces, 10 pennyweight; 

Height, 16 inches; width, 9 inches. 


Purchased at the sale of the Portuguese Minister, Sanza de 
Rosa. 


1190-c LOUIS XVITH SILVER WINE FOUNTAIN. 


With removable top, covering a vessel of the scale 
and proportion of a garden ornament in marble or 
stone, beaten up in a bold design, culminating in a 
dolphin spout which empties into a large silver 
bowl, shaped as a shell. 
Weight, 16 ounces, 9 pennyweight; extreme height, 
24 inches, width of shell, I1 inches; length of shell, 
16 inches; depth, 5 inches. 


Purchased at Christie’s in London. 


298 


1190-d SPANISH SILVER DISH, LATE XVITH. CEN- 
ORY: 


With repoussé decoration of the double eagle in the 

center of the bottom from which radiate petals 
in relief; rim decorated in repoussé. 

Weight, 12 ounces, 15 pennyweight; 

diameter, 8 1-2 inches. 


Bought at the sale of the Portuguese Minister, Sanza 
de Rosa. 


ote eaik OF TURKISH WALL BRACKETS. 
The back, of architectural form, is crowned by a 
crescent and inlaid with mother-of-pearl and ebony. 
A circular panel at the top shows an Arabic inscrip- 


tion. (Damaged.) 
Height, 31 1-2 inches; width, 11 inches. 


192 ED PORCELAIN PEDESTAL. 


Relief decoration of Renaissance pattern. 
Height, 44 inches. 


(1193 AN ITALIAN HALL-CHAIR. 


With turned uprights, cross braces, and carved top 
in a leaf and escutcheon design; the back and seat 
are inlaid with mother-of-pearl. 


1194 TEAKWOOD SIDE-CHAIR. 
The back and legs are intricately carved in a pat- 
tern of leaves and flowers; the seat is upholstered 
in red plush. 


299 


1195 TEAKWOOD ARMCHAIR. 


The back, arms, and front legs are intricately 
carved in a pattern of leaves and flowers; seat and 
arms upholstered in red plush. 


1196 COCOBOLA WOOD PEDESTAL. 


The shaft in spiral coils rises from a square base; 
the top and bottom are ornamented with carving 
in a shell pattern. Height, 38 inches. 


1197 FRENCH CURIO TABLE IN LOUIS XVITH STYLE. 


Fluted legs with bronze capitals and feet; the bed 

paneled, having ornamental bronze mouldings and 

applied ornament of ribbons and olive branches; 

hinged panel glass top with brass mouldings. The 
interior is lined with mirrors. 

Height, 30 inches; length of top, 32 1-2 inches; 

width, 18 inches. 


1198 OCTAGONAL DRAWING ROOM TABLE. 


The table has eight legs with curved braces support- 

ing an octagonal shelf; the bed forms a pierced 

arcade, and the same design borders the shelf. 
Diameter of top, 42 inches. 


1199 WOOD PEDESTAL. 


The tapering shaft of bird’s-eye maple is ornament- 
ed with gilt mouldings. Height, 43 inches. 


300 


12706" FRENCH STAND IN LOUIS XVTH STYLE, 


The front, top and sides in marquetry of a floral 

pattern; two drawers; bronze mountings of rococo 

pattern. Height, 32 inches; width, 25 inches. 
(See Illustration with Clock.) 


1201 MODEL OF TRAJAN’S COLUMN AT ROME, IN 
RUSSO ANTIQUE MARBLE. 


The shaft of the red column, inscribed with the 
emperor’s conquests, rises from a square base and 
is surmounted by a square gallery upon which 
stands a bronze figure of St. Peter. 

Height, 53 1-2 inches. 


1202> MAHOGANY SQUARE PEDESTAL CABINET. 


The tapering shaft has four panels of beveled glass 
rising from a square base resting on four feet; the 
terminal corner figures and ornamental scrolls are 
of gilt bronze; the top of gray marble. One glass 
shelf. Height, 54 inches; width, 22 inches. 


1203 MAHOGANY CURIO TABLE IN EMPIRE STYLE. 


The deep bed is lined with velour; the glass paneled 

sides and hinged top are ornamented with bronze 
mouldings and inlays. 

Height, 32 inches; length of top, 45 inches; 

width, 23 inches. 


301 


1204 OVAL OLIVE GREEN CURIO TABLE LOUIS 
XVITH STYLE. 

The deep bed lined with red plush; shell and floral ~ 

applied decoration; hinged top with glass panel. 

Height, 29 1-2 inches; length of top, 32 1-2 inches; 

width, 21 1-2 inches. 


1205 MAHOGANY DRAWING-ROOM TABLE IN 
EMPIRE STYLE. 

Tapering square legs terminating in winged sphinxes 

with feet of gilt bronze resting on bronze ball feet; 

two drawers with ornamental bronze pulls and 
mouldings; gray marble top. 

Height, 30 1-2 inches; length, 37 inches; 

width, 22 1-2 inches. 


1206 MAHOGANY WALL CABINET. 


Double glass doors and sides; ornamental brass 
mouldings and inlays. Lined with olive green silk 
plush and fitted with three glass shelves. 

Height, 61 inches; width, 40 inches. 


1207 MAHOGANY LOW CABINET IN THE STYLE OF 
LOUIS XVTH. 
With beveled glass panels on four sides and top; 


gilt bronze mouldings and applied ornament. 
Height, 30 inches; top, 21 x 21 inches. 


1208 BLACK AND GOLD CURIO TABLE LOUIS XVITH 
STYLE. 


Glass panels with ornamental mouldings; the top 
panel of beveled glass is set in a frame with relief 


302 


decoration of garlands and ribbons; one drawer, 

lined with black velvet. The curved braces support 
a box with a beveled glass panel top. 

Height, 31 inches; length of top, 37 inches; 

width, 25 inches. 


1209 TABLE A LA POMPADOUR. 


Satin-wood; the bed inlaid with a floral and ribbon 
pattern; glass top; the under-shelf fitted with a 
mirror. Height, 30 inches; length of top, 31 inches; 

width, 17 inches. 


10 SOLIVE GREEN CURIO ‘TABLE LOUIS XVITH 
SPYLE. 


The bed has glass panels with ornamental mouldings; 

the top panel of beveled glass is set in a frame with 

relief decoration of garlands and ribbons; one 

drawer, lined with black velvet. The curved braces 
support a box with a beveled glass panel top. 

Height, 31 inches; length of top, 37 inches; 

width, 25 inches. 


1211 MAHOGANY CURIO TABLE IN EMPIRE STYLE. 


Cabriole legs with winged lion heads and feet in 

gilt bronze resting on ornamented ball feet of 

bronze. The bed and top of glass with bronze mould- 

ings, brass edge, and ornamental mountings. Lined 
with crimson plush. 

Height, 31 inches; length of top, 35 1-2 inches; 

width, 22 inches. 


303 


1212 SIX ELIZABETHAN DINING-ROOM CHAIRS OF 
ANTIQUE OAK. 


Two arm and four side-chairs. The spiral posts 
support panel backs ornamented with carving of a 
leaf pattern surmounted by rampant lions upholding 
a cartouche. The seats and panel backs are uphol- 
stered in brown leather. 


1213 MAHOGANY CURIO TABLE IN EMPIRE STY ie 


The square legs ornamented with winged sphinx 

heads and feet in gilt bronze resting on four bronze 

ball feet. The bed and top of glass with ornamented 

bronze mouldings, brass edge, and ornamental 
mountings. Lined with crimson plush. 

Height, 32 1-2 inches; length of top, 36 inches; 

width, 22 inches. 


1214 STANDING MAHOGANY WALL CABINET. 


On four cabriole legs with one glass door and glass 
panels; brass top rail. The front is decorated with 
marquetry in a floral pattern and applied gilt bronze 
ornament. 


1215 MAHOGANY STANDING CABINET OF LOUIS 
x VUES 


The base has fluted corner columns and curved glass 
sides with a single bevel glass door. The upper 
part is of the same shape but smaller. Both base 
and top sections are decorated with bands of ormolu 
in arabesque pattern; the edges are bordered with 
gilt bronze in a looped curtain pattern. Finished 
with a bronze top rail. Mirror back and glass 
shelves. Height, 77 inches; width, 43 inches. 


304 


1216 DROP LEAF MAHOGANY LIBRARY TABLE. 
The pedestal rests on an oblong base with four 
carved claw feet. ; | 

Top extended, 55 inches; width, 38 inches. 


1217 DRAWING-ROOM WALL CABINET. 
With serpentine front, arched top, single glass door 
and curved glass sides; decorated with vignetted 
landscapes and figures in Vernis-Martin; gilt 
bronze mouldings and corner mountings; mirror 
back and two glass shelves. 
Height, 62 inches; width, 32 inches. 


1218 MAHOGANY WALL CABINET. 


Carved columns ending in carved leaf finials; deco- 
rated with wood inlays; single glass door, glass sides, 
two shelves and mirrored back. One drawer at the 
bottom. Height, 67 inches; width, 38 inches. 


-1219 MAHOGANY DRAWING-ROOM ROUND CABINET. 
With glass shelves. 


ANOTHER OF SAME STYLE. 


1220 A LARGE WALL CABINET. 


Veneered with tortoise shell and decorated with 
gilt mouldings; single glass door and glass shelves. 
Height, 68 inches; width, 41 inches. 


305 


1221 


1222 


1223 


1224 


DRAWING-ROOM CABINET OF LOUIS XVTH 
DS LE . 


Glass shelves. 


A LARGE WALL CABINET. 


Veneered with tortoise shell and decorated with 
gilt mouldings; single glass door and glass shelves. 
Height, 68 inches; width, 41 inches. 


LIBRARY TABLE OF ANTIQUE OAK. 


The legs, beveled edge and bed are carved in a 
leaf pattern. Length, 69 inches; width, 45 inches. 


EMPIRE MAHOGANY ARMOIRE. 


Fluted corner columns with brass inlays; the lower 

compartment has one shelf and two glass doors; 
the upper has table top and glass panel sides. 

Height, 35 1-2 inches; length, 48 inches; 

depth, 21 inches. 


ARMOIRE IN BOULLE MARQUETRY, LOUIS 
XVTH STYLE. 


The serpentine front has two doors with large oval 
panels ornamented with bronze mountings; corner 
columns are decorated with terminal figures in 
bronze, the base and top outlined with bronze 
mouldings; white marble top. (The marquetry 
slightly damaged.) 

Height, 43 inches; width, 54 inches. 


306 


1226 


1927 


1228 


1229 


1230 


OAK SETTEE IN MISSION STYLE. 


Rush bottom. Length, 78 inches. 


OAK SETTEE IN MISSION STYLE. 
Rush bottom. Length, 78 inches. 


THREE EBONY CHAIR PICTURE RESTS. 


With straight backs and cushioned seats covered 
in green plush, resting on square bases with castors. 


THREE EBONY CHAIR PICTURE RESTS. 


With spindle backs and cushioned seats covered in 
old rose velour. 


FIVE EBONY EASELS. 
Standing on broad feet with double castors and 
adjustable picture rests. 
Four measure, height, 86 inches; width, 30 inches. 
One measures, height, 05 inches; width, 20 inches. 


1231-2 FOUR LARGE WOOD PRINT CABINETS. 


Resting on standard bases with hinged double doors 


at the front and hinged cover tops. 
Height, 48 inches; width, 55 inches. 


ae 


1234 


1235 


1236 


1237 


Oriental Rugs 


TURKISH RUG. 


- In a conventional pattern; the prevailing colors are 
red, blue and yellow. Size, 8 x 5 feet. 


TURKISHe RUG: 


In a pattern of eight medallions of alternating blue, 
red and black on a white ground with a conventional 
border of red and blue. Size, 6x4 feet. 


LARGE TURKISH RUG. 


The medallion center on a red ground, the medallion 
showing a conventional pattern of leaves on a dark 
blue ground; the corners and borders are of a 
lighter blue in conventional patterns. 


Size, 14 x 12 feet. 


PERSIAN PRAYER RUG. 


The blue center has three pillars, the central one 
supporting an urn, above which hangs a lamp; the 
border shows a conventional floral pattern on an 
ivory ground; the prevailing colors are ivory, blue 
and old rose. Size, 6 1-2 x 4 feet. 


PERSIAN PRAYER RUG. 
Another similar to the foregoing. 


308 


1238. PERSIAN PRAYER RUG. 


The old ivory center has three pillars, the central 
one supporting an urn, above which hangs a lamp; 
the prevailing colors are ivory, blue and old rose. 


Size, 6 1-2 x 4 feet. 


1239 TURKISH RUG. 
The center shows three medallions of red on a blue 
ground with triple borders of conventional designs; 
the prevailing colors are blue, ivory, yellow and red. 


Size, 6 1-2 x 4 feet. 


309 


ANDERSON GALLERIES 


EW 
son Avenue at Fort 


THE N 


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, New York 


ieth Street 


terary Property 


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